IT IS I: THE MYSTERIOUS HACKER WHO ONCE BROKE THE SITE BY REDIRECTING EVERY USER TO THE RICKROLL VIDEO ON YOUTUBE, BACK AGAIN WITH ANOTHER FONT!

THIS TIME, IT’S A COMPRESSED FONT WHERE NOTHING GOES BELOW THE BASELINE. (THE BASELINE IS THE WORLD’S MOST PROFOUND AND INEXPLICABLE BARRIER WHICH MAY NEVER BE CROSSED.)

FEATURES

• KERNING!
• A QUESTION MARK WITH SCOLIOSIS!
• A Q THAT SNEEZED SO HARD THAT ITS TAIL FELL OFF!
• NOTCHES CUT OUT OF E, F, J, T, AND Ƃ TO FIT NICELY WITH V, W, AND Y!
• INK TRAPS TO COMPENSATE FOR THE THICKNESS OF THE STROKES!
• ALL NUMERALS IN THE NUMBERBET ARE MONOSPACED, SO THEY CAN BE USED IN A DYNAMIC INTERFACE WITHOUT JUMPING AROUND!

inspired by the works of gunnlaugur se briem

i especially like the shape of the s

height: 10 bricks

no filters

Twofold is a work in progress 2-in-1 typeface playing with negative space. It is inspired by this experiment by Alex Slobzheninov.

I started with this "mixed" unicase but I also plan to make a standard font.

I used Gr4ftY's rounded angles tool for the corners.

(lowercase F is an alternate glyph)

Please note that this project is not affiliated with Mojang. If there are any inconsistencies compared to the original font, let me know. Make sure you include an image of the glyph(s) in the actual font so that I can clearly see what's going on. However, please ensure it is unintentional. If it is intentional or changing it is unsuitable, I will let you know. If you spot an issue (probably something to do with kerning) or are suggesting an improvement (like adding new glyphs), let me know. All of my fonts have a FontStruct Official Commercial License, meaning you can use them in your work, even commercially, as long as you credit me. The license reserves the right to clone or redistribute the fonts.

literally just a serif font but without those thin parts

got inspired to make this font by watching the A24 intro

EXTREMELY work in progress

supports german too

height: 4 bricks

Inntroducing Introducing the MONOLITH STENCIL (NB 068) – where brutalist form meets digital rebellion.

Blocky. Bold. Beautifully broken.
Each letter is cut with raw precision to dominate layouts and shatter predictability

Reimagined version of Depoir Script. Old alternate glyphs in Latin Extended Additional.

LETTERS ONLY!

A font recreating the 8px-tall bold font of the legendary Nokia 6210.

By JType

I give JType Lockstep a bold version. Ignore the jaged edges on the diagonal lines, folks.

circles from big city? I think so!

100% accurate of our current FontStruct logo from 2026.

CB Sharp is a blocky font that I made myself. Most of the letters' forms, especially lowercases, are based on handwriting; though, due to limitation for me, some might be not. The font currently supports some of Latin, Greek, Cyrillic, Armenian, Hebrew, Arabic, Devanagari, and Georgian.

Typographic variations of J, Q, a, f, g, j, k, l, t, y, 0, 1, and 7 are available in Private Use Area.

More letters may be added in the future.

Notable limitations:

• Diagonal strokes appear thinner or thicker than horizontal and vertical strokes.

• Curly letters, loops and curves may appear off.

• Combining characters may appear in the wrong place.

i was looking at some of my old fonts and i found kv bastille and i thought, why dont i fill in those gaps

and then while i was doing that i thought wait this kind of looks like that old cyrillic script

so i added russian !

the capital letters in cyrillic are based on vyaz and the lowercase ones are based on the letters used in old church slavonic

but of course it wouldn't be 100% accurate to those letterforms, it's also a modern design too

i especially like the Дд (^^;)

currently WIP

Very bold font made for legibility even at sizes smaller than Curvex’s (8px). Accidentally inspired by Susan Kare's Chicago.

By JType

A font based on a numbers from Rhythm Test from Rhythm Tengoku (Rhythm Heaven); Includes Latin and Hebrew letters

I created a 3x3 Sans Font With Smooth corners and insides

Mediocre handwriting. Flaws and everything. If nothing else, it is at least definitely human.