Techno Afterdark is a condensed modular display typeface defined by strong vertical emphasis and geometric precision. Built from consistent structural components, the design explores repetition, balance, and controlled contrast. Its rigid framework and sharp interior cuts create a bold presence at large sizes.
This is a cloneA very versatile unicase tall sans-serif font.
It can be deformed and stretched to make it taller and give it a barcode look. Suitable for logo design and decorations, its unlimited visual power will blow your mind. It can be strong, minimal, serious, playful, techno all in one. Give it your touch and see what it can become.
Contact cosmic.kyou@gmail.com
Oxygen missing
put the font name in YT and go to timespawn 4:24 to 5:02
-TPOT
P U B L I S H E D O N N O V E M B E R 1 8 , 2 0 2 5
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PW-Blacker Grotesk — a heavy geometric sans-serif font with robust language support. Capital-only.
This font also contains full 3-square-root characters: √, ∛, ∜.
Fractions can also be typed in this font
Syntax fraction typing: [superscript][fraction slash][subscript]
Example: "¹²⁄₃₄₅", while "¹²" is a superscript, " ⁄ " is a fraction slash, and "₃₄₅" is a subscript.
Over 100 language support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Greek, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu
Please share your thoughts on this font in the comments.
imisi=half in greek
i had a road map that went:
quartile slab -> imisislab -> triplequartile slab -> slab
i made the first two, but realised that imisislab was already slabbish so i renamed "quartile slab" to "imisislab" and the original imisislab to "slab", which is the one that you're seeing
version Ω: 22X25, creation of this font, based on "first" version 1, added small slabs here & there
this font will never be updated, given that it is final, hence version omega
This is a clone of firstLike normal font but with unicase
This is a clone of F7 Micro YolkSee also: Quadrata Regular
A variant of Quadrata built around the cover art for Autechre's NTS Sessions
A pixel font made of letters styled after the Cool S.
This is a clone of Street SmartsThis is my little contribution to the fantastic recovering universe
called LETTERS OP MAAT by the great @Sed4tives about the typographic world of the dutch artist and typographer Jurriaan Schrofer. Btw, I sincerely apologize to @Sed4tives for the undue delay and the time it took to publish this exciting addition to his magnificent series (I'm sure he thought I'd forgotten, didn't he, comp4ñero?). Hope you like and enjoy these two fonts in one.
- - - - -
GUIDE TO FIND GLYPHS:
- Curved left unicase: A to Z + Ç, Ñ, Æ, Œ.
- Curved right unicase: a to z + ç, ñ, æ, œ.
- Curved left numbers: 0 to 9.
- Curved right numbers: for 0 type %, 1=<, 2= =, 3=>, 4=[, 5=], 6={, 7=|, 8=}, 9=^.
- Other curved left glyphs like ., , , ”, ’, ', ?, !, @, $, &, (, ) and -: in their own glyphs, plus :=/.
- Other curved right glyphs: ”=“, ’=‘, '=", @=*, &=#, -=+, .=:, ,=;, $=`,:=\, ?=¿, !=¡, (=_, )=~...
... The work still in progress (diacritics in the oven)...
SbB Astrometric Narrow is another attempt at a lowercase inspired unicase design. Really short ascenders and descenders. Still a work in progress. (I'm happy with the basic structure, so this is probably a prototype that I'll refine in Glyphs.)