Digiround was designed to be a sans-serif semibold font to make for easy reading. The low x-axis was designed to differentiate the lower case letters from the capital letters, and the boxy shape is meant to appear organized while catching the viewer's attention. This font also imitates the 8-bit style of text typically found in video games like RPGs, but with a more modern round edge.
This is the font used in the background of the film "Prospect 2018." It is now my favorite movie, so I decided to get the font into a usable format. This is accurate to the writer's notes, which I found in an interview of them. This set includes both lowercase and uppercase, as well as several numbers (not all of them were legible). It should also be noted, that in some in-movie examples, there are minor discrepencies, as well as mispellings. You may find many examples in the promotional magazine that was put out, which can be read here:
Good luck in the Green, and happy prospecting!
This is a digital font, like you see in calculators and such, and I will update/add more characters as always. And lastly, I made the B, D, K, R, V, X, a, v, sightly different than A, H, O, U, o, u to avoid confusion. That's all.
A pixelated font defined by the contrast between its jagged edges and smooth ones.
This typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.
This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.
The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.
Theo D'Cruz 2020
This font was created for my Foundtype project at UWE where I chose the theme of Rebirth. It draws inspiration from the traditional Blackletter Olde English style calligraphy fonts of the seventeen hundreds however, I’ve put a retro digital spin on it by making it pixelated which shows my theme choice as it’s the Rebirth of this traditional font.This is a clone
This typeface has been created around the theme of community. In particular I looked at referencing the idea of the online/digital communities that we have all become so reliant on due to COVID-19 and being alone in isolation. I researched into the effects of lockdown on various peoples screent time and interviewed them, then used this as my thesis starting point. To create the concept, I experimented with different symbols that represent digital connection for example; wifi, signal and battery.
A font based on fivepanel. Still confusing!This is a clone of fivepanel
Well, I am back. You can see that I made a new font. It is called Computed. (obviously) This font is based off of TH3_C0N-MAN's 7 SEGMENT DISPLAY font. It has more glyphs and well... idk? This was pretty hard to make. LIKE LITERALLY.
Inspired by radios' displays.This is a clone of Digital Radio Display 14 Seg
Inspired by radios' digital segment-displays.
7 segment display. Mostly useful for numbers, but I included a few letters just in case. Some letters (like m) I couldn't do, so not all letters are there. I may make a 12 segment display or something like that in the future for letters.
The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.
Contains support for:
All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek
"There is no spoon."
A remake of an older font of mine.
I think it looks better now.