Just a chip off the ol' block.... or the ol' shoulder :^)

See also: Solidity

A fusion between Roman-style text and pixel art - the sort of font that might have existed in old 80s font software. It's fairly wide and something of a colossus among pixel fonts, hence the name "Verbossus".

This is kerned, but not entirely. I plan for more language support so I don't yet know the entire list of combinations that will need kerning.

In publishing this I've now shared over 30,000 glyphs!

Original size: 13pt (use multiples of this value for pixel perfection)

A simple font out of pixel.

Some work in progress..

But I'm not keen about some of the characters so far.

I came up with an original high-res design, then brickswapped to turn everything into square bricks. The result sort of reminds me of Proxima Punch Pixel Squared, but less art deco and more computer-esque. It has a really old and naive look to it which could make it good for retro-terminal use.

"Buttons Foe" = "Obtuse Font". Not only is it an obtuse font in look and construction, it's reminescent of an era when computers were thought of as adversarial magic voodoo boxes. So both the name and the anagram are equally applicable. :^)

Xenon is an element. I choose xenon as the name only because it sounds cool.

I hope this can inspire you. :)

Inspired by a poster in one of the maps in Team Fortress 2. Serious. No joke

But I took it serious like how serious a rounded font should be treated.

I'll probably make a sans version. Wait for dat

one of microsoft pre-installed font "Broadway"  inspired me. However, fs is not a good tool for curves. I got it great in my way.

black letter version

I made a blocky, industrial sort of style, then added art deco-style line width variation. Then, a couple of tech lines here, a couple of details there, and SHAZAM! We get these 1950's-era raygun-toting space race zippity zap letters. It's a font Marvin the Martian might use...

Original size: 7px (use multiples of this value for pixel perfection)

Fontstruct's first vacuum tube font!

This is a design inspired by Nixie tubes. Since these "tubes" are iconographic, they could theoretically represent 12AX7s, 6L6s, KT88s, or whatever tube/valve you wanted. Feel free to clone and build on this concept.

"N" and "Z" are made to look like bolts of electricity.

A remastered version of the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".

So, rather than a replica of the original, this is a 2018 view of the classic letters. It still follows the global contour of the original letters but instead of being stenciled it features solid glyphs.

Attempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".

Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!

here it is! :D

If you need any letter, leave a comment to tell me :)

Another recap in the ever growing series of attempts to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).

This time I revisited the letters taken from one of his sketches called "Alphabet for cutout letters-c. 1985" and completed it with numerals and some additional punctuations!

The only real differences compared to the original sketch are heavier stroke weight and some letter parts/shapes that were drawn in the original were left out from the recap since they are of no use in a typeface!

As usual I completed the alphabet with numerals and some additional punctuations.

Lowercase characters only!!

DISTANT SHORE is a decorated bold geometric display typeface.

The lettershapes have that typical modern and digital style. Whereas the stripes in the bottom give it that 80's/90's retro feeling!

JUKEBOX is a Retro style bold typeface inspired by classic music advertising and posters. Uppercase letters only.

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

LENA - A classic looking elegant typeface family that comes in 3 different style varriations (solid sans serif, solid serif and inline).

It's a  combined effort designed by: Sed4tives & JingYo.

Click the "STF_JingYo-LENA Family" tag bellow to list the complete family.

LENA - A classic looking elegant typeface family that comes in 3 different style varriations (solid sans serif, solid serif and inline).

It's a  combined effort designed by: Sed4tives & JingYo.

Click the "STF_JingYo-LENA Family" tag bellow to list the complete family.

Simple retro roundish sans serif type.

Inspired by the lettering found on a vintage sheet music cover art for "La Java bousculée" released in 1924. Cover illustration and letters are designed by "Robert Laroche".

I attempted to complete the alphabet and numeral plus some punctuations!

Some people may think I'm carving a niche for this kind of font style. Some people may say "Oni, m'colleague, why don't you branch out and challenge yourself?"

I'm lazy, and I like this font style. So here's another one.

Inspired by the letters found throughout Betondorp, Amsterdam!

Sort of a semi recap of the lettering found on the second issue of Polish avant garde architectural magazine called "PRAESENS".

It got published throughout the first part of the previous century and was similar to other magz from that era such as: DeStijl, Wendingen & Het Overzicht.

It's not super accurate but still a fairly recognizable and cool looking type.  I already made a pro version of this lettering in the past with FontLab Studio, which closely capturing the exact original design.

Kubasta is a monospaced pixel font based on a 5 × 7 grid. It was designed with readability in mind, the glyphs are easily distinguishable from one another and legible even in small sizes. It’s perfectly applicable for retro style interfaces and games.

An earlier version was created with BitFontMaker2 in 2014 and published on GitHub.

Kubasta was used in Beat Cop by Pixel Crow.

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

======================================

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

======================================

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

======================================

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.