SANS SERIFSCO — Humanist / Neo-Grotesque Sans-Serif

A contemporary neo-grotesque sans-serif design with regular weight.

I tried to add subtle diverse and nuanced visual elegance while still remaining minimalistic. Most significant feature is the subtle stroke modulations, distinguishing this from a more geometric style.

Designed to be versatile and suitable for a wide range of different purposes and optimized for legibility in small point size body copy.

The font was constructed on a large grid using linear interpolation (also known as faux-Bézier method). This allowed the most freedom for constructing more complex custom forms, curvatures and all the various stroke modulations.
The font has a total vertical height of 88 square grid units, this is including all optical compensations, ascends / descends and accents.

This Typeface is based off of medieval weaponary and methods of protecting ones self. 

"Crypt" Is a gothic, serif font, inspired by the decorative and intricate details within many cathedrals and church architecture, influenced by such features such as stained glass, gargoyles, petroglyphs and spires.

This font was create around the theme Protect. I explored different areas within this theme and thought of claiming sanctuary in a church during medieval times and how that was a major form of protection. I constructed the letterforms using shapes I’d drawn from church floor plans and gothic architecture. 

Basically MS Gothic resized and edited a bit.
This font gets regular updates also so uh.

LITERA FACILIOR GOTI ― A 'Blackletter' script style with a twist
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Also known as Gothic script, Gothic Minuscule, or Textura, was a script used throughout Western Europe from approx. the 12th untill the 17th century.

This FontStruction was aimed at mimicing the aesthetic approach of a ― ‘Textura’ variant of the Gothic Minuscule script style, more accuratly refered to as ‘Littera Textualis’. This style is most characterized by its strong sturdy letterforms, with distinguishing sharp, straight and angular features as oposed to the other variations in this catagory.

In terms of authenticity to the original predecessing formal script family, my ‘Litera Facilior Goti’ didn't took a whole lot of care for authenticity. The idea was to take a more independent and experimental approach to shaping the letters and forms, so it wasn't necessarily inspired by any specific typeface in particular, it rather recycles certain characteristics of a ‘Textualis Quadrata’, but beyond those aspects of general guidelines it evolved on its own.

Some of the areas where the design tends to really stray away from the tradition is for example the serifs:

It's often that I have some trouble with the weight ratio distribution of serifs and such elements in simplified modular based geometric Blackletter fonts. In many of such designs they tend to have been left pretty static and equal in thickness throughout the full character set. Which I think is often either having some letters look clumsy or even weird, and generally speaking also often making them appear too thick.

So this was one of the things I had to try and adress, I experimented a little with the style and forms of the serifs. Eventually this resulted in multiple deviations in variety to mix and create a more dynamic distribution. similar to what was done in less formal scripts. Over time they became ever further simplified, letterforms that involved less reorientation of the pen, in pursuit of styles that were quicker to write.

But taken as a whole typeface I find that it is having this certain ‘random-ish’ characteristic that is simply working for the better of these particular style fonts.

I'm still working on improving its overall rhymes and reasons to a certain point that is acceptable, balanced and with enough consistency. But up to this stage I personally think that the concept worked out quite successfully so far. And that even despite the fact that its stripped down of most ornamental decorative calligraphic extravaganza, it still managed to capture a convincing portion of that ‘Medieval ’ looks and personal flavour.

But I think that in the end this became a pretty neat looking font and it would classify somewhere between a hybrid mix of simplified Blacklettering and a drunken man's ‘Textualis’.

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―  No filters used!

Cheers!

My first Gothic/Blackletter font

ELEPHANTSO is a sharp re-imagining of a handwriting style I have developed over the last few years.  An alternative name is Gothin Nu Gothick. Other names include Fishbone and Skeleton Key. Enjoy and use responsibly. 

A bold typeface.

BLAYDES - A modern geometric Blackletter style

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Playing around with some more experimental geometric forms for a Blackletter-ish font. It doesn't really involve or honors any actual calligraphic traditions. The font is actually just a simple geometric sans that was modified to sort of faking the looks and style of a Blackletter.

