Shazamurai! Opening day of Shazam! Fury of the Gods. Almost missed this one, but had an old lightning based font that matched. Plus, AI graphics is like soooo much cheating. WIP, couldn't decide on spacing so kerning had to wait. 

It's called ajicis because it is built upon the letters done for the wallpaper of Wipeout 3 game team AG Sys. It has the same grid structure but the letters look nothing like the original.

Also, this FS'tion was started on the phone (because I was too lazy to get off the bed and go to the computer). When I saw potential in the created letters, it was saved and opened on the iPad. The rest of the fs was done there. The only thing that couldn't be done on the iPad was adjusting of a composite brick. (It was fixed on the laptop days later.) So, 98% iPad. 

@RobMeek: The iPad version worked well. However, Menu->Edit->Copy, Menu->Edit->Paste, etc. got tedious. Can we have the menu commands in icon form docked or floating somewhere on (in?) the tablet version? The icons can be half the size of the Tools icons to save space. Also, can the tools and zoom be docked as well on the tablet version? It would be helpful. Thanks. 

There is also an alternate "s" in the "™" glyph, and the "ff" and "tt" ligatures placed on "fi", "ff" and "fl" respectively.

Opening day of Ant-Man and the Wasp::Quantumania! So of course, this particular color font needs to emerge in this space and time. Spinning of the concept of quantum tunneling and Hank Pym's Quantum Tunnel van, this font spans multiple realms simultaneously. Shift dimensions at your own risk.

Thanks to ETHproductions for the improved curve finish. There is a second "s" (slightly more rounded) and an alternate curvy "y" placed on the "fi" and "fl" glyphs respectively.

An old project, finished now. 70s vibes. Hope you like it.

Sort of mixing ideas from "tuxedo blvd" and "tinseltown." Keeping with the "t" naming trend between them, here is yet another Art Deco font, "trailblazer," please enjoy~

Coloured version of zulu. You can use the second different version of each glyph to avoid repetition in some words. These colours are inspired by a 2010 poster from the Apeloig's studio.

No Patrick, mayonnaise is not an instrument.

Unicase font with alternates. Special characters: Blank space at the "\", "LT" pair (kerned) at the "fi" ligature and the "TJ" pair is at the "fl" too. Better to see the font at big size. Enjoy and Happy New Year 2023!

 A jazzy, unicase, unique typeface!

i am posting this late at night, becuase i know due to time zones, it's morning right now. So, here i am at 1:14am, trying to post this late at night, so people wide awake somewhere else see this! 

Years ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!

Republished with some accents, diacritics, etc. Likely still in progress (as if anything is ever really finished.)  Cheers,

Frutiger Aero brings back memories

Optical experiments continue. "ff" and "tt" ligatures are in the "fi" and "fl" glyphs. Hope you like it.

Another unicase with alternates and also an optical experiment (this time based in a certain way on some works by the great Philippe Apeloig). Optional filled space placed in the "^" glyph.

RINKEL — Bold constructivist display design
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This was very much influenced by the rare sighting of

1974's Lettergraphics International typeface by the name 'Belden'

Belden was shown in a Lettergraphics ad in U&lc vol. 1, no. 3 from 1974, without further design credits. It was also featured in the book cover design for "Metaphysics: An Introduction" by Keith Campbell.

—Which in terms I have used for my personal extrapolation of the complete character set of this FontStruction.
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Not a digitizing revival of the original piece, but rather a very strongly inspired personal take on it.

—More complete character set is coming soon..

Let me know what u fellow structivists think of it so far!

Cheers

a more elegant, borderline art nouveau/neon art deco

INNERCITY — Geometric future retro display grotesque
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Geometric unicase display sans with a stylistic filled counter-like (Uc) set and monolinear 'bare-boned' geometric grotesque (Lc) set.

— Full alphanumeric dual-variant font !!
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Elmoyenique's "zenzura" (a very stylish work in it's own right, make sure to check that one as well) anyway,
His 'zenzura' font kind of struck me with a healthy fresh dose of motivation. In the past I've explored somewhat similar style designs, but none of those ever really got consolidated into the extensive and complete work Elmo delivered with his stunning zenzura.
So I decided to dig up one of my older such projects and see if this new motivational boost could turn 'half'-a-font into a complete piece.

Long story short, this update is the result of that venture.
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Where previously this project came in just one style (filled counters), with no additional glyph alternates. Basically a complete absense of the lowercase-string all together, and only very limited complementary set of symbols and punctuation marks were present. Neither did the previous version had a great deal of refinement in terms of metrics / kerning and overall horizontal distribution of type-set material.  So, it was nothing more than a plain doodle of the idea I had back then, that had to be preserved for a later stage.  
But being drawn into more recent projects at the time I eventually ren dry on motivation to fully finalize this I ended up publishing it in its rough state.
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ABOUT THE UPDATE:

The'bare-boned' lowercase is a somewhat futuristic geometric looking form, whereas the filled uppercase set has a strong retro vibe.  

Combined in 'mixed-case' it can make a cool optional decorative style capitalization for your text. Used in isolation the two styles (Uc, Lc) both could be used as two seporate fonts, allowing stylistic text hierarchy.

In addition to the stylish retro-like, and partially filled forms I included a glyph-alternative set that strips the letterforms down to their monolinear core-geometric essence.
The design of this set is characterized by the spacious, sharp and clear appearance, that looks slightly futuristic but fashionable still.

With this new addition being the more legible and clean form of the two style sets, I placed this variation into the lowercase-string, making this the default-style for the font.
For the numerals, symbols and punctuations, I tried to remain committed to the stylish filled nature of the uppercase set.

A full alternative monolinear and 'bare-boned' numeral counterpart is located in the 'Full Width' Unicode block. Two extra weight variations for the brackets are also included for a more precise personal preference..

— And so it finally could respectably considered being a full font after all.

Thats all folks.. Enjoy !

cheers

Solid squared unicase with a lot of alternates (placed in the lowercase zone), almost two fonts in one. "c" in the "¢" glyph. Enjoy.

WARPDRIVE - Geometric Sci-Fi display font

 Opening day of Marvel's Black Panther 2: Wakanda Forever! 
I started this late and suffered the consequences, but had to release something. This took a long time and didn't look like how I wanted it to or as good as I wanted it to, but there it is. WIP as I attempt to clean up and adust stuff. 

A little experiment with the "connect" bricks (and an healty dose of stacking). I wasn't referencing any specific example of the style (of which there are many), but I'm sure that, looking for solutions as I went, I ended up with something similar to already existing typefaces (and fontstructions).

Unfortunately, some connecting bricks don't align exactly, so I had to resort to approximate them, when possible, with more stacking, which didn't particularly help the already lacking consistency in construction.

But enough moaning, enjoy!

Another optical experiment, testing border areas. Sorry if sometimes it's a bit hard to read and it shakes your vision, but that was the idea. It has only been possible using the colour options available to FontStruct Patrons. Thanks once again to Big Rob Meek. PS: "2 in 1 font", the black version of the SVG file also can works like an usual B/W font.