Reproduced from Jef Raskin's proportional font system "Two Bit Gothic Proportional Condensed" via a screenshot

In Soviet times, some book covers were designed with using similar fonts.

See more:

https://fontstruct.com/fontstructions/show/603767/redondo_6

https://www.myfonts.com/fonts/naghachian/divan-arabic/heavy/glyphs.html

http://ru.ffonts.net/MyGalSwoopyNF.font

Couldn't decide which version to go with, so I published both.

Derived from Nano OK, an earlier font of mine, but with more height and less weight on the capital letters. Having more height makes some of the punctuation less cramped as well. Extends 8 pixels above the baseline and 2 pixels below it. Variable width, with most capital letters 5 blocks wide, plus 1 more for spacing, and lower-case letters varying somewhat, though they are usually slightly narrower. Numbers are unusually narrow to help tell them apart from letters, and are between the lower-case and upper-case letters in height.

Main dialog and hover font from Beneath a Steel Sky, Revolution Software 1994. Some numbers and many symbols guessed as not used on-screen.

A fun, impractical, blocky typeface.

For reasons...

Includes a few minor invented characters to fill it out a bit.

This is the normal text font used in Daggerfall, the second game in the Elder Scrolls series, released in 1996 by Bethesda Softworks, for MS-DOS.

A retro-modern display font, inspired by video game fonts of the 1980's.

Arcadical is a geometric sans serif display typface characterized by angled stems, counters, and terminals. It consists of 26 uppercase characters, 10 numerals, and 16 punctuation marks.

Born of a mid-life reminisce, this font was inspired by the arcade culture of the 80's. It was a time when game playing was done at an aracade rather than a game system or computer at home. It could be considered a mix of 80's pop with a major dose of heavy metal since it was a time when music defined fashion and behavior (and both were questionable, in retrospect). Like, totally.

A typeface inspired by synthwave music and the art that represents it. The late 1980's and early 1990's landscape is full of amazing creativity that would be great to build off of.

I tried to capture the unique structure the music has to its sound, which is where the block shapes come in. To compliment the music's unpredicability, I made up all the block letterforms out of a "scan-line-esque" pattern.

A bold, simplistic form created for the use of a 80's video game 

A retro version of a lightning themed font that includes Thor's Hammer aka Mjolnir. PLEASE TELL ME IN THE COMMENTS IF YOU ARE GOING TO USE IT COMMERCIALLY.