Nebular is a space-age, all-caps sans serif typeface. It is bold; rounded yet angular. Great for headlines, quotes, and posters. It brings a fun bit of futuristic sci-fi to any design!
sparkle baby, shine.
sci fi themed rounded typeface with stylizations to capture the idea of stars.This is a clone
A sleek, futuristic, Sci-Fi font that I created. One of my inspirations of creating a font like this was a film called 'Ex-Machina'. It is a sci-fi movie that I would encourage you to see! I wanted to add my own style to this font by making the corners or edges of the letters split. I think adding an element like that makes this font more unique.
This typeface was inspired by science fiction and imagination. Bold, tall, and skinny! Its roundness, yet angular shape makes it perfect for any space, including your ship's name or a fun-loving meme. Have fun creating in a galaxy far, far away.
Clone of Alex Murphy Solid. Inspired by the RoboCop movie logos, this version is specially spaced to line up in combination with the "Alex Murphy Outline" font for graphic design purposes (Inset + Outline). As always, for dingbats of OCP logos, see the "Alex Murphy Dings" font.This is a clone of Alex Murphy Solid
SbB Directorate is my typographic ode to science fiction bureaucracy. Directorate is named for the government in the TV “classic” Buck Rogers in the 25th Century. From the Alliance in Firefly to the Federation in Star Trek, the bureaucratic government is a theme through science fiction, and I always imagined they’d have a typeface like this…
Based on the Docking Bay numbers at the Mos Eisley Spaceport
- Numerals: 0-9
- Aurebesh Letters: A-Z, Ð
- Aurebesh Punctuation: . , ! + - $ &
- Latin Letters: a-b
Version 1.1 - Added Polish.
A font for times when Immersive Mode is turned off. This is used for documents and signage within the Euphedoran Extradimensional Research Institute situated in Euphedora, Greater Azwelkeland, Planet Ashr within ESOSVM.
EERI is known for Fengmiao Fukota, Salva Dheen and Triste Marinan, three of ESOSVM's most-learned and chronologically oldest AI characters. The lattermost of these is often consulted (through a software called MIDAS) for analysis which I use to improve the readability of certain fonts.
A rounded, incised, spurless sci-fi design with a heavy emphasis on visual balance. Language support is in progress.