Made by request: An experimental logotype design meant to be high-impact and high-energy, such as befits a speed metal band's album cover.

It contains my own inspirations as well as those of the band, who sketched a few prototypes.

This is clearly unfinished not only in terms of glyphs but also kerning. I was only requested to make the glyphs "AEIMNPRV" and the rest can be considered as doodles... at least, for now. It seems that there's a trend wherein people who make requests of me just want one-off designs like this as opposed to refined and finished ones. But, I'll continue this one on my own if inspiration strikes.

(WIP)

An attempt at an angular, futuristic Fraktur design. It's also inspired by ancient Greek stonecarvings, or at least, the way such carvings are depicted in comics and cartoons. It has a lot of intentional asymmetry to make it look quirky and slightly comical. (I tried making everything symmetrical with composites, but it looked boring!)

I welcome any suggestions for this one. I've never tried to make a "normal" Fraktur, only avantgarde ones, so I'm not very knowledgeable about the style.

Font made for the logo of a particular project/video game of mine.

Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...

Current Version: 1.8

Recommended: Use with kerning turned ON!

See also:Dynablaze

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon.

Note: E-Keet Winterlate BC is bicameral (typical upper-and lowercase forms). This is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Extra note: I have no idea why the vertical metrics are so honked up compared to the BC version. It's a FontStruct™ Mystery™!

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon.

Note: This is the bicameral version (typical upper-and lowercase forms). E-Keet Winterlate A26 is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

Like most of my fonts, this is made to have a constant height, with plenty of empty space between rows/lines to enhance readability. Accented characters might be completed at some point, but only if I can work their designs into the existing letter height.

This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)

Inspired by wedge-styled cars.

A very squared-off monospaced font, based on 45° angles. Very thin lines, suitable for text or display. One of my earlier FontStruct™ creations. Let me know how you like it.

Decorative font without curves. Despite some fancy 'serif' kind of additions to most letters it different from the usual small fonts.

Feel free to replace those non-corner triangles with squares ;) to get a different look :D

My go on fontifying the WUaB-Era logo for Celldweller, a musical project by Klayton.

Primarily intended for Celldweller fan-stuff.

EDIT 12/29/2016: Added a limited support for Latin characters, but not Extended ones.

EDIT 01/01/2017: Fixed the spacing width for numbers.

EDIT 01/01/2017 #2: Fixed the spacing width for the number sign.

SILENT EDIT 01/??/2017: Fixed some errors and extended the font a little.

In this typeface I have tried to represent a noise without using soundwaves. 

Based on the word Thunderous, this font represents a storm. The pointy edges of the letters and their disformed shape are supposed to represent the loud and violent noise made by thunder. The lightning is a mean to show the activity of the sky during a storm but it's also a way to make the link between the font and the storm. 

The font is designed for attention grabbing headers.

There are 3 other versions of this font: Thunderstorm Inverse, ThunderStorm Black and ThunderStorm Mix.

My first FontStruction. Only original bricks used.

Rough curves, but looks fairly decent in small sizes.

A modern take on American-style sports fonts. Non-inline letters are lower case, and other characters are gained by holding shift on a UK keyboard, i.e.

1=!, 2=", 3=£, 4=$, 5=%, 6=^, 7=&, 8=*, 9=(, 0=), -=_, .=>, '=@

I started this typeface out with the letter 'a', and from there slowly build up the other glyphs and came to realise it looks like a festive type. It's most likely due to the terminals being very angular and sharp, and that thought strengthens ever more so after I tried using it in Adobe Illustrator.

A script-inspired monospace, mathematics-oriented, angular, unicase (mostly) typeface. Partially inspired by OCR typewriter fonts (only 90/45 degree angles).

(Still working out the n/u similarity, but context provides differentiation.)

A typeface based on the text of Dummy Lyrics's logo.

Dummy Lyrics is a rock band based in Fukuoka, Japan. I do not belong to it; I'm working for them as a freelance translator and English lyricist, and designed their logo. Since this font is based on that, I can't allow commercial use, but you're welcome to any amount of personal use as long as you credit me.

If anyone knows of any way I could improve the kerning (some letters should almost slot together) I'd be very grateful if you'd let me know.