I copyed the matrix and it’s almost identical to others, and it's supported Katakana. What I to do next?

A pixel font with many supporting glyths.
 

To see the credits and the updates this font had, go to this link: https://docs.google.com/document/d/1iPwWupIDzhaylIN_CCvIek8pBsYvp_LtDbMZXzUk2D4/edit?usp=sharing

P U B L I S H E D   O N   N O V E M B E R   1 8 ,   2 0 2 5
╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾

PW-Blacker Grotesk — a heavy geometric sans-serif font with robust language support. Capital-only.

This font also contains full 3-square-root characters: √, ∛, ∜.

Fractions can also be typed in this font
Syntax fraction typing: [superscript][fraction slash][subscript]
Example: "¹²⁄₃₄₅", while "¹²" is a superscript, " ⁄ " is a fraction slash, and "₃₄₅" is a subscript.

Over 100 language support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Greek, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Please share your thoughts on this font in the comments.

Based on the PIS displays of London Underground Jubilee Line 1996 Stock trains.  Also used on Flexity Swift A32 trams in Istanbul (T1 Kabataş–Bağcılar), South Holland (RijnGouweLijn) and Stockholm (Nockebybanan Line 12 and Tvärbanan Lines 12, 22, 30 & 31), Stockholm Metro SL C20 trains and Stockholm commuter rail SL X60 & SL X62 trains.

Swedish: Baserat på PIS-skärmarna på London Tunnelbana Jubileumslinjen 1996 Lager-tågen.  Används också på Flexity Swift A32 spårvagnar i Istanbul (T1 Kabataş–Bağcılar), Sydholland (RijnGouweLijn) och Stockholm (Nockebybanan Linje 12 och Tvärbanan Linjerna 12, 22, 30 & 31), Stockholms tunnelbana SL C20-tåg och Stockholms pendeltåg SL X60 & SL X62-tåg.

Turkish: Londra Metrosu Jubilee Hattı 1996 Serisi trenlerinin PIS ekranlarına dayanmaktadır.  Ayrıca İstanbul'daki Flexity Swift A32 tramvaylarında (T1 Kabataş–Bağcılar), Güney Hollanda'da (RijnGouweLijn) ve Stockholm'de (Nockebybanan Hattı 12 ve Tvärbanan Hatları 12, 22, 30 & 31), Stockholm Metrosu SL C20 trenlerinde ve Stockholm banliyö treni SL X60 & SL X62 trenlerinde kullanılmıştır.

"One of Total Design's most systematic and most thoroughly researched typefaces was conceived by Wissing: the alphabet for the Rotterdam events venue Ahoy' (1970)."

- Jan Middendorp on "Dutch Type" (2004)

This font is an attempt at a recreation of said typeface. I haven't found most of the glyphs so i tried to make them in a way that resembled this kind of "Crouwel-esque" design.
Hope you enjoy it!
-Pedro

An extension of Patrick H. Lauke’s Zelda II font implementation, with some extra punctuation/symbols/accented letters that aren’t present in the original game, drawn by me. Secret bonus pixel key glyph encoded in the backtick/grave slot (U+0060)

This is a multilingual font, and will likely be a perennial work in progress. Feel free to suggest the addition of new scripts and glyphs, as well as changes to existing glyphs (esp. non-Latin).

Largest font tagged with 'segment'. ≥191 languages supported from 30 scripts (Arabic*, Latin, Cyrillic, Hebrew, Greek, Braille, Emoji*, Bopomofo, Hangul Jamo, Armenian, Katakana, NKo*, Lisu, Lydian, Ol Chiki*, Mro*, Toto*, Tengwar CSUR*, Cirth CSUR*, Shavian, Klingon CSUR, Nag Mundari*, Multani, Pau Cin Hau*, Hanifi Rohingya*, Bassa Vah*, Phagspa, uppercase Cherokee). Partial support for 6 languages (Korean, Japanese, Mandarin, Hokkien, Cia-Cia, Tibetan). 5 game sets supported (Mahjong, Chess, Draughts, Dice, Playing Cards). 14160 B of ROM for a full hardware implementation.

