Thrd p subscribers goal:

10 ✔️

15✔️

20✔️

25✔️

30✔️

40✔️

50✔️

60✔️

70✔️

75✔️

80✔️

90✔️

96✔️

100✔️

111✔️

123✔️

125✔️

150✔️

166✔️

175✔️

200✔️

222❌ (??-??-????)

225❌ (??-??-????)

250❌ (??-??-????)

275❌ (??-??-????)

300❌ (??-??-????)

PLANES:

[UNLOCK FROM UNICODE 15!]

Standard Restart is a higher-quality restart of Standard Pixel. I put a lot more effort and time into this one.

--UPDATE 3.10.22--

The Extended Latin A Group is in progress.

so until good

Next Update Unicode:U15

LICENSE NOW

NUMBER available NOW

THERE NUMBER available FROM CUSTOM WEB

GO TO BROWSER:

|________________________Numbers________________________________________|

                               GitHub or Website

Youtube:here

Enveryone guys libada serif there from 2022

The unicode version good v14: here

MISLTONE GLYPHS:

1,000 no

2,000 no

3,000 no

5,000 no

6,000 no

10,000 no

11,000 no

15,000 no

18,000 no

20,000 major! no

23,000 no

29,000 no

30,000 no

33,000 no

40,000 no

45,000 no

50,000 no

60,000 no

65,536 limit! no

Private Use Area:

E000-E07F Cyrillic Extended-1

A work u+3104 whats bubbles?

unicode what to next version:Unicode 14

A working to latin extended-h?

PLANE 2:here

Version History:

12/01/2022 (1.0.0):First Release

09/02/2022 (1.1.0):First Unicode 15 Upgraded Draft

07/03/2022 (1.1.1):Unicode 15 Review The Codes (L2/22-056)

20/03/2022 (1.2.0):Draft Boomless 4488 Characters

25/03/2022 (1.2.1):Fixel Windows 11 BabelMap

26/03/2022 (1.2.2):Suport Windows 11 Emoji

06/04/2022 (1.2.3):Fixed iOS 15.4 Font Download

07/04/2022 (1.2.4):CLDR Version Fourty-One Relased!, Combing At April 19...

12/04/2022 (1.3.0):Support LG Velet Emojis in zFont 3

21/04/2022 (1.3.1):Fixed All Currency Symbols

22/04/2022 (1.3.1a):What's New Unicode 15 Reviews

24/04/2022 (1.4.0):Fixed Small Bugs

25/04/2022 (2.0.0):Future Version 15.0

This is possibly the biggest font I will ever create, and probably the one I'm most proud of at that. The original was built over the course of 4 months, and I'm very, very happy with how it turned out. Along with all of the 25 basic categories, I included 23 of my own - some finished, some unfinished. This has been a long process, sometimes fun, sometimes tiring, but I hope you find this font useful. Luckily, with all of the scripts it works with, it should have a use for everyone :) Please enjoy!

I am open to comments, suggestions and any other feedback. If you would like me to add another script, I am open to the task! :)

From the Final Fantasy Advance and DS games. Specifically the final version, from FFIV DS. I tried to make it compatible with all languages that use Latin, Cyrillic, and Greek scripts. Plus Japanese Hiragana and Katakana.

If you see problems, let me know.

CHANGES FROM IN-GAME ORIGINAL:
•Added additional letters and diacritics.
•Changed the circumflexed letters to use actual circumflexs instead of inverted breves, so I could add breved letters.
•Used half-pixels to center diacritics over letters.
•Made some diacriticized letters more consistent.

I just wanted to make something like this. Feel free to use it.

do you want to write in Zulu, Xhosa, Wolof, Walser, Walloon, Vunjo, Vietnamese, Venda, Upper Sorbian, Turkmen, Turkish, Tswana, Tsonga, Teso, Tatar, Taroko, Tajik, Taita, Swiss German, Swedish, Swati, Swahili, Spanish, Southern Sotho, South Ndebele, Somali, Soga, Slovenian, Slovak, Sicilian, Shona, Shambala, Serbian, Sena, Scottish Gaelic, Sardinian, Sangu, Sango, Samburu, Sakha, Rwa, Russian, Rundi, Rombo, Romansh, Romanian, Portuguese, Polish, Ossetic, Oromo, Occitan, Nyankole, Nyanja, Norwegian Nynorsk, Norwegian Bokmål, Northern Sotho, Northern Sami, North Ndebele, Nama, Morisyen, Mongolian, Meru, Mapuche, Maori, Manx, Maltese, Malay, Malagasy, Makonde, Makhuwa-Meetto, Machame, Macedonian, Luyia, Luxembourgish, Luo, Lower Sorbian, Low German, Lojban, Lithuanian, Latvian, Kyrgyz, Kurdish, Kinyarwanda, Kikuyu, Kazakh, Kamba, Kalenjin, Kalaallisut, Kabuverdianu, Jola-Fonyi, Jju, Javanese, Italian, Irish, Interlingua, Indonesian, Inari Sami, Ido, Icelandic, Hungarian, Hebrew, Gusii, Greek, German, Georgian, Ganda, Galician, Friulian, French, Finnish, Filipino, Faroese, Estonian, Esperanto, Erzya, English, Embu, Danish, Czech, Croatian, Corsican, Cornish, Colognian, Chuvash, Chiga, Chechen, Cebuano, Catalan, Bulgarian, Bosnian, Bena, Bemba, Belarusian, Basque, Bashkir, Asu, Asturian, Armenian, Arabic, Albanian and Afrikaans in my horrible handwriting? no yeah me neither, but if you do

here you go

1226 characters for your displesure, it has georgian armenian cyrilic greek coptic and more latin then you will ever need

This font was last edited: 21:20 UTC 19. June 2020

I was looking for a localization friendly pixel font and could not find any that had good coverage and was not outrageously expensive ($700+) for commerical usage. Thats why I created "PixelLocale".

