These letters remind me of a forest

See more:

https://www.fontstruct.com/fontstructions/show/1470403/high-at

https://www.fontstruct.com/fontstructions/show/694135/fs_nice_and_tall

Kaylum

This is my first try at a very tall font, so I hope it's good.

The binary version of each symbol turned vertically.

Not all symbols could be added because they have more than 8 bits of data.

Obviously not very readable, but good for decoration.

A narrow font with pointed ends. I got the inspiration from the "Cool S". It features Basic Latin and More Latin.

Derived from Chisato by Zephram.

Copyright 2019 Zephram & Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com). 

Although Zephram's work is no longer apparent here, it exists in the underlying compressed letter forms and shapes of most of the characters that inspired me to give it a twist and make it monspaced with tapered ends.

Donations are super-appreciated.  Credit for my contribution to this work IS also greatly appreciated. 

Type: Monospaced Sans.
I guess I would classify this one as: Casual, Condensed.
Weight: Regular.
Web font: Yes.
Commercial use: Yes!
Derivatives: You betcha.
Redistribution: Anywhere.

P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com   (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP

Just a fun little font I made with the connect blocks. Enjoy!

My Twitter

The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.

Tall narrow sans serif with small breaks in the letter forms. Inspired by handwritten fonts like Amatic or Diner with an art deco flare.

Big & Tall is a wide and tall typeface used for headlines and everything big and tall.

Creep Show is a skinny, tall typeface, for large display

Big & Tall is a wide and tall typeface used for headlines and everything big and tall.

A variant of Marrada with more angles.

Usually with designs I try to make every part look like it "belongs" with the others as opposed to trying to make each part look its best. With Marrada, I struck a balance between the two. Q1@*&{} are probably the best examples of this sort of balance...

A combination of many small disparate elements. Like "Space Wham" it tries to harmonize angles and curves, but it does it by letting complementary glyphs have them as opposed to using them both in a given glyph. I broke this rule to make "Marrada Angle", though.

A squared-off Chisato Pixel. This loses a bit of style, but has much simpler geometry and is much easier to read. A few glyphs are identical as well, so this is now a Mixed Case design.

Despite its seeming simplicity, I enjoy this design very much. I've added it to ESOSVM under the name "ChiP".

Pixel demake of Chisato. Also known as "ChiP1" to ESOSVM.

Version 1.3: Added Polish.

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Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!

It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.

This font has also found some use on signage at a friend's bistro!

 A tall thin stroked Art Deco typeface experiment.

I tried to create pretty simple but ellegant geometric letterforms. It is inspired by the later 70's Art Deco Streamline period.

The character set is far from complete for now, kerning done only for a few pairs and overall balance therefor is still quite poor.

--------- UPDATE v2.0 ---------

I completed much of the basic latin with mix-caps alternative glyphs and a lot more, along the way the whole project also kind of turned into a attempt to construct very thin (1/8th grid unit) sloping strokes and asymmetric curves.

Once more,

Enjoy!

Arcade-y type pixellated font

Acrophobia with ratios changed so it isn't quite as tall. There is now line width variation which slightly enhances the "engraved" look this design has.

Unlike its predecessor, this one works well as a pixel font!

A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.

Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D

This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.

Pavos real means peacock in Spanish. I think this is an excellent name for the elegant serif font. I will make more Latin and Cyrillic(Russian). Greek lower case letters are simply too script-y . It will be tough making them. That's all.

Enjoy -JY

so I was scrolling down my fs page and I found this font i made before. And I realized that i promised to make cyrillic which I didn't. I made cyrillic now.

-JY 2019/1/26

I love the look of this style. The name is self explanatory ;) if you know French.........

UC, numerals and some symbols have one line thicker than the others, LC only has the thinner lines. LC can be used on its own if even thickness of lines is desired but it is 3 px shorter than UC which will show clearly when using Basic Latin LC in combination with Hebrew, numerals, some symbols and some punctuation marks. Cyrillic and Hebrew added. Latin1 will come soon.

A design with long ascenders and descenders, even on letters that don't normally have them. Good for "old book" text in video games.

This is used in ESOSVM for most text which occurs while the player is in the dimension "Ladede", thus the name. Ladede has a canon, cosmology, and eventing which are seeded by in-jokes relating to roguelike games, especially Dungeon Crawl: Stone Soup. A font like this, in that context, is meant to be elegant but also mocking. This makes it seem subtly adversarial, as roguelike game elements are wont to do, and helps let the players know that they are in a bad, screwed-up place that they are unlikely to understand.

On its way home from Galacto-Zorgalorg, Kitchen Sink crashed on a strange exoplanet. It emerged from its ship to discover the ground was dimethylmercury and the atmosphere smelled of broccoli. As Kitchen Sink obstinately fumbled around outside its ship, it fell into a Pixelation Pit!  This quantized Kitchen Sink's body like a garbage disposal, resulting in the form we see here. Pixelated, space-marooned and anthropomorphized at the same time - that's the fate of Kitchen Sink. What a FREAKIN' WEIRDO!

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Original size: 7.5pt (use multiples of this value for pixel perfection)