Inspired by trying to thread heddles on a 4-shafter ......... 

The design uses a lot of nudging, a little stacking and composites, using some of the exciting extended capabilities of the FontStructor.

The font's name is Maori and means "weaving".

This font is as finished as I need to have it at the moment. I'll add a few more glyphs later.

My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.

G1 Radia. A scaled down version of an originally larger fontstruction. Lots of details with smooth micro bullnose serifs, high contrast stroke lines, and decorative ball terminals.

Blackletter, as small as possible, as elegant as possible.

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Fun fact: The name Minotur came from the shortening of "minimal textur".

the study of crop (or cropt) circles :) some of these appear in ornaments. when i did that one, i felt many of the designs reminded me of crop circles. so i added a few more :) i've done a couple of other crop circle fonts. but it kind of seems natural to make crop circles out of circles (dots), doesn't it? i have also tried to show the progression of similar designs by trying to keep/group them together, but there are some strays here and there :)

A quickie made to thank for these wonderful new features. Thank you, FS staff!

Apparently, it is quite easy to forget what gets a fontstruction going. Something about ultra condensed bla bla bla. The rest is just a matter of having a creative activity to occupy the mind. And if in the process you can help out a friend, all the better.

This is my homage to the late Dutch master. I tried to capture the impossible geometry, sense of space, and even the colours of his works. You can see and download the new v2 here:

Hommage a Escher v2

and

Hommage a Escher v2 extLat

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Start and finish typing words with a bracket... Lots of alternates in lower case.

( short starter panel

) short end panel

[ long starter panel

] long end panel

% connecting blank panel

This font was inspired by the works of Christophe Szpajdel (Lord of the Logos, 2010, Die Gestalten Verlag), as well as by the film trilogy and the following game titles (e.g. Middle-earth: Shadows of Mordor, Warner Bros. Interactive Entertainment, 2014) based on Tolkien's epic masterpiece, The Lord of the Rings. Given the game theme, and the 48 bricks vertical limit, I thought more or less around pixel art, or pixel fonts. This is my endeavour to make a spiky blackletter in Szpajdel's black metal style that evokes the terror of Mordor at pixel level. This font has been extensively tested for best kerning, yet some issues might have remained unresolved.

Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.

3 bricks tall.