Retro sci-fi computer typeface

Sharp pointy Sci-Fi Blackletter typeface.

Made by request for an associate. "RADD" stands for "Research And Development Division".

A stencil design in which diagonal cuts are used to imply angles and curves. It does not quite obey the rules of a segmented display, but it tries its best!

This is inspired by some text on the side of the Sheepslayer Mk.2, a flying dragon car piloted by Lyll "Hatch" Soretti in my game Seven Candles.

A blocky, retro Sci-Fi font inspired by evil, faceless mega-corporation logos.

This was once a shy, lineal design... then it rebelled against its parents, went subtractive, and finally became futuristic knotwork. Gnarly!

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Original size: 15.5pt

A more "organic" or "biomechanical" version of Cybernaut. Looks best at sizes that are powers of 2.

A "glitchy" or "fried" Cybernaut. Looks best at sizes that are powers of 2 (try 2x or 4x Pixel size)!

Cybernaut turned inside-out! The result is mostly illegible except when used at multiples of the original size and with antialiasing turned off. At the original size (2x Pixel size), it's capable of some magnificent cybernetic aesthetics.

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Original size: 21pt (use multiples of this size for pixel perfection)

Cybernaut with finer lines. It must be used at twice the size of the original.

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Original size: 42pt (use multiples of this size for pixel perfection)

A greatly altered Cybernaut!

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Original size: 21pt (use multiples of this size for pixel perfection)

Experimental cyberpunk robot mosaic thing.

It gives me a strong "system font" feeling and seems like something that might be included with the OS of some futuristic tech deck. If the Fairlight Excalibur from Shadowrun Returns had its own font, this could be it!

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Original size: 21pt (use multiples of this size for pixel perfection)

Neon lights inspired font.

Real BBQ inspired

Pixelated demake of Nirvanite Fossil. It introduces more size variation than its predecessors, and proves even harder to read. The size variation was necessary to prevent these sprites from being too large and to make them more unique from the glyphs in Nirvanite Fossil.

Original size: 25pt (use multiples of this value for pixel perfection)

Alter version of Game of Strife. These two designs are for a project that is in progress. They're made to animate and swap between each other so that the text they print seems "untrustworthy". 

(If you guessed that this text was being printed by an evil AI, you've won! Here's your free Nothing.)

Actaeon has eaten its vitamins, said its prayers, and now it's all grown up and become a big strong sans-serif.

Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.

This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!

If this design is modified, it will break. But, it has been tested and seen to produce no graphical glitches.

A slightly chimeric sci-fi design with no relation to Space Blam, Space Clam, Space Cram, Space Dam, Space Fam, Space Flam, Space Gram, Space Ham, Space Jam, Space Kazaam, Space Ma'am, Space Pram, Space Ram, Space Sam, Space Slam, Space Tram, or Space Yam.

In making this I attempted to achieve a harmony between angles and curves. You can see it especially well on "B", "3", "8", and "&".

Recent updates: "J" improved, lowered "*" so it wouldn't touch the line above it, added several glyphs.

Experimental mosaic... or maybe a new mineral species?

This one started as a doodle. I began placing circles to see what kinds of complex shapes I could make, and this was the result.

It achieves a new visual effect at almost every size up to the original. Also try slowly moving the zoom slider for some interesting animations!

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This font is now nearly 1MB in size! I guess it has to do with the intrinsic complexity of circles.

Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!

The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.

"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D

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Design Rules:

1. Segments can have interior length/width of 2 or 5.

2. The central 2x2 square must always remain open.

3. Square bricks and 90-degree angles only.

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Original size: 20.75pt (use multiples of this value for pixel perfection)

Some simple futuristic bitmap typeface with some extra ornamental and dingbat stuff in unicode!

A futuristic looking stencil font, uppercase glyphs only!

Neon-style lettering in 5x5. I tried to keep the considerations of neon tubes in mind. Most forms are simple and several of them get repurposed for other glyphs. Further, the bends which would occur in actual neon tubing were taken into account while routing each glyph.

A closer look will find some advanced glyphs which would have to be produced by a master glassblower in order to work as neon fixtures (such as DHJKXOQ08*#+).

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This is spaced like a pixel font so that it can be used as one. Fonts which work especially well in both pixel and high-res mediums can be considered Hybrids.

"Lightened Son" is an anagram for "Neon Delights".

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Idea for Improvement: A wiring solution - some system designed to be on a layer behind the letters so that they look convincingly wired up.

See also:Technokratz family

A clinical font, an attempt at trying to work curves in a non-curved setting. I believe this works stronger as a text font, and I've given it the usual Euro specials, as well as Google font support if you are such way inclined.

Also added some Russian support because why not? It looks like it'd fit. Also Greek, too.