'Rebirth' is a display font designed for use in a large scale, for example as a title on a poster. The font was designed in response to a first term university brief and responded to the word 'rebirth'. The font centres around the idea of growth which led to the geometric elements as a connection to the symbol of an arrow, which I personally associated with growth.
As a first year graphic design student at UWE this is my first attempt at creating a typeface on Fontstruct based around the theme of ‘hope’. Looking at this theme I explored the words; dream, desires and wishing leading me to the classic phrase, ‘when you wish upon a star’ and have therefore, based my typeface on stars. Through research, I looked at the patterns and layouts of star constellations to find that they are only made up of straight lines and circles, which is why I have formed a simple lettering using only these two basic forms, incorporating the concept of star constellations.
Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’
For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.
Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
My font is inspired by Navajo rugs and blankets and the main theme I went with was ReBirth. I thought this was fitting as the Navajo people create these rugs to tell a story of there beliefs and religion, which has been implemented in this font but instead, the words can tell the story and the design is inspired by the Navajo rugs and blankets.
I created this typeface based on the theme ‘Hope’. While being or becoming blind is extremely hard, there is always light after the dark, even for the people who cannot see. I tried to include every character from the Braille alphabet (white dots) to the original English alphabet (black dots), so it would be learnt and understood easily.
After watching a documentary on how the elderly are often lonely and forgotten about, it inspired me to create this font detailing the feeling of isolation and becoming disconnected from a community.
The circles that make up the font represent individuals in a community. I chose to have a number of the circles grouped, then others separated, illustrating how one can be surrounded by people but still feel isolated and alone. As this is a common issue in the world today, I found it appropriate to portray this struggle, especially with current world-wide events.
This is my first fontstruction, created whilst studying graphic design at UWE Bristol. I experimented using script brushes and calligraphy on Procreate and also tried to incorporate some of my own handwriting to make it more personal. The font is blocky and cursive to represent how people see hope and good in the bad. Our paths in life are never smooth sailing.
This san serif font is inspired by the concept of ‘Community’. I explored the idea of unhealthy, anti-communities and real life examples of them, which lead me to Hollywood. Hollywood, beneath all the glamour, proves to often be a toxic community, considering the examples of misogyny, racism and sexual abuse that has taken place within the community. I wanted to recreate the iconic Hollywood sign and modify it to have cracks appearing, representing the real-life cracks appearing in Hollywood’s community. These cracks will represent examples such as Harvey Weinstein and the #MeToo movement.
Albatros is the result of a research on the correlation between genius and mental instability in great artists, philosophers and poets. As in Baudelaire's poetry, it symbolises those who are misunderstood and thus isolated and derided. The albatross is a clumsy bird, but once in the sky and raised over the mass it shows everyone its great wingspan. We are all albatrosses until we are given the opportunity to discover the wings power.
This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.This is a clone
Inspired by fountain-based architecture, I've created my first fontstruction for the start of my UWE Graphic Design course. For this, I poured water onto different surfaces/objects with varying shapes to capture the cascading effect as reference images. Originally, I was first inspired by watercolour strokes to make a gradient effect, which developed into the idea of water fountains used in contemporary architecture.
(Due to the size of the letters, looks a lot better zoomed in!)
This font was created around the theme of 'filthy' and 'decay'. The final design was inspired by fungus spores and bacteria at a microscopic level. I took inspiration from existing fonts -Norway Round- and -Cubano-.
This retro font was created around the theme of instability. My inspiration came from pixel video game graphics, patterns and glitching which were used to construct my alphabet.
For my first project for the type introduction, I was set the challenge based of an initial project topic. My exploration originally consisted of looking at the word 'Filthy' further on to 'Dirty'. For my first step of topic exploration, the word Dirty initially related to looking at fast foods and oily foods eg. 'dirty burger' after looking at this I created a more indepth, zoned in idea of Diabetes. My final font has been drawn from the idea of looking at chemical structures of insulin and their bonds.
This font was inspired by the images seen from the Hong Kong protests and the use of the umbrella as a symblom for there movement. I made the font based of pre exsisting letter forms to show china's forceful additions to Hong Kong law.
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Graphic is a simple font that is best used for big text.
This type was made in our class of typhografy, we are from Portugal and we want to show you our work. This font have very elegant forms and contrast between stems, so that's why our font called "alterna" that means alternate in english. It's apropriate for tittles but you can use it for other things only as long as it's bigger than 20pt.