Turkish users, the lowercase i is dotted without serifs and dotless with serifs.

(Burmese is next to be added to this font)

'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.

This font is licensed under OFL.

Inspired by Briem Script.

I am very proud and happy that I have been awarded a staff pick starfish. ⭐️

Arabic is basic, only Arabic, Urdu and Persian are supported. Alternate samvat forms for 2, 3, and 5 digit years are in PUA. If you wanna remove the notch in U+16AEC, then use U+E000.

Only lowercase Georgian mkhedruli is supported.

Currenty working on Quranic annotation symbols.

My ratings dropped from 9.10 to 8.57??? omg these trolls are ANNOYING

( it is now 9.15 so yay :) thx ACSFM )

@AFontAbove No, this is Patrick.

This is a font containing every Latin, Greek, and Cyrillic letter I could find. 

I did this font of my Windows laptop, so some letters may look similar to the default WIndows font.

SPOKOYNOY NOCHI — Revival of famous 1920's Art-Deco lettering
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☛ THE FONTSTRUCTION
Its sort of a reimaginative digitized revival of the famous lettering by Anton Kurvers, designed in 1927 for the Flemish folk theatre in dedication of Joh. de Meester jr. commissioned by Wendingen for the 3rd issue in the 8th series of this famous magazine. It is one of the many graphic designs by his hand. —Its a simple monolinear Art-Deco style unicase lettering with additional full size alphabet set of uppercase glyph alternate forms that is located in the Half Width And Full Width Forms Unicode block. Some global kerning was done, but extra pairs are still required…

☛ EXTRA NOTES ON THE ORIGINAL CREATOR
Antonius (Anton) Kurvers(The Hague, 23 July 1889 - Amsterdam, 29 January 1940) was a Dutch artist. He was a draftsman, lithographer, furniture designer, textile artist, decorative painter, industrial designer, graphic designer and book cover designer that became a prolific letterer in the public sector. Many of his lettering as well as other works can still be seen in public and on buildings throughout the city of Amsterdam. Kurvers was the student of famous Dutch architect Hendrik Wijdeveld(1885-1987) and started during 1911-1914 as a painter of theatre sets in Paris. This was followed by years of stained glass design. After this period he discovered graphic design. In 1919 the Public Works Department of Amsterdam hired Kurvers, and this position Kurvers made an important mark on the design of municipal institutions. He designed various public objects such as the blue Municipal Giro-box in 1926 for Public Works in Amsterdam. He also designed a red Holland mailbox for the Dutch PTT in 1929, as well as a blue postal stamp machine in 1936.

☛ THE FAMOUS MAGAZINE
Wendingen(Dutch: Inversion or Upheaval, literally turns) "monthly magazine for building and decorating" was an architecture and art magazine that appeared from 1918 to 1932. It was a monthly publication aimed at architects and interior designers. A total of 116 issues were published and it served as a mouthpiece for the architect association Architectura et Amicitia(Architecture and Friendship). Its association with Architectura et Amicitia didn't meant the content would at all be limited to just architecture, and specific special attention was paid to both visual and applied arts.

☛ In Modern architecture of the 1920s were three notable movements.
Cubist, Expressionist, Functionalism and Constructivist architecture. All three respectively had their dedicated artistic movements, and typograpy or lettering was no stranger within these movements. Wendingen earned recognition not only through its content, but also by its remarkable square format, but probably most nowadays in modern times for the striking typographic content by artists such as: H. Wijdeveld, A. Kurvers, E. Lissitzky, V. Huszar and many more. Editor-in-chief was Hendricus Theodorus Wijdeveld, another famous Dutch architect and graphic designer. Initially the magazine was an important platform for the Dutch expressionism movement, also known as the Amsterdam School, but later endorsed a post-expressionist spirit, also known as the New Objectivity and was a reaction against expressionism. The primary aim of Wendingen was to enhance the aesthetic quality of architecture and to serve as a source of inspiration for its members.

Wendingen was influential on Expressionist architecture, especially in The Netherlands.
—Another similar Dutch magazine from that era was called De Stijl, but it was more influential on Swiss Style and International Typographic Style.

