A variant of Marrada with more angles.This is a clone of Marrada
A combination of many small disparate elements. Like "Space Wham" it tries to harmonize angles and curves, but it does it by letting complementary glyphs have them as opposed to using them both in a given glyph.
This is almost fully kerned, at least according to my own kerning table.This is a clone
A squared-off Chisato Pixel. This loses a bit of style, but has much simpler geometry and is much easier to read. A few glyphs are identical as well, so this is now a Mixed Case design.
Despite its seeming simplicity, I enjoy this design very much. I've added it to ESOSVM under the name "ChiP".This is a clone of Chisato Pixel
Version 1.2: Added Greek and Coptic. I don't have the right language support installed to see ALL the glyphs, so a few are still missing...
Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
A tall thin stroked Art Deco typeface experiment.
I tried to create pretty simple but ellegant geometric letterforms. It is inspired by the later 70's Art Deco Streamline period.
The character set is far from complete for now, kerning done only for a few pairs and overall balance therefor is still quite poor.
--------- UPDATE v2.0 ---------
I completed much of the basic latin with mix-caps alternative glyphs and a lot more, along the way the whole project also kind of turned into a attempt to construct very thin (1/8th grid unit) sloping strokes and asymmetric curves.
I also decided to make this clonable for educational purpose to everyone interrested in making asymmetric curves with very little compromise to allignment of the constructed curving strokes. It's not a tool, but rather a little insight into how I did this. So the custom brick pallet is messy. Another important thing is, To fully understand what is going on under the hood of this fontstruction some knowledge about resizing bricks by way of composites is required. Because the location of the brick inside of the composite bricks grid can be very important upon rotation and nudging!!!
filter for brick size should remain at 2:2 in order to make propper allignement of the bricks.
I was trying to make a very narrow font that doesn't look just like a set of parallel sticks when used. I was inspired by Raranga by Aeolien, Log Beach by elw123 and Ladedan by zephram.
Acrophobia with ratios changed so it isn't quite as tall. There is now line width variation which slightly enhances the "engraved" look this design has.
Unlike its predecessor, this one works well as a pixel font!This is a clone of Acrophobia
A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
Pavos real means peacock in Spanish. I think this is an excellent name for the elegant serif font. I will make more Latin and Cyrillic(Russian). Greek lower case letters are simply too script-y . It will be tough making them. That's all.
I love the look of this style. The name is self explanatory ;) if you know French.........
UC, numerals and some symbols have one line thicker than the others, LC only has the thinner lines. LC can be used on its own if even thickness of lines is desired but it is 3 px shorter than UC which will show clearly when using Basic Latin LC in combination with Hebrew, numerals, some symbols and some punctuation marks. Cyrillic and Hebrew added. Latin1 will come soon.
A design with long ascenders and descenders, even on letters that don't normally have them. Good for "old book" text in video games.
This is used in ESOSVM for most text which occurs while the player is in the dimension "Ladede", thus the name. Ladede has a canon, cosmology, and eventing which are seeded by in-jokes relating to roguelike games, especially Dungeon Crawl: Stone Soup. A font like this, in that context, is meant to be elegant but also mocking. This makes it seem subtly adversarial, as roguelike game elements are wont to do, and helps let the players know that they are in a bad, screwed-up place that they are unlikely to understand.
On its way home from Galacto-Zorgalorg, Kitchen Sink crashed on a strange exoplanet. It emerged from its ship to discover the ground was dimethylmercury and the atmosphere smelled of broccoli. As Kitchen Sink obstinately fumbled around outside its ship, it fell into a Pixelation Pit! This quantized Kitchen Sink's body like a garbage disposal, resulting in the form we see here. Pixelated, space-marooned and anthropomorphized at the same time - that's the fate of Kitchen Sink. What a FREAKIN' WEIRDO!
Original size: 7.5pt (use multiples of this value for pixel perfection)
Has science gone too far?
Just when you thought Italic couldn't get more Italic... introducing the Ultra Italicized italic version of R/C Dynamite. NOW WITH EXTRA ITALY!
Italic Dynamite! It's so slanted that using this font and turning italics on does nothing to change its appearance. My software doesn't know how to slant it further! It also gives me a mild sense of perspective or vertigo depending on how I look at it...
Pixellated Proxima Punch. It's art deco for your ancient compy box! New smaller grid, same great taste.
Original size: 6pt. Use multiples of this value for pixel perfection. However, this one has been noted to look great at almost every smaller size. Try 7pt, 8pt, 9pt, etc. for slight variations on the look!
Logo font for the fictional band "Roan City Roadslickers" from D2:ES.This is a clone of RC Dynamite
My first attempt at an angled font.
% is a little wonky - use a space, , or . after it to prevent potential collisions.
I attempted a blackletter style without any knowledge or references. The result reminds me of a vampire's writing!
The name "Dethzmezenger / Death's Messenger" comes from one of many old joke bands which I created.
Original size: 17.25pt (use multiples of this value for pixel perfection)
A design made to have long legs. The mild optical illusion this font creates was a happy coincidence!
I changed the name to "Taller Tales" since it seems that many fonts called "Tall Tales" actually exist...
Original size: 40pt (use multiples of this value for pixel perfection, or use in combination with antialiasing)
"Big Friendly Giant"
Proxima Punch with all curves changed to angles. A more engraved look.This is a clone of Proxima Punch
A style built on a tall ellipse. Bold line on the left, narrow line on the right. (The glyphs )]}¿¡ break this rule for the sake of aesthetics.)
See also: Proxima Punch Pixel
I wanted to go with a tall-looking appearance when I was creating this font. Aside from the lower-case letters, I believe I have achieved what I was going for. The idea for the name, "Attitude", was an interesting one. My mother saw what I was making and thought some of the letters had some sassiness or character about them.
When I decided to go with the theme ‘Elegant’ for this project I knew that my font must be simplistic, I considered what elegance meant to me personally and came up with the following words, modesty, simplicity and nature. I wanted this font to reflect all of these aspects so I created the tall letters to mimic trees in a forest and simplified each letter to keep it clean, modern and modest.