Sort of revival of the retro sci-fi letters used by the Atlantic Toy Company for their "Galaxy Serie". A science fiction themed toy line that was manifactured  from 1978 to the early 1980s.
I had to make a couple of compromises on some glyphs due to FS limitations, so the fontstruction isn't 100% accurate, but i'd say still very recognizable.

A light weight Bauhaus style font with a little handwriting twist. Most curves have a slight overshoot. A lot of characters are still missing due to design difficulties. I hope to add more soon.

Loosely based on Modern Vision and Ryo Fukui's Scenery album cover.

Loosely based on Modern Vision and Ryo Fukui's Scenery album cover.

I went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.

Size: 5x5

Making a pixel font series.

Things that don't look good: (x, 1/4, 1/2)

Best font size: multiples of 7

My first font in FontsStruct! Is called test1

Experimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.

This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.

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Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

I wondered what a plain version of Candylander would look like, so I made this. :D

I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon.

Version 1.5

An attempt to make a "classroom" font. It reminds me of a font style which was once commonly used on magnetic letters.

Kerning work and language support work continue...

A half-sized, filterless version of Comicool Unicase which also has square terminals.

This has lowercase, but is made for all-caps comic book style lettering, so consider the lowercase as something added for accessibility's sake...

A rounded simplistic monospace font with digital-looking numbers and some special characters made for use with English or German language.

This is a somewhat bold font that is free for use by anyone.

An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.

This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.

This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.

just my first font. I hope you like it! :) 

can you please help me improve my fonts in the comments. thx

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A font which looks like a board game. It has no relation to Conway's Game of Life, although that may change. :D

Another of my many doodles. Fun to make!

Finally, a design where all the diacritics blend in and look natural!

Another rounded sans-serif. Gives me a slight "noir" feeling.

The shapes and spacings were fine-tuned to look good at every legible size, with every letter having a constant width (except "I") and standing distinct from its neighbors.

Though it was made from scratch without references, this one combines shapes and filter techniques similar to those of "AB Neurosis" and "Gamma Strike".

"X" makes four undesired bends, "V" is too sharp for my liking, and "Y" is a bit too short. But I have tinkered with composite pieces trying to fix them for hours now. Maybe someone else has the patience to continue on...

As I like the glyphs' shapes of midi-trente etc I let myself be inspired by fonts in FS 'op art' set to get an additional style for  the "midi" series.

Neon-style lettering in 5x5. I tried to keep the considerations of neon tubes in mind. Most forms are simple and several of them get repurposed for other glyphs. Further, the bends which would occur in actual neon tubing were taken into account while routing each glyph.

A closer look will find some advanced glyphs which would have to be produced by a master glassblower in order to work as neon fixtures (such as DHJKXOQ08*#+).

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This is spaced like a pixel font so that it can be used as one. Fonts which work especially well in both pixel and high-res mediums can be considered Hybrids.

"Lightened Son" is an anagram for "Neon Delights".

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Idea for Improvement: A wiring solution - some system designed to be on a layer behind the letters so that they look convincingly wired up.

See also:Technokratz family

Continuing my experimentation with diagonals. My goal was to make a font without vertical stems. English has 12 capital letters with vertical stems. Diagonia has 4.

A simple retro computer monoline type design.

Clone/continuation of Arc Brick 2:2 by geneus1. If you're new, check that link out - lots to learn from in there. All credit to geneus1 for the idea and the basic design of this font.

The original looked like it had something mechanically new and interesting going on, so I cloned it to see what that was. It turned out to be something fairly ordinary. From there I decided to see what I could turn the design into.

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"abdgmnpqru" were given stems to make them look more bookish (and to quell mild neurosis).

The stems reduced the "roundedness" of the overall font slightly too much. So "aehmn" were made more rounded.

"bdfhijkl" were shortened to match the height of the uppercase.

"j" was extruded so its descender matched that of "g" and "y". This did affect j's spacing but I think it's a net benefit overall.

"M" and "W" were narrowed so they would be closer to the other letters in width.

"kx" made symmetrical so they look more like the other lowercase.

"r" was rounded but its overhang was left in because the flat edge it presents helps reduce the needed kerning. Most of my graphics software doesn't support kerning, so I try to make letters that don't need it. A few other letters might benefit from this same sort of consideration.

"ft" were modified for kerning's sake, similar to "r".

Spacing values were widely modified, again to avoid kerning.

Some glyphs were added.

Finally, filter sizes were changed and letters were slightly flattened to help lend them a more distinctive character and help me cram more lines onscreen when using this as a chat font.

A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.

Original size: 5.25pt (use multiples of this value for pixel perfection)

A rounded version of Pixelcruiser Flagship. I think rounding it off both made it better-looking and more readable! This now looks like something I'd use in pixel comics.

A rounded sans-serif design inspired by the lettering in comic books. Since achieving properly rounded terminals for slanted letters like A and V was impossible, I reworked their designs.

Version: 1.4

Version 1.4

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A variant of Kitchen Sink Rounded with filter sizes altered so that most letters are enclosed within golden rectangles. This is a squatter and friendlier take on the design - good for header text.

UC cloned to LC to make this easier to use...

Kitchen Sink, sans the rounded counters. This font really is plain-looking when all its embellishments are removed, but sometimes that is what people want.