Version 1.1

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For this font the idea was to make something which looked extremely clear at small sizes and which was optimized for speedreading. The low-polygonal style combined with the thick lines makes this a good font for footnotes and marginalia, thus the name.

Version 1.3: Added Polish and started on Cyrillic.

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Experimental polygonal superthick decolike.

Version 1.2: Added Greek and Polish. I'll try Cyrillic for the next version once I work out how to make Cyrillic that is both accurate and in keeping with this design.

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An attempt to do large rounded shapes using only the stock FS bricks.

Reticular octagonal inline vs. outline thing. Made using an additive method in which no template bricks were removed - though many were replaced with square bricks. The original form is on ",".

Font made for the logo of a particular project/video game of mine.

Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...

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Current Version: 1.9

See also:Dynablaze

Been a while since I did any regular polygonal designs, so here's my go at octagons.

This one was on my backburner list... expect more glyphs soon.

Version 14

My attempt at a small-form polygonal sans-serif. This is based partly on the 16-segment circle I used to make "Circlets" and "Misplaced Baubles".

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This has proven to be my most popular font around the web, at least in terms of favorites. If you'd like to see support for your language added, post a comment and let me know which letters are missing.

Finally, an All Stars that is truly "all" "stars" HAHAHA GEDDIT 

Plain version of "All Stars" prepared for pixel art use.

Original size: 12pt (use multiples of this value for pixel perfection)

Variant of "All Stars", modified to be suited to pixel-art uses.

Original size: 12pt (use multiples of this value for pixel perfection)

A star font which combines a pixelated look with halftone shading.

It needs some form of antialiasing to be legible at small sizes. (See sample below or try the Pixel views). At larger sizes, you can use it with or without antialiasing!

Original size: 12pt (use multiples of this value for pixel perfection)

Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

Like most of my fonts, this is made to have a constant height, with plenty of empty space between rows/lines to enhance readability. Accented characters might be completed at some point, but only if I can work their designs into the existing letter height.

This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)

Yet another polygonal font, this time a diamond. :^)

This one was also designed to combine symmetry and asymmetry. Some letters have central lines and some have offset lines. In this way a greater variety of designs was made possible.

Continuing on the theme of choosing a regular shape and making an alphabet out of it.

Looks best at smaller sizes (<24pt) and with antialiasing/ClearType turned on.

Can this be done better with filters? Probably, but I still have to learn those... :D

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Welcome to Tridisaster. It's ALL TRIANGLES, ALL THE TIME. Welcome to Triangle Channel.

Mathematical operators have a distinctive "open" look to help set them apart. There are few exceptions (like ^) because these symbols are used in many non-math contexts.

The only one I'm not sure about at this point is the comma, which works fine for my purposes, but probably makes this font a pain for anyone who tries to read/write at length with it. XD

All Basic Latin is kerned for both cases! Use a mixed case to create weird alien scaffolding! Inverted ",." can be found on "µ¶".

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An attempt to make an entire alphabet by modifying a single heptagon shape. (The "O" is the basis for almost all other glyphs.)

An alternate version of this was made in which I used different bricks to make the width of every line homogeneous. However, it was found that this robbed the font of much of its character. Additionally, the visual effect presented by the increased line width actually made the font less even-looking than it is now. This proved true with and without antialiasing.

An experimental design inspired by megalithic structures, especially Inca stonemasonry. I wanted to create letterforms that looked like worked stone (with minimal gouges or openings into the stone) and that looked like they could actually stand up on their own as stone structures. The asterisk, quotation marks, etc. are obvious exceptions, since they need to be free-floating (although I did modify their spacing to make them appear to "rest" on the surrounding letters.)

The slants applied to the "stones" are just for style. :^)

Not sure what inspired this one--I think it actually started off italic, but it proved too difficult to FontStruct an italic like this back in 2014...