A variant of Gridlarva with filters removed and many letterforms altered.This is a clone of Gridlarva
The last entry in the Pseudostencil series... this is built at 2x2!
An attempt at Gridbug in 2x2!
50,000 shared glyphs! That's like fifty TIMES A THOUSAND!
Trying this style out. The name comes from a monster in the game NetHack.
Another 2x2 doodle. :^)
Experimental doodle. The idea here was to make letters, ascenders/descenders, and diacritics obey the same ratios. The result looks sci-fi and sporty at the same time...
With the increased boldness, this design loses its decolike look in favor of a slightly more sci-fi one.
A lot of broken glyphs had to be fixed for this... I think I got 'em all...This is a clone of Badwolf
Experimental font doodle made with the pizza slice brick. It reminds me of the keeled scales of a viper.
This creates many distinct visual effects depending on size and coloring!
Tribal doodle thing. Still in its experimental phase. It's named for Abraxas, a Tromp from the PC game "Commander Blood".
Just a variation of an existing design. Spacing values were changed to break the chains, and "space" & "no-break space" were made blank.This is a clone of Might Chain
A slightly futuristic and stencilesque design using halfwidth bricks.
The idea here was to make every glyph simple and minimal, not only in terms of geometry but line connections as well.
While walking through Glitch Forest, you spot a sudden movement behind the Sprite Trees. It's [EVIL_ANGATONIST]! With a twisted smile, s/he/it converts your words into text written in this font. ZOUNDS! How will you get through summer school now?
This was made to reproduce an amusing glitch found in MIDAS which caused insanely high ratings of 17.3×10^213 (17.3 septuagintillion). The glitch has since been fixed.
My take on the classic Sports Jersey font
Pixel demake of Spelunker. Should be mostly kerned by now...
Pixel demake of Basalt.
I'll add all the original glyphs eventually... this was just an experiment to see how a pixel version would turn out!
From the vault of unpublished doodles, a permutation of earlier ideas.
An experimental logotype and another attempt to create a distinctive design in 2x2. Some words look better than others... it's best for 1-2 word phrases rather than body text.
"B", "P", and "R" are compromise designs... no satisfactory way exists to create their curves while maintaining the optimal line width, so their counters were filled a bit to give them the same sense of solidity as the other letters.
A "denghon" is a giant, many-limbed, extradimensional creature found throughout my games, especially ESOS.
A font made to have a "carved stone" look the likes of which might be found in some ancient underground temple.
Inspired by the many hours I've spent playing a certain platforming roguelike... >.>
A font which evokes a feeling of roving warbands. It looks a bit Wild West, too! It started as one of those blackletter designs with diamond-shaped terminals, but then I experimented on it and now we have this.
A dashed line design made with the new half-arc bricks. The emphasized spurs/stems and off-kilter geometry give it a quirky, almost handwritten quality. Its striped appearance makes me think of candy as well as the Cheshire Cat, thus the name. :D
I doubt the upper case would look as cute as the lower. So I've cloned all LC to UC to make this easier to use...
An evil electromagnetic zigzag tape reel. Looks almost embossed, as if the letters were "pressed" into the waves somehow. In that way it reminds me of old hand-operated label makers. It also makes me think of electricity, TV static, fractured glass, and more depending on font size and color.
The name is inspired by an attack from a notoriously bad NES game, "Dr. Jekyll and Mr. Hyde".
See also:Zap Cannon
Acrophobia with ratios changed so it isn't quite as tall. There is now line width variation which slightly enhances the "engraved" look this design has.
Unlike its predecessor, this one works well as a pixel font!This is a clone of Acrophobia
RC Dynamite with altered filter sizes. The result looks as if it's sizzling, part of a mirage, made of cardboard, or even made by tire tracks!This is a clone of RC Dynamite
Pixel demake of Goud. This is easily the best Goud for body text, as it remains crisp at all sizes!
Original size: 9pt (use multiples of this value for pixel perfection)
A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
Fuzzy Logic, but the darkest halftone has been replaced with a copy of the lightest.
The bands in the overlapping regions are artifacts of the FS preview. They don't show up when the font is used elsewhere. However, any size which is not a multiple of the original can create a different type of banding... I recommend using this at larger sizes...This is a clone of Fuzzy Logic
A vertical take on Morse code. These glyphs are read left-to-right from the bottom up and spaced so that 1 pixel = 1 unit of time, whether moving horizontally or vertically. Letters have 3 spaces between them and words have 7 spaces.
The result is a concise design that can easily be fed to tone-generation or image-to-audio software (e.g., AudioPaint) to produce accurately encoded & timed Morse code, no matter the frequency (speed) of the transmission. You can use this principle to create and place messages into music or games, make messages match a tempo or beat, arpeggiate words and turn them into music or sound effects, and much more.
The name is a pun. :P
21NOV2018: I've recently learned that many radio stations use an expanded version of the International Morse Code, adding many symbols and punctuation to it. Though these new glyphs are not part of the standard, they are commonly used and agreed on, so I will keep adding them as I find them.
Original size: 4pt (use multiples of this size for pixel perfection)
Written language of the Skalmish, people within my simulation ESOSVM. These were the people initially used to colonize the universe "Rskalmwayt" wherein several stories take place, including Dheen's Folly and Trap Farmer Brer Brah. 5132 random selections were taken from Oinai stock and placed on Planet Fyromr, and their descendants became the Fyromrese. Tandem AIs then began to refine and alter remnants of Unified Oinai language into this.
Glyphs of this style can be seen on cave walls, objects, signs, records, etc. dating up to the time when I began to intervene in the workings of the Rskalmwayt simulation (ESOSVM Canonical Year 16573440000). They were always pixel art - no high-res renditions of these shapes were ever created, so there's ample room for reinterpretation.
Like most Runic languages (including Elder Futhark), these glyphs have a specific ordering associated with them. Additionally, in written Skalmish the glyphs which make up a word are always written in alphabetical order. Glyphs have no associated sound components. They were used to record gestural communications, so there's no way to speak them. Had this language been spoken, however, it probably would have used a priority-based system wherein certain glyphs were pronounced before others or preferentially stressed. Kind of like Thai language, but way more convoluted.
An ornate Goud with lots o' thorns! Now with MORE THORNS.This is a clone of Goud
A chimera made from Byzantine Exasperation and Terran Pixelcruiser.
There's also a squared version of this called Mechanos B, but I want to see if I can make it more distinctive before I publish it...This is a clone of Mechanos B
Rather than serve an ornamental or decorative purpose, this one is made to be as clean as possible so that it works well for body text. It's highly legible at small size, so it could potentially even be a programmer's font!
"Goud" stands for "Garden of Unearthly Delights", the name of an album from the band Cathedral.