By request, a skewed, spooky sans-serif. This one may have a bit more evolving to do, but I think it's perfectly useable as is. Needs more symbols and language support... those will come, in time...
If you rehost my designs, you might want to bookmark the ones you like. I update them when I can and often add new language support, aesthetic improvements, and so on. I only publish things early so others have a chance to see designs evolve and lend feedback.
"Xenopyre" is an anagram of "Pyroxene", in much the same way as this design is an analogue of Basalt.
The original Scaffo Stencil - the plain version.
Swapping between the two produces an interesting effect which I'd like to explore more.This is a clone of Scaffo Stencil
A skeletal design related to Candylander, Nyandotte, Straplander, etc. This one works as a stencil and reminds me of dazzle camouflage! There's also a plain version of this which looks much neater and less harsh, but I like this one more.
A font inspired by the use of eggplants in video games. Many video games have unexpected eggplants in them. This is FontStruct's unexpected eggplant.
I decided to fill in the lowercase to add some variety. Hit SHIFT for shiny glyphs.
See also: Spellforged Servitor
A quaint and slightly whimsical serif doodle which quickly turned into something serious!
An experimental slab-serif where the slabs are SQUARES and the crossbars are BONES. I'll add more to this one later.
"Squares & bones! That's all you need t' build a town!" - Reverend A. Beem
An experimental design which looks like it's obscured behind chicken wire. Best used with negative line spacing so the rows form a continuous surface.
A multi-outline design with intentional aliasing.
At the original size, it looks nicely textured. The illusions become more harsh as one zooms in.
Original size: 12.75pt (use multiples of this size for pixel perfection)
By request, a "waffle stencil".
This is an E6x6 broken into nine 2x2 fields. The larger and the more precisely cut it is, the more readable it becomes!
A spirally design which tries its best to be lineal. Check out the "M" to see the "ammonyte". :D
Well, for some time I've wanted to make a font entirely with spirals. This is not that font, but it's as close as I've gotten to actually carrying out the idea. This is also small enough to use for body text, which is likely more than will be able to be said about an actual 100% spiral font.
Original size: 15.75pt (use multiples of this size for pixel perfection)
A busy and sometimes harsh-looking stencil design. It has a structural asymmetry which I think gives it a casual look.
Check out the Pixel views! It looks a bit like a light-up marquee.
Experimental sliced sans serif. My goal here was to make a design which would result in an extremely compact and durable physical stencil. Almost all of the sharp points and acute angles are within the negative space, so it should be easy and very safe to handle and work with this stencil.
If any readers end up constructing this stencil, I'd love to see it! I don't own any CNC tech myself...
1.3 - added More Latin and Google Fonts Basic bands.
1.2 - added uppercase, changed name to "Aegris Stencil".
1.1 - edited for more readability at small size. Glyphs with enclosed loops were altered so that the "movement" of the segments always runs clockwise.
1.0 - released.
This started out as something diamondy and piratey, then turned a bit gothy before finally becoming a bit tridenty or perhaps even braziery. Ya feel me? I'm comin' atcha LIVE from this font description box.
This works best as a display font for short phrases. The name comes from the story by George G. Toudouze. If you went to public school in the USA, you've likely read the story.
Another 2x2 doodle. :^)
Experimental font doodle made with the pizza slice brick. It reminds me of the keeled scales of a viper.
This creates many distinct visual effects depending on size and coloring!
Tribal doodle thing. Still in its experimental phase. It's named for Abraxas, a Tromp from the PC game "Commander Blood". (As it turns out, the same name has many historical and mythological uses.)
From the vault of unpublished doodles, a permutation of earlier ideas.
An experimental logotype and another attempt to create a distinctive design in 2x2. Some words look better than others... it's best for 1-2 word phrases rather than body text.
"B", "P", and "R" are compromise designs... no satisfactory way exists to create their curves while maintaining the optimal line width, so their counters were filled a bit to give them the same sense of solidity as the other letters.
A "denghon" is a giant, many-limbed, extradimensional creature found throughout my games, especially ESOS.
A font made to have a "carved stone" look the likes of which might be found in some ancient underground temple.
Inspired by the many hours I've spent playing a certain platforming roguelike... >.>
A font which evokes a feeling of roving warbands. It looks a bit Wild West, too! It started as one of those blackletter designs with diamond-shaped terminals, but then I experimented on it and now we have this.
A dashed line design made with the new half-arc bricks. The emphasized spurs/stems and off-kilter geometry give it a quirky, almost handwritten quality. Its striped appearance makes me think of candy as well as the Cheshire Cat, thus the name. :D
I doubt the upper case would look as cute as the lower. So I've cloned all LC to UC to make this easier to use...
An evil electromagnetic zigzag tape reel. Looks almost embossed, as if the letters were "pressed" into the waves somehow. In that way it reminds me of old hand-operated label makers. It also makes me think of electricity, TV static, ocean waves, tire tracks, fractured glass, and more depending on font size and color.
The name is inspired by an attack from a notorious NES game, "Dr. Jekyll and Mr. Hyde".
A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
An ornate Goud with lots o' thorns! Now with MORE THORNS.This is a clone of Goud
Rather than serve an ornamental or decorative purpose, this one is made to be as clean as possible so that it works well for body text. It's highly legible at small size, so it could potentially even be a programmer's font!
"Goud" stands for "Garden of Unearthly Delights", the name of an album from the band Cathedral.
A font in which only right turns are allowed. Where lines would be forced to turn left, they are segmented instead.
Even when these glyphs are flipped or transformed, they remain able to be drawn via right turns only!
An attempt to make a Calculatrix with both squares and hexagonal segments. The result doesn't really fit in with the others, but it has a harsh and highly technical appearance about it which I like.
More glyphs later, maybe?
Logotype made by request for a friend.
I went against a few of my own conventions for this one. The close spacing might look a bit strange at times, but it eliminates the need for kerning while also creating a unique look. The overlapping spurs make me think of thorny plants!
This is an original design, but it does make me think of Planescape: Torment when I look at it, thus the name!
Another of Dr. Zeph's* mad experiments! This is an Alien Latin Groovy Minimalist Thingamabob with numerous unique forms of dyslexia-inducing ambiguity. It reads surprisingly well at small size!
* = not a real doctor