I spent a lot of time making this font, it is based On the premise that too many fonts are way to ambiguous, so this is a fix for that, also I have added a copyright symbol, I replaced the vertical bar with the copyright symbol, because as far as I know the vertical bar symbol is rarely if ever used...( I have not seen it used in allmost anything I have viewed or read in all my life, except that it is there in the font character listing, so why is it there? certainly a copyright symbol would be more useful don't you think?) as for the "blockiness" of the C in the copyright symbol, keep in mind, that it is designed to have a maximum width of 9 pixels, so for what it is I think it is good, basically you cant get a smaller bitmaped based copyright symbol where it is as crisp and where the c is not pointed like a less than symbol and the c is not "touching" the circle it is in which would make it harder to read... so if you do see fit to use it I hope you are happy with it...
This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!
Is it Ironic that I spent a lot of time making a minimalistic font? Maybe not...
In any case, this is a font I made with a challenge of keeping every character within a 5x5 block size (4x4 blocks for the lowercase letters)
The only character NOT within a 5x5 square is the @ character. It somehow ended up a little wide.
A rounded simplistic monospace font with digital-looking numbers and some special characters made for use with English or German language.
This is a somewhat bold font that is free for use by anyone.
Continuing my experimentation with diagonals. My goal was to make a font without vertical stems. English has 12 capital letters with vertical stems. Diagonia has 4.
Another attempt to make a usable narrow monospace programming font.
LC 2 px high, 9 px wide. LC are 8 high 9 wide except for glyphs with a curved base which are half a pixel below what might be expected. Numbers have varying heights for aesthetic reasons, not because I'm blind, careless or incompetent.
.:*:.:*:.:*:.:*:.:*:.:*:. just saying - because I have this aversion regarding people wanting me to think like them, make fonts like theirs or like they expect. Maybe they don't want or can't understand originality, avant-garde work or just a font that has individuality?
Il mondo è bello perché è vario.
In der Kreativität entsteht Fortschritt.
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Kreativität bezeichnet die Fähigkeit intelligenter Lebewesen, neue und ungewöhnliche Lösungen für Problemstellungen zu finden. Voraussetzung für Kreativität ist die Fähigkeit, Dinge und Vorgehensweisen frei und neu kombinieren und entwickeln zu können. Ein wesentlicher Bestandteil ist oft die Fähigkeit, produktiv gegen Regeln zu denken und zu handeln (also: nicht nur zu kombinieren) und damit auch neue Regeln aufzustellen.
My second attempt to make my own block set
ZERO HOUR - A minimalist modern geometric typeface.
Do you think Headliner is too chunky? You want to use Headliner for text? Lucky you, because Textliner is out! Textliner is the light weight of Headliner, and is much more legible! If you still want more legibility, I added some extra alternates!
EDIT: If you want a font REALLY based of the NSMB logos, check here.
Headliner is a geometric sans-serif with a slight nod to the New Super Mario Bros. logo fonts. It's overall design reflects posters. The Comic Sans effect (using a font in a place other where it's supposed to be used) has been eradicated as this font is multi-use.
I plan on making a light weight and extended version
my first try for making a compressed pixel font. any comment will be usefull to improve it.
- Some Latin
- Russian Cyrillic
- Google Fonts
- Currency Symbols
- Arabic (WIP)