A simple remake of my original Brixel, but made to be monospace and 8x8
(being extended with the help of meloonics)
This font is catchy and for many languages to use! ;)
This font contains every letter of the Latin alphabet, IPA, Greek alphabet, Cyrillic alphabet, Armenian alphabet and Hebrew plus lots of symbols and punctuation.
THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.
The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.
Contains support for:
All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek
Inspired by my font Brixel, this is a larger remake with less characters that could be used in a videogame.
currently not adding to it
All cap bold serif
kerned : Russian, Latin Basic, More Latin
I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either
I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough
This font was request by the (by now dead) youtuber I_am_a_Duckhead. Have fun!
Latin Extended A
Basic Russian Cyrillic
and some L. E. B, Punctuation marks, + a big ß.
If you need any character set, tell me and I'll add it.
MY MOST LEGIBLE FONT YET: E.
MY GOAL FOR THIS WAS TO MAKE A COMPLETE GROTESQUE FONT IN ONE DAY, AND I THINK THAT I ACCOMPLISHED THAT. WHEN IN DOUBT: PIXEL FONT!
Ko tenei momotuhi i mahia mō Te Reo.
Feel free to clone it and add letters for other languages. Even an upper case.
Super4 - basic and more latin, including kerning after the "f" and before the "j".
I set out to create a regular pixel-based, square font. The unifying theme is the thicker vertical portion on most letters, most noticeable in the capitals, which are 4 pixels wide - hence the name Super4. It's my first font and I quite enjoyed working on it.
ALTERNATIVES CAN BE FOUND IN THE LOWER CASE TO CHANGE THE NOISE DISTRIBUTION.
I WASN’T REALLY THINKING ABOUT THE CYRILLIC ALPHABET WHEN I DESIGNED IT, SO THE LETTERS: “А” AND “Л” AND “Н” AND “П” ARE THE SAME.
A narrow font combining (neo-)gothic inspirations with angular and simplistic influences. It features Latin and Cyrillic characters.
This was featured inside my font: Pelagic Octopus.
Some alternative (less intrusive) forms are found in the capital section.
Use a size of thirteen point in order for the pixels to match up.
A blocky, somewhat futuristic, mostly sans-serif font. All latin characters are in square dimensions. Lower case letters are a third of the size of upper case letters. It was developed with my 2019 spelling reform proposal for European languages in mind, and therefore may posess and/or lack some features unexpectedly.This is a clone
AFTER I MADE PELAGIC OCTOPUS, I THOUGHT THAT I’D HAD ENOUGH OF KERNING AND I’D NEVER DO IT AGAIN. WELL,…
THIS IS BASED ON MY HANDWRITING. NOT MY REGULAR HANDWRITING — THAT DOESN’T ALLOW FOR LOWER-CASE LETTERS; SO WHENEVER I NEED TO WRITE SOMETHING WITH LOWER-CASE LETTERS (SUCH AS IN EXAMS.), I USE THIS STYLE.
I KNOW THAT IN PLACES IT LOOKS A BIT BROKEN. BUT AT THE SMALL SIZES OF BULK TEXT, IT SHOULDN’T BE TOO NOTICEABLE; IT’S NOT REALLY DESIGNED AS A DISPLAY FONT.
AND I ALSO KNOW THAT SOME SERIFS AND STROKES AREN’T EXACTLY COMMONPLACE (SEE THE UPPER SERIFS ON THE LETTER: “u”). IT’S JUST HOW MY HANDWRITING TURNED OUT.
INTENDED LANGAUGE SUPPORT
• TE REO MĀORI
“WHAKAITI” IS A MĀORI WORD MEANING “TO MAKE SMALL”. IT’S ROUGHLY PRONOUNCED: “ɸɑkɑiti”.
USE THE FULL-STOP FOR THE TERMINAL UNDERLINE.
“MOTU” IS A MĀORI WORD MEANING “ISLAND” OR “SEPERATE”.
THIS WAS MADE WITH FONTSTRUXIUS.
Another attempt to make a readable font narrower than Arial Narrow. I am basing the letters on ovals now, to try to make them easier for my eyes to deal with at small sizes.This is a clone of Urial
CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.
INTENDED LANGUAGE SUPPORT
THINGS THAT FONTSTRUCT NEEDS
• A DITHERING TOOL
• AN ELLIPSE TOOL
• RECTANGULAR- AND ELLIPTICAL-OUTLINE TOOLS.
• A BUCKET FILL TOOL
• A SKEWABLE GRID
• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)
• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE
• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND
DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!This is a clone of Some fonts you just can’t FontStruct
THIS FONT WAS IN A STYLE THAT I ACTUALLY FOUND PRETTY HARD TO ACCOMPLISH. BUT AS SOON AS I DIDN’T CARE ABOUT ADHERING TO MY STRICT CONSISTENCY, I GOT IT DONE QUICK AS.