I tried replicating various elements that are traditionally seen in a Blackletter, such as: angular-styled segments such as strokes, transitions, tapered endings or serifs with a different approach. I used a set of circular shapes and variations to these in order to achieve a similar effect.

The end result sits somewhere between this obesed airport Grotesk, a contemporary Blackletter and the work of a bladesmith.

It has some very sharp and pointy tips, and for some reason this often very 'sword-like' forms.

Suggestions?

sarinzu is still better

alts in the private use area

Font created from the logo of Rock Band AC/DC

Only Basic latin almost all charecters are available

--...work in progress...--

Open to comments and Suggestions!

Added diacritics

This is possibly the biggest font I will ever create, and probably the one I'm most proud of at that. The original was built over the course of 4 months, and I'm very, very happy with how it turned out. Along with all of the 25 basic categories, I included 23 of my own - some finished, some unfinished. This has been a long process, sometimes fun, sometimes tiring, but I hope you find this font useful. Luckily, with all of the scripts it works with, it should have a use for everyone :) Please enjoy!

I am open to comments, suggestions and any other feedback. If you would like me to add another script, I am open to the task! :)

Edit: It's been more than a year and I'm still going strong! 6731 characters total. Trying to knock-off some smaller / less used scripts. :)

This is the Plane 1 font of the GS Unicode 2.0 font series.  I've split this font up by plane since font files have a technical limit of 65,535 glyphs.

This font will be made up of U+0020 and U+10000~U+1FFFD, which add up to exactly 65,535 code points.

Things that are planned but not fully implemented yet are italicized.

Links to planes (I'll most likely be posting updates related to this series as a whole in the Plane 0 font):

Plane 0: here
Plane 1: [THIS FONT]
Plane 2
Plane 3
(No Unicode characters exist in Planes 4 through D as of U14.0)
Plane E: here
Plane F: here
Plane 10: here

PUA assignments can be found in the Plane 0, F, and 10 fonts.

Feel free to recommend PUA assignments!

Also, it's more than likely I won't know every script well enough that there won't be any mistakes.  If/when I make a mistake, please tell me and I'll do my best to fix it!

A very tall, thin gothic font. It was made specially for Halloween, and will be perfect for spooky designs, but it'll work great for non-seasonal designs as well. It could also be said to resemble nordic runes, or to have a modern ethnic vibe.

Nothing like helvetica, but think of this as a rejected spooky, emo cousin. 

This bold, vampy font has a sharp edge perfect for halloween and gothic occasions. 

This is the Plane F font of the GS Unicode 2.0 font series.  I've split this font up by plane since font files have a technical limit of 65,535 glyphs.

This font will be made up of U+0020 and U+F0000~U+FFFFD, which add up to exactly 65,535 code points.

Things that are planned but not fully implemented yet are italicized.

Links to planes (I'll most likely be posting updates related to this series as a whole in the Plane 0 font):

Plane 0: here
Plane 1: here
Plane 2
Plane 3
(No Unicode characters exist in Planes 4 through D as of U14.0)
Plane E: here
Plane F: [THIS FONT]
Plane 10: here

PUA assignments:

