High contrast font, with two dingbats of little seagulls placed at the "fi" and "fl" ligatures.

An old project put a day.

Initially inspired by SB Standard font (2013, Craig Staiton) with many modifications and recreated glyphs... And made to saving half the ink when you print your text with it, which is very important in today's times, you know :))

Kahilingan: Butlermations Gorilla Font

XANKFOLANDIA

Free for personal use only

See more:

https://fontstruct.com/fontstructions/show/2344057/touchdown-wip

https://fontstruct.com/fontstructions/show/29720/konstruct_1

https://fontstruct.com/fontstructions/show/1653608/nardo-1

A basic sans serif font for coding, meant for small sizes (and it would look good in large sizes too, if it weren't for those pesky parentheses...)

Remembering free and groovy good old times! Curvy style font. "ff" and "tt" ligatures availables. Nothing better for the hot summer days. Enjoy. (Kern in progress).

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

EXPANDED VERSION AVAILABLE ABOVE.

Very loosely based off of the seemingly unknown typeface used on a lot of Ben Bova novels (E.G. Privateers). By the way, this was SUPER hard to make, but still, it's 100% free.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

This was a font made for the wedding of my brother and their fiance, many happy wishes for them and quite honored to have been able to design this for the occasion. Please enjoy~

I can't superate chocomotion by four (❤️!), but I'm trying my own soft approach to the 3lines font design world. Hope you like this attempt to clarify from my to-do list. Btw: feedback about the design or aesthetics of some Cyrillic characters would be appreciated. Thanks in advance, people.

inspired.... by a frums song with the same name.

too lazy to make punctuation and these other symbols, though they are planned in the future.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

An odd dot matrix

"Clean" forms in lowercase

Thanks for the top pick! :D

This had the numberscomp tag on it at some stage, so still shows the numerals first in the gallery pages. I wasn't happy to share it until now however. I used a combination of connected and custom made bricks. Alternate a and e in lower case.

This is a number font for 7-segment LCDs. The alphabet is not complete.

In the font preview window above, click Pixel and then Shift+Pixel 4 times to see the full effect of the font.

I remember from back when I was learning Japanese, that the stroke order in writing hiragana, katakana, and kanji was important. I didn't get very far in my Japanese studies, but even then some of the kanji were like 17 strokes each, and each with a specific order of marking the strokes. Thinking of what would be appropriate for a number competition, I recalled the number and order of strokes per glyph idea. Hence, this font. 

The idea brought with it an inherent textfont sensibility. Deciding on the slope of the diagonal strokes was tricky as they rendered those letter either too wide or too narrow. The correct choice was a slope with a flat top or bottom. That allowed the width of the letter whatever I wanted but the flat top took away from the natural marking of the stroke, as in: no one actually writes an A with a horizontal top stroke. Settled on the current slope and width. Still, the letters came together fairly quickly; the kerning not so much. Whether they were adjusted or not, around 10,000 kerning pairs were checked. More than 2500 kerning pairs are included here...and many more still remain. How good or consistent the kerning is is for other's to judge.

Some of the glyphs are quirky, I know. There are already hundreds of thousands of exceptional standard text fonts. No point redoing those. 

Due to the need to show the strokes individually, the font came out as stencil. That was an unintentional byproduct of the idea.

Some strokes are split in two to show distinction between the crossing strokes, but technically they would be continuous. 

The strokes are based on my own handwriting style; others may do it differently. For example, when being careful, I write the Z in three strokes, whereas I suspect others probably write it in one. 

This is not a color font even though it is auto-charcterized as one because at one point I experimented with making the stroke-order numbers gray. I thought about copy-pasting the glyphs in a new FS, but the follow-up thought of having to redo the kerning quickly put a stop to that madness.

For best view of the font, download & install and check out some long block of text in Word with kerning turned on. (This articles explains how to activate kerning in Word.)

a sneaky little deco font with numbers hidden throughout~

(almost forgot to publish)

A nonogram font. Some variation between uppercase/lowercase letters, alternative 2/7 on < >, and an extra Y on ^. I originally made this in a 5x5 grid, but there were too many glyphs with multiple solutions, so I had to remake the whole thing. (You can still see the original style in the small numbers)

Part of the Stu font family, Stu Mid keeps all lowercases tucked within the x-height space. The character glyphs can be used interchangeably between the various Stu styles to achieve a more "bouncy" typesetting effect.

Stu pays homage to oldstyle numerals, where type designers vary the heights of numbers to resemble a line of running lowercase text. It seeks to address the question: "What if every lowercase alphabet also had varying heights?" The result is a font family with full-fledged ascenders ('Hi'), strictly x-heights ('Mid'), and only descenders ('Lo').

You can view the documentation of the Stu font family design here.

Every printable character in the strict 7-bit ASCII set, with handy decimal, octal and binary numerical codes attached (no hexadcimal, as it involves letters ;-)