The KTM Project
[ALTERNATE, USE KTM BASIC]
by KTM Industries
remake by ABC Kids Inc.
KTM Code page: KTM-Classic 2.0
This is a clone of KTM Basic 5x7 IIThe KTM Project
[ALTERNATE, USE KTM BASIC]
by KTM Industries
remake by ABC Kids Inc.
KTM Code page: KTM-Classic
This is a clone of KTM Basic 5x7Original: KTM 5x7 Typeface
The KTM Project
[Scale ½× Width]
by KTM Industries
re-established by Twinklesoft
This is a clone of KTM 5x7 TypefaceAn earlier (1926) constructed alphabet from Jan Tschichold, based on a somewhat finer grid and a slightly less condensed uppercase and a bolder appearance overall.
With a caps-height of 17, reproducing some diagonals proved quickly to be between nightmarish and impossible, thus the fidelity is a bit less exact than my previous recreation.
For a digitisation that encompass both designs and offers proper alternates, you can look at Peter Wiegel’s Tschichold.
This is a clone of Quick and Easy r0WIP
See more:
https://fontstruct.com/fontstructions/show/353762/ztay_eye_fs
https://fontstruct.com/fontstructions/show/2227624/shuffleboard
http://www.myfonts.com/fonts/artlebedev/heino/
http://www.myfonts.com/fonts/schizotype/revla-sans/
https://fontstruct.com/fontstructions/show/1427676/serrific-terif-c-thin
This is a clone of SteeplechaseMy version of Jan Tschichold’s “Schmale Grotesk - Leicht und schnell konstruierbare Schrift” (narrow grotesque - font that is easy and quick to construct), from 1930.
Turns out it isn’t always “quick and easy” to translate a pen and straightedge approach to constructed letters into Fontstruct’s prefabricated bricks setting.
In expanding the glyph coverage, I tried to remain true to the spirit of the original self imposed limitations, both in terms of grid (e.g. the cramped space for the uppercase diacritics), and of tools (see the solution for superscripts et similia).
The font covers all of Google Fonts Basic set and, given the c-caron present in the source, all of Czech orthography. I may try to add other Eastern European languages in the future.
There are many different takes on the same source (including for the visual identity of a museum), you can look at Serious, here on Fontstruct, or at Iwan Reschniev, for an extensive expansion in weights and typographic features.
As always, comments and suggestions are welcome :-)
See also Quick and Easy and New.
NICE LEGS
This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
A condensed slim & elegant style that has this classy look. The tall upper-case evokes elegance and it's asymmertical high- / low- waist distribution.
NICE LEGS was built using simple geometric shapes to make clean and legible letterforms. The super tall uppercase letters and the low x-height,
making this an eccentric, yet elegant san-serif type
— “Condensed, slim & stylish tall glyphs with that classy look that evoke elegance”.
It's asymmetric high- / low- waist positioning gives the lettering a distinct retro look & bohemian feeling that is great for logos & branding, packaging, titles, magazines, posters, signs, and scrapbooking.
As far as it is a clean looking font, it is not designed for large amounts of Body Copy text. It does work at small size, but it is perfect for branding , logos, and posters.
This font comes in both Capital & Lower letter cases. It's also equipped with many other charaters, such as; Ligatures, Numbers, Punctuation Marks, Accented Latin and a supply of special characters
It’s a minimalist sans-serif, delicate and romantic! The smooth and light execution of it’s clean and sharp lines making this font look sleek and elegant, feminine which is perfect for modern fashionable branding designs.
A condensed font with visual elegance, and smooth curves that make your work look true and attractive. Making this a perfect sans suitable to a wide variety of designs due to its neat and simple style.
More details soon
PS: I'm still working on kerning the font...
Cheers
WIP
This is a clone of fs regulateThe italic version of the famed 86-year-old typeface.
86 Years of Great Typography - 9B (Since 1936)
This is a clone of Ambeth (document)