https://fontstruct.com/fontstructions/show/1170237/verdisquoThis is a clone of Love-in
WORK IN PROGRESS
https://www.myfonts.com/fonts/paratype/journal-sans-new/display/This is a clone of Ternelles
Mixed-case, low-legibility headline font inspired by '80s-era arcade games and the hard-to-read graffiti bubble letter alphabets of the same time period. Free to use, with attribution, even commercially.
In Soviet times, some book covers were designed with using similar fonts.
http://ru.ffonts.net/MyGalSwoopyNF.fontThis is a clone of Felix
Derived from Nano OK, an earlier font of mine, but with more height and less weight on the capital letters. Having more height makes some of the punctuation less cramped as well. Extends 8 pixels above the baseline and 2 pixels below it. Variable width, with most capital letters 5 blocks wide, plus 1 more for spacing, and lower-case letters varying somewhat, though they are usually slightly narrower. Numbers are unusually narrow to help tell them apart from letters, and are between the lower-case and upper-case letters in height.This is a clone of Nano OK
This is the normal text font used in Daggerfall, the second game in the Elder Scrolls series, released in 1996 by Bethesda Softworks, for MS-DOS.
Arcadical is a geometric sans serif display typface characterized by angled stems, counters, and terminals. It consists of 26 uppercase characters, 10 numerals, and 16 punctuation marks.
Born of a mid-life reminisce, this font was inspired by the arcade culture of the 80's. It was a time when game playing was done at an aracade rather than a game system or computer at home. It could be considered a mix of 80's pop with a major dose of heavy metal since it was a time when music defined fashion and behavior (and both were questionable, in retrospect). Like, totally.This is a clone
A typeface inspired by synthwave music and the art that represents it. The late 1980's and early 1990's landscape is full of amazing creativity that would be great to build off of.
I tried to capture the unique structure the music has to its sound, which is where the block shapes come in. To compliment the music's unpredicability, I made up all the block letterforms out of a "scan-line-esque" pattern.