Сaps more Rock, lovercase more futuristic. Lc letters O and Q connect with other letters, uc O Q is slightly larger and does not.

See more:

https://fontstruct.com/fontstructions/show/628973/sorrier_statements

https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1

https://fontstruct.com/fontstructions/show/1702409/voron-2

https://fontstruct.com/fontstructions/show/1922854/moroz-4

https://fontstruct.com/fontstructions/show/480702/en_zelo

https://fontstruct.com/fontstructions/show/178543/bevelicious

See more:

Formula 1 font

https://fontstruct.com/fontstructions/show/1790096/insider-4-1-3

https://fontstruct.com/fontstructions/show/1770404/insider-4-1

https://fontstruct.com/fontstructions/show/1678880/hoverboard

https://fontstruct.com/fontstructions/show/1848404/shodan

https://fontstruct.com/fontstructions/show/1679938/foo-skaure-1

Angas is a cool, bold and thick lettered display font. It will look stunning on any poster, flyer or print.

A font I intend to use for a personal project of mine, should it ever come to fruition. I just, uh...got so caught up in the euphoria of designing a typeface that I forgot I lived in a world where the passage of time exists. Also I won't even need all these characters, I just know that (as long as my project doesn't flop) there'll inevitably be a person like me who'll go on a hunt for the font and will be disappointed if there's not a full alphabet available. *coughHALFLIFE2coughPORTAL2cough*

Sorry, I must have gotten a frog stuck in my throat.

ANYWAY, I've never actually made a font before (except once with my handwriting, though that file is gone with the wind), so any pointers are appreciated! :D

(I'll probably be adding characters for a while yet, so if you see there's one missing for your language of choice, feel free to lmk so I can get that in here!)

Oh, no, the bricks got jumbled D:<

Font with a particular feel. The shapes are modified & filled versions of glyphs from my Tangereen series.

This is made to be a logotype for my band, Gongitar, so it's developed as far as it needs to for the time being. Uppercase, numerals, more refinements, etc. might come in future.

I guess I did some font for a QUBO revival!

Alright, I’m doing it.

Note: this is a work in progress.

My take on the logotype. Only Basic Latin so far. Public Domain Dedication. Enjoy!

— maybe this font is still in progress —

Такой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!

Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!

Perhaps this is the limit of my capabilities.

See more:

https://fontstruct.com/fontstructions/show/155561/fs_penmanship

https://fontstruct.com/fontstructions/show/1501135/lazzaro-1

https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/1735833/logic-16

https://fontstruct.com/fontstructions/show/408191/telamon

https://fontstruct.com/fontstructions/show/477501/largo

https://www.fontstruct.com/fontstructions/show/1334057/bb-corners

Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.

Mildly quirky serif font made for the signage/logos of a certain event. Limited character set.

A logo font for Zephtronix, the name used for my music electronics-related projects. This will be printed onto guitar pedals and maybe a synthesizer or two!

Font made for a friend's band.

Logo font for the MSPFA comic I'm creating titled "Tellurian".

STF_MIZOLLEN - Futuristic maze style typeface.

It was designed as part of the renewed visual identity for one of my music labels.

By request, a semibold outline font with a halftone drop shadow. Although Pixel Optimized, it's made for large size display.

IT'S-A ME, IMPRESARIO!

Isometric 3D outline style typeface.

The glyph have a exact copy slighly elevated and to the right of its original which I then connected with eachother to create the box-like three-dimensional idea.

Because of some serious design difficulties it remains far from complete, but I am kind of done with it for now due to this. For now only support for uppercase, no numerals and very limited punctuations. I think I fully kerned it, or at least everything that is important. On last thing I need to mention, the smallest open spaces doesn't allow this font to work in very small size. These will look filled at smaller point size.

I'm not sure if I will ever try another attempt to finish it at a later stage. (who will tell..) ;)

But I think what I've got so far is too cool for not publishing it. So for now it would do just fine as a logotype or for a decorative usage but not much else.

Enjoy!

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'soft' alternates.  These are the lowercase characters in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the softer style of the font, they can use this version and they will only get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'hard' alternates.  These are the caps in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the harder style of the font, they can use this version and they will get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Tirrel font is Copyright 2019 Doug Peters.

This is the original version of Tirrel.  Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters.  If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Font made for the title cards of a particular amateur movie!

(Hint: It's called "Terminatrix")

A font based off of the font used for the OFF logo.

Брутальный шрифт, полностью забивающий собой строку, который при этом старается взять в себя боьше воздуха, свободы и дерзости, как в строчной x, что хорошо подходит уличному стилю. Стиль довольно консервативен, отсылает при этом к ещё модным сейчас 70-ым.

See more:

https://fontstruct.com/fontstructions/show/809568/maximalist

https://fontstruct.com/fontstructions/show/1866739/abdilmpu-1

https://www.fontstruct.com/fontstructions/show/1640903/sahuagin-black

https://fontstruct.com/fontstructions/show/1590169/sunari

https://fontstruct.com/fontstructions/show/1408712/abc-all-black-characters

https://fontstruct.com/fontstructions/show/192918/grande_1

https://www.fontstruct.com/fontstructions/show/1532069/chesterfield-warlord

https://fontstruct.com/fontstructions/show/37882/fs_pachyderm

STF_V0N BRAUN - Simple geometric sans-serif typeface.

I tried to recreate the Braun GmbH logo type from 1952 and work it out into a full font, I used only the five letters in the logo as a reference. Since there are a bunch of revivals out there already. I just did my own interpretation of it.

Enjoy!

An experimental logotype and another attempt to create a distinctive design in 2x2. Some words look better than others... it's best for 1-2 word phrases rather than body text.

"B", "P", and "R" are compromise designs... no satisfactory way exists to create their curves while maintaining the optimal line width, so their counters were filled a bit to give them the same sense of solidity as the other letters.

*

A "denghon" is a giant, many-limbed, extradimensional creature found throughout my games, especially ESOS.

Logotype made by request for a friend.

Made by request for an associate. "RADD" stands for "Research And Development Division".

Made by request: An experimental logotype design meant to be high-impact and high-energy, such as befits a speed metal band's album cover.

It contains my own inspirations as well as those of the band, who sketched a few prototypes.

This is clearly unfinished not only in terms of glyphs but also kerning. I was only requested to make the glyphs "AEIMNPRV" and the rest can be considered as doodles... at least, for now. It seems that there's a trend wherein people who make requests of me just want one-off designs like this as opposed to refined and finished ones. But, I'll continue this one on my own if inspiration strikes.

Typeface design inspired by brand logo of British consumer electronics company "Sinclair Research Ltd."

The entire typeface was build exclusively around the already existing eight letters that make up their logo.

I have no clue on wether a complete typeface ever was made, or that someone has tried this before. So far I have never stumbled upon one yet , not even in their official product ads and brochures.

Enjoy!