Inspired by raster scanning & horizontal synchronization for image & video display.

Squared fat retro sci-fi display typeface

HIGH SOCIETY

This font was created based originally on the word 'Gregarious'. From that I researched Social Housing in the UK. These are spaces designed to house many people for as cheap as possible. I used compound blocks to create complex detailed flats that stack up as high as a tower block usually would.

Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.

We're back to the futurism.

Dunno what I mean by 'back', I never left in the first place.

Something is lurking in the shadows..

Based on the (relatively) recent AMD CPU branding (Ryzen, Ryzen Threadripper, Ryzen PRO, EPYC, Athlon).

Typeface does not contain:

• locked multiplier

• inefficient thermal interface material

• ancient 14 nm process node

• Meltdown and Spectre vulnerabilities

Ryzen name and branding is a trademark owned by Advanced Micro Devices. The AMD Arrow logo is a trademark owned by Advanced Micro Devices.

Modular grid system inspired design.

Inspired by the combination of digital code, alien inscription and bold Greek and Russian typography; this font was created with "confident" being the main theme. 

The visual features of confidence have been a focal point in the production of this font. Generally, confidence is associated with being bold and comfortable with ones self. But since a font is far from being human, I wanted to specifically focus on the combination of poise and shape. 

"One Small Step For Man" is my futuristic font based on the theme of ambition. I wanted to create a simplistic and wide font that is longer in width than height in order to replicate the long steps taken by Neil Armstrong when he was the first man to walk on the moon. This was an iconic moment in history and a key representation of ambition and the ideology that we can do anything if we believe. 

Argh, this was horrible to make .. well, getting it slightly balanced was a nightmare. The missing segments of the glyphs constantly caused my brain to correct what I was looking at by means of general logic and my knowledge about the way in which letter spacing usually works. This effect was worst with the letters T, U, Y. And I am convinced that it still contains the necessary disproportionate irregularities with regard to the metrics. I tried kerning it as best as I could. It has only uppercase letters, no numerals and very limited punctuations. I am not sure if I will ever complete this.

enjoy!

Cyberpunk + Futuristic = Cyberistic

(https://fontstruct.com/fontstructions/show/1572180/funky-pixels)

This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!

See more:

https://fontstruct.com/fontstructions/show/38623/next_level

https://fontstruct.com/fontstructions/show/630659/eldsie

https://fontstruct.com/fontstructions/show/1554645/stf-psyk0punk#comment-99215

https://fontstruct.com/fontstructions/show/45177/gothpix

https://fontstruct.com/fontstructions/show/851412/5strukto

https://fontstruct.com/fontstructions/show/680340/rbeats

https://www.myfonts.com/fonts/fsdesign/etoxina/

https://fontstruct.com/fontstructions/show/380375/modicum

https://fontstruct.com/fontstructions/show/466440/h_bor_ja

https://fontstruct.com/fontstructions/show/1175803/indubitable

https://fontstruct.com/fontstructions/show/148002/fs_firox

Retro sci-fi computer typeface

Sharp pointy Sci-Fi Blackletter typeface.

Made by request for an associate. "RADD" stands for "Research And Development Division".

A stencil design in which diagonal cuts are used to imply angles and curves. It does not quite obey the rules of a segmented display, but it tries its best!

This is inspired by some text on the side of the Sheepslayer Mk.2, a flying dragon car piloted by Lyll "Hatch" Soretti in my game Seven Candles.

A blocky, retro Sci-Fi font inspired by evil, faceless mega-corporation logos.

This was once a shy, lineal design... then it rebelled against its parents, went subtractive, and finally became futuristic knotwork. Gnarly!

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Original size: 15.5pt

A more "organic" or "biomechanical" version of Cybernaut. Looks best at sizes that are powers of 2.

A "glitchy" or "fried" Cybernaut. Looks best at sizes that are powers of 2 (try 2x or 4x Pixel size)!

Cybernaut turned inside-out! The result is mostly illegible except when used at multiples of the original size and with antialiasing turned off. At the original size (2x Pixel size), it's capable of some magnificent cybernetic aesthetics.

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Original size: 21pt (use multiples of this size for pixel perfection)

Cybernaut with finer lines. It must be used at twice the size of the original.

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Original size: 42pt (use multiples of this size for pixel perfection)

A greatly altered Cybernaut!

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Original size: 21pt (use multiples of this size for pixel perfection)

Experimental cyberpunk robot mosaic thing.

It gives me a strong "system font" feeling and seems like something that might be included with the OS of some futuristic tech deck. If the Fairlight Excalibur from Shadowrun Returns had its own font, this could be it!

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Original size: 21pt (use multiples of this size for pixel perfection)

Neon lights inspired font.