This is a classy font where pretty much every character is made in a 2x2 space.

A variant of Gridlarva with filters removed and many letterforms altered.

The last entry in the Pseudostencil series... this is built at 2x2!

It seems like the sort of font I'd see carved in relief on the sign of an old pub.

An attempt at Gridbug in 2x2!

An experimental logotype and another attempt to create a distinctive design in 2x2. Some words look better than others... it's best for 1-2 word phrases rather than body text.

"B", "P", and "R" are compromise designs... no satisfactory way exists to create their curves while maintaining the optimal line width, so their counters were filled a bit to give them the same sense of solidity as the other letters.

*

A "denghon" is a giant, many-limbed, extradimensional creature found throughout my games, especially ESOS.

Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

Brick Basket in a format that's more useable for graphic artists. While the original was made for building new font designs, this one is made to be useful as a font in its own right.

I will update this one, along with the original, any time I have new ideas. Both designs have bricks that are unique to them, as well. This is due to glitches I encountered while cloning as well as the fact that BBRev2's designs are specifically for graphic art. BBRev2 also contains a few stock FS bricks just to expand the range of textures it can create.

Squareish, slightly futuristic 2x2 design. It's made to fit in with industrial, sci-fi, and Soviet-style aesthetics. It's also far more internally consistent than my other 2x2 designs!

Because this uses so much nudging, diacritics will be impossible unless I composite many of the existing glyphs or place the diacritics really high... I'll think about it...

This one is made by request for a friend! I think he's using it as a credits font.

See also:Wall Dye

A 2x2 design which started with a "split" aesthetic and ended up with a "stenciled" one. I embraced the change and now all these glyphs are functional as stencils. They contain minimal stacking and no composites.

In some cases the inside is connected to the outside at only one point. If you decide to use this for stencilling, I recommend using a stout material for the stencil and storing it with care.

The name comes from one of the many, many old joke bands which I created.

Recommended: Use with kerning turned on!

A small, sharp, thick font. I tried to avoid stacking and composites, but were necessary in some places.

₫€®¡$¤r¥:©¤₦₡€₧:¤₣:℗®¤_¤₣ I meant : 1. it's not a font because of the number of duplicates; 2. internet search engines believe the contrary (we deserve smarter crawlers); 3. it's an unfinished work (I felt lazy for not designing the filters beforehand - 2x2 grid combinations); 4. I'm unsure about the final license, esp. when I have released a sub-pixel '''''font''''' with the same method.