Simply put, a whimsicle font. U //w\\ U

RuneBlade is a font made for storytellers and adventurers to weave their tales in its sharp, runic scrawl. Inspired by Dungeons&Dragons, it's ready to find its way into fantasy adventurers and historic tales of.... well, whatever the campaign turns out to be.

An intricate yet cutesy typeface inspired by Sailor Moon.  Great for decorative emphasis or making an elaborate statement.

Pixelated simple font for a fantasy project of my own. You can use it in a non comercial way as much as you want !

hello people this is my first attempt at a font, feel free to private message me if you want to use it for anything. i intended this for use with old style games but you can use it for anything as long i'm credited for my work 

Hello everyone, there is my first struct in here, hope you like it ! You can use it for everything you want, even commercial (I would be really proud if it happened but I don't think it will).

This is a creative and eye opening font! This typeface is inspired by a  fantasy vibe with the details added to the typeface.

These are the actual Heiroglyphs (and tallymarks) that the Nokdellians use. The Q (Qu) and X are ancient Heiroglyphs and are not used regularly today.

I am planning on using this as the script for infernal in my DND campaign, it is roughly based on Latin, Hebrew, and Cyrillic giving it what I consider a very orderly looking alphabet. I purposefully excluded letters that would not be commonly used or can be created easily.

I am planning on using this as the script for infernal in my DND campaign, it is roughly based on Latin, Hebrew, and Cyrillic giving it what I consider a very orderly looking alphabet. I purposefully excluded letters that would not be commonly used or can be created easily. This version is designed to look as though it had been printed for the Infernal gazette or another official document that had been typed rather than written.

A font for D&D's Qualith script, based on the Qualith font by Sunakai.

Font recreated from Sierra's The Realm Online. Use at 10px, or mutliples of 10px.

KRS

Font inspired by Fantasy Games for classic consoles.

Script font for a version of the Infernal language from the tabletop RPG Dungeons & Dragons, for personal use. Abjad script (only consonants are written, and vowels must be filled in by the reader). Characters are, in order: B, D, ŋ, H, K, L, M, N, P, R, S, T, θ (keyed to U), V, Y, Z, 1, 5, 10, fullstop, exclamation mark, underscore line, underscore terminus, underscore beginning, semicolon, and space.

WIP

https://www.fontstruct.com/fontstructions/show/938203/fs_ino

The Japanese name of this font is 神域幻記紋(jinniki‐gen‐kimon).

This font emphasizes appearance rather than ease of use and is recommended for games, fantasy comics, etc.

このフォントは、使いやすさよりも外観に重点を置いており、ゲームやファンタジー漫画等に推奨されます。

Be aware that the font can only be used in caps !!

Also be sure to credit me if you use it online, thank you <3

I may make a better but similar dragon font later, but for now I'm just going to publish this. I'm sorry the spacing isn't quite right.

The original Halberdia as it evolved from from 0.1 to 0.3.

Version 0.5

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A font made for a LuneKnight, a Terraria mod by yours truly. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken too seriously. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.

The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade. Actually, most of the quirks this font possesses are present to help present a handmade look.

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Notes

The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.

The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).

I finally made a folded-/ribbon-style design. This one contains a number of experimental techniques. Most notably, the swept parts of glyphs are allowed to extend beyond the letterwidths and sometimes even the baselines. This enhances the sense of movement, creates some interesting linkages, and reduces the need for kerning.

All of these shapes can be constructed with paper or ribbon, although lots of clever folding tricks, doubling, and pinning down/securing with glue would be required.

Alternate tilde on "±".

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Chamadarya is an Integral Artifice (synthetic universe) I created for the ESOSVM simulation in 2013. It's a place dominated by vast stretches of open sky punctuated by extremely tall mesas and plateaus. Most of the buildings and temples there are made from chrysoberyl, which is extensively engraved, often with a lettering style that looks much like this. Of course, that language is non-Latin so it looks nothing like this design.