F0000~F0E6F - Kinya Syllables
F0E70~F16AF - Pikto
F16B0~F16FF - <reserved for future (U)CSUR allocations>
F1700~F18FF - Semtog
F1900~F19FF - sitelen pona
F1A00~F1AFF - <reserved for future (U)CSUR allocations>
F1B00~F1C3F - Shidinn
F1C40~F1FFF - <reserved for future (U)CSUR allocations>
F2000~F23FF - canIPA Extensions
F2400~F27FF - Phonetic Extensions-1
F2800~F297F - MUFI Extensions
F2980~F3BFF - Latin Extended-2
F3C00~F3FFF - Phonetic Extensions-2
F4000~F41FF - Greek Extended-2
F4200~F43FF - Cyrillic Extended-2
F4400~F44FF - Georgian Extended-1
F4500~F4FFF - <unassigned>
F5000~F511F - Voynich
F5120~F513F - Cistercian Cipher
F5140~F51DF - Tironian Notes
F51E0~F5D9F - <unassigned>
F5DA0~F5DAF - Camp Duodecimal Numerals
F5DB0~F5DFF - Kodo Symbols
F5E00~F5FFF - Kamakawi
F6000~F603F - Lakota
F6040~F7FFF - <unassigned>
F8000~F81FF - Sylabica Extended-1
F8200~FAFFF - <unassigned>
FB000~FB07F - Djenpa
FB080~FB0FF - <reserved for Oneiric Conscripts>
FB100~FB17F - Vinhorai
FB180~FB1FF - Sirboan
FB200~FB27F - Xiphosee
FB280~FB2FF - Minirasse
FB300~FB37F - Anemoian
FB380~FB3FF - Nihilezhxa
FB400~FB47F - Aa-Infinitio
FB480~FB4FF - Kaioloko
FB500~FB9FF - <reserved for Oneiric Conscripts>
FBA00~FBA7F - Xiphosee Cursive
FBA80~FBFFF - <reserved for Oneiric Conscripts>
FC000~FC02F - Camellian
FC030~FC07F - Muric
FC080~FC0BF - Aliphbepf
FC0C0~FC0DF - Kaotican
FC0E0~FC0FF - Andorian
FC100~FCEFF - <unassigned>
FCF00~FCF2F - Moj
FCF30~FCF4F - Ajan
FCF50~FDEFF - <unassigned>
FDF00~FDFFF - <reserved for merrybot_v2>
FE000~FE01F - <reserved for Erictom333>
FE020~FE02F - Raichi-2
FE030~FE06F - Orange Sheet Ideographs
FE070~FE08F - A20
FE090~FE0CF - Aereian
FE0D0~FE10F - A56
FE110~FE15F - Pargy
FE160~FE17F - Early Gerudo
FE180~FE19F - Tone Letters Extended-1
FE1A0~FE1BF - Combining Diacritical Marks Extended-2
FE1C0~FE1FF - <reserved for Erictom333>
FE200~FE3FF - Yoshiese Ideographs
FE400~FE41F - Minecraftian Supplement
FE420~FE6FF - Minecraftian
FE700~FE77F - Hylian
FE780~FE79F - Gerudo
FE7A0~FE7DF - Gerudo Presentation Forms
FE7E0~FE7FF - L8
FE800~FE87F - Legend of Zelda Symbols
FE880~FE8BF - Super Smash Bros Symbols
FE8C0~FE8FF - Fantendo Smash Bros Symbols
FE900~FE97F - Mathematical Symbols Extended-1
FE980~FE9BF - Symbols and Punctuation Extended-2
FE9C0~FE9FF - Number Forms Extended-1
FEA00~FEBFF - <reserved for Erictom333>
FEC00~FEC0F - Gothic Extended-1
FEC10~FEC3F - Arabic Extended-1
FEC40~FECBF - <reserved for Erictom333>
FECC0~FECFF - Cyrillic Extended-3
FED00~FED5F - Tatar
FED60~FED7F - <reserved for Erictom333>
FED80~FEDAF - Script Gerudo
FEDB0~FEDFF - Script Gerudo Presentation Forms
FEE00~FEEFF - Mitrata Lipi
FEF00~FEF3F - Featural Minecraftian
FEF40~FEF8F - African Transitional
FEF90~FEFFF - <reserved for Erictom333>
FF000~FF4BF - <unassigned>
FF4C0~FF4EF - Ath
FF4F0~FFEFF - <unassigned>
FFE00~FFE1F - Adobe Compatibility Forms
FFE20~FFEFF - Apple Compatibility Forms
FFF00~FFFEF - Fragments
FFFF0~FFFFF - Plane F Specials

Additional PUA assignments can be found in the Plane 0 and (eventually) 10 fonts.

Feel free to recommend PUA assignments, though if it's a smaller block (i.e. ~256 characters or fewer), I might recommend the BMP PUA.

Also, it's more than likely I won't know every script well enough that there won't be any mistakes.  If/when I make a mistake, please tell me and I'll do my best to fix it!

A gothic-style simple font based on sharp and clean lines.

a pixelated unicode font that can be read at small sizes.

14 sept '22, 17:47:11 hkt / massive update. added coptic, spacing modifier letters and improved readability.

An attempt to encode Old Italic in the SMP.