I hope you like it,

Cheers

500 glyphs! Thats very cool. And because of that, I will make a HUGE extensive update which is comming soon.

------------------------------

I will update this font soon!

Version 1.5

A better version of BM MINI with much more characters. Compatible with English, French, Spanish, Italian, Dutch, Norwegian, German, Portuguese, Hungarian, Danish, Swedish, Icelandic, Finnish, Vietnamese, Russian, Belarusian, Serbian, Ukrainian and Macedonian.

From the Final Fantasy Advance and DS games. Specifically the final version, from FFIV DS. I tried to make it compatible with all languages that use Latin, Cyrillic, and Greek scripts. Plus Japanese Hiragana and Katakana.

If you see problems, let me know.

CHANGES FROM IN-GAME ORIGINAL:
•Added additional letters and diacritics.
•Changed the circumflexed letters to use actual circumflexs instead of inverted breves, so I could add breved letters.
•Used half-pixels to center diacritics over letters.
•Made some diacriticized letters more consistent.

"Sederhana" is an Indonesian word, meaning "simple"

with its simple style, funny looking "V", lack of diagonal lines, and its easy to read!

this font is CAPITAL ONLY!

note for Arab users:

بطريقة ما لا يعمل الجزء العربي من الخط ، لذلك يجب عليك استخدام الأحرف الأساسية النهائية والمتوسطة والأولية للكتابة بدلاً من ذلك
اسف على ذلك :/

somehow the Arabic part of the font doesn't work, so you must use the final, middle, and initial base characters to type instead
sorry for that :/

(نعم أنا أستخدم مترجم جوجل فأنا لست عربي, yes i use google translate, I'm not an Arab)

- Basic Latin

- More Latin

- Extended Latin A and B

- Greek

- Cyrillic

- Arabic

- Armenian

- Georgian

Intended Language Support

عربى-Arabic

հայոց լեզու-Armenian

Беларуская мова-Belarusian

български език-Bulgarian

Hrvatski jezik-Croatian

čeština-Czech

Dansk-Danish

Nederlandse taal-Dutch

English

Esperanto

Français-French

ქართული ენა-Georgian

Deutsch-German

Magyar-Hungarian

Bahasa Indonesia-Indonesian

Italiano-Italian

Қазақ, Qazaq-Kazakh

Melayu-Malay

Polski-Polish

Pусский-Russian

Српски-Serbian

Tagalog

Türk-Turkish

українська-Ukrainian

Based on the lettering seen on a Dutch poster from 1922 Which I think was originally designed by Dutch designer Bart van der Leck.

Inspired by the letters found throughout Betondorp, Amsterdam!

A piece of constructivism inspired by Dutch artistic movement "De Stijl".

A piece of constructivism inspired by Dutch artistic movement "De Stijl".

Recap of the lettering seen on a old brochure by Wendingen for the  "Internationale Theater Tentoonstelling Amsterdam 1922"

The brochure and letters were designed by:

"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).

As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.

Recap of the lettering for "Reis Journaal" by "Duco Perkens" aka "Charles Edgar du Perron" (usually E. du Perron).

OUDVREUGDE'S ONTWAKEN

A recap of the lettering by "Fre Cohen". And as additional supplement I attempted to complete the entire alphabet plus some punctuations.

In loving memory of the great Dutch graphical designer Frederika Sophia (Fré) Cohen(August 11, 1903 – June 14, 1943).

infunctie

Supported languages:

English

French (Français)
German (Deutsch)
Spanish (Español)
Scandinavian alphabet

Latin (Lingua Latina)
Czech (Čeština)
Dutch (Nederlands)
Polish (Polski)
Turkish (Türkçe)
Latvian (Latviešu)

Africa alphabet
Pan-Nigerian alphabet
Americanist 
Khoisan
Pinyin (汉语拼音)
Romanian (Română)

Russian (Русский)
Belorussian (Белоруская)
Bulgarian (Български)
Serbian Cyrillic alphabet (Српска ћирилица)

This might look familiar but it's different ). Unplanned 3rd entry. Dedicated to a Dutch city Enschede where I'm spending last hours of yet another family visit.