This font is intended to be reminiscent of the original Pokemon Red/Blue games. Too see how they differ check out this image: https://imgur.com/ixoYRtd

It was important to me to create a consistant looking font across scripts.

You can use it however you like, 100% free with no attribution. Lets make the world more accessible.

Coverage:
Latin characters (815/815),
Greek and Coptic (119/119),
Cyrillic (263/263),
Georgian (83/83)
Hebrew (86/86) (Fontstruct has poor support form Niqqud and Cantillation)
Bopomofo (37/37) (Need feedback)

I'd love to add more scritps. When I started my goal was to have every glyph supported by Fontstruct, but after learning that support for many asian scripts was limited I halted. If someone can shed some light on these limitations and how severe they are and for what scripts they apply, please let me know. I can be reached at "johste[at]chumpware[dot]com".

Anyways, i realized "MY FONTS SUCK!!", so...

Now i'm making this, to improve. Had to realize that writing the ABC's in it looks off, but as long as the word makes at least SOME sense, it looks pretty gooood in it.

I finally made a folded-/ribbon-style design. This one contains a number of experimental techniques. Most notably, the swept parts of glyphs are allowed to extend beyond the letterwidths and sometimes even the baselines. This enhances the sense of movement, creates some interesting linkages, and reduces the need for kerning.

All of these shapes can be constructed with paper or ribbon, although lots of clever folding tricks, doubling, and pinning down/securing with glue would be required.

Alternate tilde on "±".

Third iteration of Tangereen with a bit of Paradoxy Effect. This one is rather fancy, so probably best used as a Display font.

The center portions of these glyphs make me think of sliced oranges and moon phases. They could act as cabochon settings, as well! So you could use these shapes to make jewelry set with a birthstone, monogrammed pendants/insignia, and so on.

A skeletal version of Modron March.

I use multiple text editors, and made this font to be an alternate font for Windows Notepad.

This was designed to be similar to Marengi Mk2, the font used in my FS Tutorials. Apart from using a smaller grid size, Eglantine achieves a closer line spacing through the use of short ascenders/descenders and the removal of the dots from i and j. It is also more condensed and optimized for speedreading, resulting in a font that is pleasant to read despite being quite small.

This design does have some wasted matrix, but this is necessary to achieve the desired effect. The global matrix is still only 7px tall, so this can still be used on most small canvasses.

*

Original Size: 4.5pt

A filled-in Glitzfang! :D

A continuation of Tangereen. This version took a lot of figuring out and a lot of changes, both aesthetic and structural. I managed to make it different from other double-line designs like Glitzfang and Junglira while still keeping it simple and cute.

This is used in FS Tutorials, FS Idea Soup, FS Obscura, and most recently, AMFA's 3D printed parts.

A design that combines tropes from fantasy, sci-fi, and sports in a subtle and pixel-optimized way.

Structurally, this looks like a high-res version of Marengi Mk2. There are still plenty of differences between the two, but since they seem equally readable to me, I'm tagging this as a chat font.

A design that combines decolike asymmetry with a double line concept. It also incorporates some experimental methods to unify the wider glyphs (mw@#™, etc.) with the others, by allowing the middle sections of these letters to have both the single and double lines. This results in a look that is at times architectural and at other times almost like loopy cursive.

A design which uses two crosses in the counter shapes of most glyphs.

This started out as a pixel demake of "Refollte", but was then metamorphosed into another high-res design.

The binary version of each symbol turned vertically.

Not all symbols could be added because they have more than 8 bits of data.

Obviously not very readable, but good for decoration.

A font which uses some custom macaroni bricks. This one has the same kind of structural asymmetry as Phenomenologist. Angles and corners on the left are almost always sharper than those on the right, which gives glyphs a structural asymmetry as well as a sense of rightward momentum. This technique also imparts variation to some otherwise very similar letterforms (bdpq, mw, sz).

This is named for a species of android from Doctor Who.

*

Other design decisions:

- Make the ascender height shorter than the uppercase

- Use squares for dots/diaresis and circles for punctuation, so that they are more quickly distinguished

- Allow the sharp curve and gentle curve to swap positions when it's beneficial to the glyph (BX8&)

- Incorporate angled lines into several glyphs so that none of the glyphs which have them seem out of place (SZsz012569*~$)

- Ignore the other design decisions for glyphs which need a standardized look due to their use in programming and other syntax-based forms of writing (most symbols & punctuation)