Second addition to the FAUXHAUX typeface, this version includes Support for uppercase.

Enjoy!

WIP!

A faux bezier Bauhaus font this time!

Gothic semi-serif grotesk geometric design

Another work in progress

It's like the original Defuser, but thicc.

It's like the bulky Defuser, but thin.

Welcome to the Future...

Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.

It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future  according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).

This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)

WORK IN PROGRESS

BEST WISHES TO ALL OF THE FONTSTRUCT COMMUNITY,

HAVE A PROSPEROUS 2019!!

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A simple geometric tile mosaïc design, and has only a very limited character set.

WIP

POLYGON WINDOW filled version

Geometric display type design that evolved around the hexagon shape.

 A tall thin stroked Art Deco typeface experiment.

I tried to create pretty simple but ellegant geometric letterforms. It is inspired by the later 70's Art Deco Streamline period.

The character set is far from complete for now, kerning done only for a few pairs and overall balance therefor is still quite poor.

--------- UPDATE v2.0 ---------

I completed much of the basic latin with mix-caps alternative glyphs and a lot more, along the way the whole project also kind of turned into a attempt to construct very thin (1/8th grid unit) sloping strokes and asymmetric curves.

I also decided to make this clonable for educational purpose to everyone interrested in making asymmetric curves with very little compromise to allignment of the constructed curving strokes. It's not a tool, but rather a little insight into how I did this. So the custom brick pallet is messy. Another important thing is, To fully understand what is going on under the hood of this fontstruction some knowledge about resizing bricks by way of  composites is required. Because the location of the brick inside of the composite bricks grid can be very important upon rotation and nudging!!!

filter for brick size should remain at 2:2 in order to make propper allignement of the bricks.

Once more,

Enjoy!

Updated pro version for my previous font STOUTE VRIEDJES.

*    Full support for both upper & lowercase characters.
*    Optimized for more legible display at small point size.
*    Overall ballance now much more consistent.
*    Lowered the font's weight to make it look slightly less bold.
*    Stroke width for all horizontals decreased by a small amount. In addition to this I also slightly increased the size of all the counters. This way giving the font a more open feel.
*     As last in a attempt to overall make it look more aesthetically appealing various small changes have been made to the letterform approach & other specific small details as well.

Enjoy!

very simple bold geometric all caps display type.

We're back to the futurism.

Dunno what I mean by 'back', I never left in the first place.

Version 1.1: Began changing the counter shapes of all glyphs in order to enhance the font's appearance.

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Experimental doodle. The idea here was to make letters, ascenders/descenders, and diacritics obey the same ratios. The result looks sci-fi and sporty at the same time... a bit strange, but also a bit useful!

Sort of a revival of the geometric letters seen on a 1916 Dutch litho to paper poster for Wm H. Müller & Co.'s Batavier-lijn passenger service Rotterdam-London. The Batavier Line was the oldest steam shipping line in the Netherlands. The line existed from 1830-1960.

The litho design was originally done by Bart van der Leck (1876 - 1958).

The fontstruction is a Faux Bezier approach, so the design grid was huge. Making it a lot of work and hard to ballance with the editors kerning feature.

I made a couple of small changes as compared to the original, most significant is the upscaled Ampersand.

I completed the alphabet plus numerals and some punctuations.

There are still a small number of spacing issues that needs to be solved.

More characters will follow soon.

This typeface has been designed by taking inspiration from the theme ‘decorative’. I started to explore different aspects of this word which lead me to Moroccan/ Marrakesh tiles, not only are they a key feature of their country but they are also frequently used around the world and with their intricate geometric designs, they are distinctive in design. Keeping this in mind, I wanted to create a decorative font which portrayed this.

A pretty simple looking variable sans-serif design.

The font allows you to modify the width of nearly every glyph. The one exception that can not be changed is the exclamation mark. I tried to simplify it the best I could, but it remains a little tricky to use, sorry.

HOW TO USE:

To type any sensible text you should start with the uppercase of a certain letter (this will create the left side of it). Followed by the corresponding extender to widen the glyph (repeat this step for a even wider result), and to complete the full letter you close the string with the lowercase glyph for this specific letter (this will create the right side).

There are a couple of glyphs that work slightly different.

These are I,M,T,W,Y, numerals and some punctuations.
To widen "I and T" the extenders are typed before and after the actual letter combination instead of in between.
M,W and Y are split in three (center stem is isolated) in order to allow one to make changes on both sides. To correctly type one of these you start with the uppercase for this specific letter, followed by the corresponding extender, followed by the corresponding center stem, followed with the extender once more, and as last to complete the full letter close the string with the lowercase glyph for this specific letter.

To extend the colon and semi-colon you complete the string for either period or comma first, followed by ;(semi-colon). This will place a dot above it.
And as last, to make a underscore simply use the string for period but with extra extenders.

The numerals work as listed bellow:
•  1:|_
•  2z
•  #3
•  4-|-
•  5s
•  6s
•  7*
•  8b
•  9$
•  0o

The extenders are located in the following locations:

` - _ # = :

The isolated stems are located in the following locations:

|  } 

Just a variation of an existing design. Spacing values were changed to break the chains, and "space" & "no-break space" were made blank.

A second typeface inspired by the theme 'systematic', developed through finding hidden shapes within geometric architecture and using them as building blocks for the letterforms, this time blacked out to create a bolder more imposing style.  Sister font to - STACKED

I tried to recreate the Braun GmbH logo type and make it a full font, I used only the five letters in the logo as a reference. Since there are a bunch of revivals out there already. I just did my own interpretation of it.

Enjoy!