One more pixel font.

See more:

https://www.myfonts.com/fonts/2d-typo/digital-stitch/

https://fontstruct.com/fontstructions/show/1214404/ugly-sweater

https://fontstruct.com/fontstructions/show/235495/peteroque_1

https://fontstruct.com/fontstructions/show/79317/country_1

https://fontstruct.com/fontstructions/show/576589/s ajou_ii

https://fontstruct.com/fontstructions/show/426077/jungen_werther

https://www.myfonts.com/fonts/gallofonts/cross-stitch/

Last entry for the Reversecomp. Based on the theme of yin yang, opposites, black vs white, reversed colors etc. Was in a hurry so couldn't quite make UC, cause there were so many various variants of this but the result is similar to the font I saw on Behance.

SbB Codebreaker is my entry for the Reverse Competition. Four parallel glyph sets: Symbols, Positive, Reverse and Alphanumeric. And all with a single brick. I'm really happy with the texture of the type.

The opposite of a blackletter: whiteletter. But p2pnut already took the name, hence the mispelling. 

A font formed out of Truchet Tiles.

Truchet tiles are formed by taking a single tile composed of opposing quarter circles, then applying its inverse in a random fashion. Here, I've inverted the tiles to create outlines, then developed the negative aspects of the letters, thus creating a reversal of a reversal of a reversal! Boom! Now you're in the third dream level of Inception.

Deceptively simple.

This fontstruction was made possible by several fontstruct special capabilities: connecting brick, brick stacks, custom bricks, and nudge. Out of 68 bricks used, only the full square brick is from the available bricks; the remaining 67 bricks are all modified in some way or another.

3 bricks tall.

A wicked track-looking font with every letter at least has a 180-degree-flip pair. Perfect for ambigram.

" ( " for left line cap

" ) " for right line cap

"space" for extending the line 

A last minute reverse-comp entry. An experiment in letters that exist in-between the lines creating a font that is equally legible when the polarity is reversed

Amber Lynn Bold - Small Caps https://fontstruct.com/fontstructions/show/1421956/amber-lynn-bold-2

Amber Lynn Light - Small Caps
https://fontstruct.com/fontstructions/show/1422506/amber-lynn-bold-2-1

Inspiration> www.periscope.tv/amberlynnmusic

My entry for ReverseComp.

Based on the 1970 font Pioneer designed by Tom Carnase.

The reversed version of AT Imagiro for the Reversecomp (2nd entry).

This should be printed on paper and cut according to symmetry axis to achieve the result as in the samples.

Based on a font that I made years back, this “Reverse” contest has been a good excuse to revisit that project and fine tune the letters heavily. Here the challange has been using a single brick, in the case the arrow pointing back, and making the shapes bold and (ok, you have to squeez your eyes a little) legible. 

from the category of 'also ran'

Only interesting in theory; the practical application leaves a lot to be desired. Incomplete as well. Only sharing now because vacations are over. Back to work from tomorrow moring. Won't really have time to work on this in any meaningful way anymore. Unless inspiration strikes out of somewhere and I am able to stay awake past my bedtime.

Every glyph has a counter rotated glyph or has self rotational symmetry—all except the c, which remains a loner loser.

paired rotational glyphs: ae bq dp ft hy jr mw nu G9 JR NV 25

self rotational symmetric glyphs: g i k l o s x z Q S Z ! & , ' 

Full disclosure: This fs was started before there was such a thing as Reverse competition. 

Side story on the making: This fontstruction is deceptively simple. It was quite a challenge to execute. Just because the strokes seem flowing doesn't mean they are all placed in the logical grid block. The rounded-off ends forced the bricks to be placed in any of the 8 adjoining blocks and nudged into place. Consequently, due to the nature of nudge only moving as much as half a block in any direction, some compromises had to be made in the shapes.

Reverse in the  visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery  pendants.

I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.

reflect the shapes in the lines of symmetry to create the reverse shapes and complete the glyphs. lowercase contatins reflected versions

My Reversecomp entry.

Start and finish typing words with a bracket... Lots of alternates in lower case.

( short starter panel

) short end panel

[ long starter panel

] long end panel

% connecting blank panel

Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.

3 bricks tall.

Inspired by Reversed-Contrast Typefaces.

Entry for the Reversecomp. It's based on the theme of counterclockwise (anticlockwise) direction that is represented by an arrow. Also, Esrever is Reverse written backwards.

Inspired by wedge-styled cars.

Bevel/chisel effect using connecting bricks.

Glyphs B,K,R,S,X,Z,k,s,x,z,2,3,5,7,8 miss cuts because of nudging space limitations.