Finally, an All Stars that is truly "all" "stars" HAHAHA GEDDIT 

Plain version of "All Stars" prepared for pixel art use.

Original size: 12pt (use multiples of this value for pixel perfection)

Variant of "All Stars", modified to be suited to pixel-art uses.

Original size: 12pt (use multiples of this value for pixel perfection)

A star font which combines a pixelated look with halftone shading.

It needs some form of antialiasing to be legible at small sizes. (See sample below or try the Pixel views). At larger sizes, you can use it with or without antialiasing!

Original size: 12pt (use multiples of this value for pixel perfection)

Yet another polygonal font, this time a diamond. :^)

This one was also designed to combine symmetry and asymmetry. Some letters have central lines and some have offset lines. In this way a greater variety of designs was made possible.

I changed the X. The original looked better, but also looked maybe a bit too much like a manji or swastika for peoples' liking. If you have thoughts on this matter, please post them.

Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ

Welcome to Tridisaster. It's ALL TRIANGLES, ALL THE TIME. Welcome to Triangle Channel.

Mathematical operators have a distinctive "open" look to help set them apart. There are few exceptions (like ^) because these symbols are used in many non-math contexts.

The only one I'm not sure about at this point is the comma, which works fine for my purposes, but probably makes this font a pain for anyone who tries to read/write at length with it. XD

All Basic Latin is kerned for both cases! Use a mixed case to create weird alien scaffolding! Inverted ",." can be found on "µ¶".

Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲ Δ ▲

An attempt to make an entire alphabet by modifying a single heptagon shape. (The "O" is the basis for almost all other glyphs.)

An alternate version of this was made in which I used different bricks to make the width of every line homogeneous. However, it was found that this robbed the font of much of its character. Additionally, the visual effect presented by the increased line width actually made the font less even-looking than it is now. This proved true with and without antialiasing.

An experimental design inspired by megalithic structures, especially Inca stonemasonry. I wanted to create letterforms that looked like worked stone (with minimal gouges or openings into the stone) and that looked like they could actually stand up on their own as stone structures. The asterisk, quotation marks, etc. are obvious exceptions, since they need to be free-floating (although I did modify their spacing to make them appear to "rest" on the surrounding letters.)

The slants applied to the "stones" are just for style. :^)

Not sure what inspired this one--I think it actually started off italic, but it proved too difficult to FontStruct an italic like this back in 2014...