Its a clone made slightly more squarish in the round corners.

Still work in progress, purpose-built, originally intended with fixed width characters meant to fit into a square...

Work in progress. Just a basic training characters for now

Just liked the press play font, so I made me clone enhanced with numbers and few other glyphs to make it usable.

Its purpose built negative font with small overhangs to mask eventual gaps between blocks. Blocks are almost unified (separators and letters I,M,W and some greek and cyrillic are exceptions).

FORESTIAN EMPIRE

A MONOSPACE DEVIATION FROM ALDRON

I HAD TO DUMP THE LETTERFORMS INTO A NEW FILE (THAT WASN’T CLONED FROM ALDRON), BECAUSE THERE WAS NO WAY TO COMPLETELY REMOVE THE KERNING FOR THIS MONOSPACE FONT.

I created this font for my typography class. I hope you like it!

Vaguely inspired by the Democratica font designed by Miles Newlyn.

My font is based on the Ministry of Transportation building in Georgia. The building itself is inspired by Japanese Metabolism architecture. Which is a moventment inspired by growth and adapabilty. I wanted my font to feel as though you could stack and change it just like Metabolism architecture.  

This bold, swirling font draws its inspiration from the theme of 'Protect'. Within this theme, I looked into how people use crystals to protect their aura, soul, and mental and physical health. I thought about the contrasts that crystals have - smooth, curved and polished but also jagged and rough. I created pixelated curves using fontruct bricks to emulate this as well as adding the 'shine' that crystals give off. 

Intertwined (impossible) letter O as a starting point for a yet another experiment. Emes is a word used to express negation in my language.

A sleek, futuristic, Sci-Fi font that I created. One of my inspirations of creating a font like this was a film called 'Ex-Machina'. It is a sci-fi movie that I would encourage you to see! I wanted to add my own style to this font by making the corners or edges of the letters split. I think adding an element like that makes this font more unique.

This font was based on the theme “Hope”. It was inspired by spray painted protests and the textures and inconsistency of hand-painted placards. Seeing people standing together, holding their placards high created a sense of hope that change and reforms could be made to create a more just and equal society.

For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.

Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.

This fontrusction was created for the theme 'community'. Titled, 'Social Bubble' I aimed to represent how Covid-19 has affected our social lives. The reason for the different styles for each letter is to express how everyone's situation is different, however I did keep some consistency for aesthetic purposes. The bitmap style also represents how social interaction has become more digital due to people not being able to see each other face to face. 

This is my first typeface made in Fontstruct and it is a part of my degree. The theme of the project is “Rebirth”. With this Fontstruction I am trying to revamp some of the typefaces being used for headlines and drop caps in books or newspaper. I am aiming for a more boxy and modern look, by some separations in the structure of the letters. My main inspiration came from sci-fi books and encyclopedias.  

"Sederhana" is an Indonesian word, meaning "simple"

with its simple style, funny looking "V", lack of diagonal lines, and its easy to read!

this font is CAPITAL ONLY!

note for Arab users:

بطريقة ما لا يعمل الجزء العربي من الخط ، لذلك يجب عليك استخدام الأحرف الأساسية النهائية والمتوسطة والأولية للكتابة بدلاً من ذلك
اسف على ذلك :/

somehow the Arabic part of the font doesn't work, so you must use the final, middle, and initial base characters to type instead
sorry for that :/

(نعم أنا أستخدم مترجم جوجل فأنا لست عربي, yes i use google translate, I'm not an Arab)

- Basic Latin

- More Latin

- Extended Latin A and B

- Greek

- Cyrillic

- Arabic

- Armenian

- Georgian

Intended Language Support

عربى-Arabic

հայոց լեզու-Armenian

Беларуская мова-Belarusian

български език-Bulgarian

Hrvatski jezik-Croatian

čeština-Czech

Dansk-Danish

Nederlandse taal-Dutch

English

Esperanto

Français-French

ქართული ენა-Georgian

Deutsch-German

Magyar-Hungarian

Bahasa Indonesia-Indonesian

Italiano-Italian

Қазақ, Qazaq-Kazakh

Melayu-Malay

Polski-Polish

Pусский-Russian

Српски-Serbian

Tagalog

Türk-Turkish

українська-Ukrainian

A FUTURISTIC LETTER “A”!!

MY FUNNY LETTER “K”!!

AN OVER-EXTENDED EM DASH!!

WEIRD UPSIDE-DOWN CYRILLIC LETTERS THAT NOBODY’S HEARD OF!!

IT’S ALL HERE IN MY NEW FONT — ALDRON.

I THOUGHT THAT THIS FONT NEEDED MORE ATTENTION THAN THE ONE THAT I CLONED IT FROM, WHICH WAS MADE IN A COUPLE OF HOURS. AS WELL AS ADDING THE LATIN AND GREEK ALPHABETS, I MADE A FEW ADDITIONS AND ADJUSTMENTS TO THE CYRILLIC LETTERS AS WELL AS SPACING. AND UNLIKE ITS PREDECESSOR, THIS ONE IS KERNED.

IT WAS QUITE A DIFFERENT EXPERIENCE, ACTUALLY, ADAPTING A CYRILLIC FONT FOR LATIN INSTEAD OF VICE VERSA.

INTENDED LANGUAGE SUPPORT

• БЕЛАРУСКАЯ МОВА — BELARUSIAN
• БЪЛГАРСКИ — BULGARIAN
• HRVATSKI — CROATIAN
• ČEŠTINA — CZECH
• ENGLISH
• ESPERANTO
• DEUTSCH — GERMAN
• ΕΛΛΗΝΙΚΆ — GREEK
• ITALIANO — ITALIAN
• ҚАЗАҚША — CYRILLIC KAZAKH
• МАКЕДОНСКИ — MACEDONIAN
• TE REO MĀORI
• ROMÂNĂ — ROMANIAN
• РУССКИЙ — RUSSIAN
• SRPSKI, СРПСКИ — LATIN AND CYRILLIC SERBIAN
• SLOVENČINA — SLOVAK
• SLOVENŠČINA — SLOVENIAN
• УКРАЇНСЬКА — UKRAINIAN

AVAILABLE CHARACTERS (★✰*ALL KERNED YAY!!!!!✰*✪)

LATIN: ABCDEFGHIJKLMNOPQRSTUVWXYZ ĀÁÂÄĂĆČĈĎĐDŽĒÉÈǴĜĤĪÍÎĴĹĽLJŃŇNJŌÓÒÔÖŔŘŚŠŜȘẞŤȚŪÚÜŬŮÝŹŽ
GREEK: ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ ΆΈΉΊΪΌΎΫΏ
CYRILLIC: АБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ ӘЀЃҐҒЂЄЅЍІЇЈЌҚЉҢЊӨЋЎҮҰҺЏ
THE NUMBERBET: 0123456789
PUNCTUATION: ()[]!?.…:;,„“”‘’-—«»*• AND OF COURSE, SPACE

MADE THIS WHILE WATCHING DR. DOLITTLE II ON T.V.. I WAS INSPIRED BY THE ELUSIVE FONT THAT I SEE EVERYWHERE IN VIDEOS OF RUSSIA AND BELARUS.

This font is designed for team's jerseys.

THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.