- NOTES -

Use lower case to get Modern Gryzildan and UPPER CASE for Royal Gryzildan. Hold Shift while typing numerals/symbols to get the Royal ones.

These scripts do not canonically appear together on any in-universe writing. Gryzil writing is always written entirely in one script or the other. But, feel free to use this as you wish.

- DESCRIPTION -

This font contains two scripts of the Gryzil, Brer Brah's people, who are from various video games and stories of mine. Gryzil are a sapient bear-people that live on/near beaches in the continent of Skina on planet Fyromr. They have dull greenish fur, can speak, read, write and use tools, walk bipedally, and have beer fermentation chambers for stomachs. They appear in ESOS, Trap Farmer Brer Brah, and Anime Girls vs. The Cavemen.

To a Gryzil, to write something is like roaring it mightily. If it's worth writing it's worth roaring, and if it's worth carving into something, it's worth roaring out over the horizons for ALL TIME. This is true even of writing in the sand. Therefore we can consider the "." as a "!". In fact . and its counterpart > are the only punctuation symbols.

The written language of these creatures is designed to be without subtlety. Most of the subtlety of Gryzil communication is gestural. For instance, quotations do not exist in Gryzil writing. There can be a record that someone said something, but only when a Gryzil who heard it firsthand speaks of it is there understood to be a quotation - the rest is simply hearsay.

Royal Gryzildan has been in use for at least 8,000 Fyromr years. Modern Gryzildan, the last major reformation, is about 1,100 Fyromr years old.

This font is made as an attempt to anglicize the Gryzildan language - not to write it natively. Hence, it has some resemblance to Latin. But in fact these symbols all represent different gestures as well as different rasping, stamping, growling, and ingressive sounds which are unknown within Earth humans' formalized language studies. Nonetheless, you can write authentic Gryzildan with this. Read the Chalcedony-Bound Manual found in any of the games in which Gryzildan is used. In time perhaps I'll make a guide for posting here as well.

Original size: 5.25pt (use multiples of this value for pixel perfection)

A fat outlined display typeface, ideal for poster design and such.

MILITIA - A bold geometric typeface inspired by the military.

It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!

Enjoy!

ZERO HOUR - A minimalist modern geometric typeface.

Uppercase characters only!

Enjoy!

Another recap in the ever growing series of attempts to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).

This time I revisited the letters taken from one of his sketches called "Alphabet for cutout letters-c. 1985" and completed it with numerals and some additional punctuations!

The only real differences compared to the original sketch are heavier stroke weight and some letter parts/shapes that were drawn in the original were left out from the recap since they are of no use in a typeface!

As usual I completed the alphabet with numerals and some additional punctuations.

Lowercase characters only!!

A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!

"Absinthelyric Print" is an anagram for "Labyrinthine Script".

Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)

Design rules:

1. Square bricks and 90-degree angles only.

2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they do terminate.

3. Glyphs must fill the 15x15 grid.

4. Ligatures and combinatorial glyphs must fit into one letter's space.

Impossible geometric letters, inspired by who other than M.C. Escher.

Uppercase letters and partial punctuations only.

Enjoy!

Fonts for "Counter competition"

Line 'm up!

Do you think Headliner is too chunky? You want to use Headliner for text? Lucky you, because Textliner is out! Textliner is the light weight of Headliner, and is much more legible! If you still want more legibility, I added some extra alternates!

EDIT: If you want a font REALLY based of the NSMB logos, check here.

https://fontstruct.com/fontstructions/show/1525766

Headliner is a geometric sans-serif with a slight nod to the New Super Mario Bros. logo fonts. It's overall design reflects posters. The Comic Sans effect (using a font in a place other where it's supposed to be used) has been eradicated as this font is multi-use.

I plan on making a light weight and extended version

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

My second experiment so far, based loosely on Square Kufic Arabic

Yet another polygonal font, this time a diamond. :^)

This one was also designed to combine symmetry and asymmetry. Some letters have central lines and some have offset lines. In this way a greater variety of designs was made possible.

I changed the X. The original looked better, but also looked maybe a bit too much like a manji or swastika for peoples' liking. If you have thoughts on this matter, please post them.

Neo-Bitgen rougly translates to new bit generation. This is a geometric font, with a hollow serif letter outlined in sans-serif. The inspiration for this font was cyberpunk aestetics such as: neon lights, bulky fonts, and cyber tech; giving it a futristic look.

A 3D hexagonal display font inspired by Organic Chemistry. Geometric, energetic, and one-of-a-kind; recommended for use at larger sizes with generous leading, not for body copy.

Experiment 001 is one of my little writing system projects. This one is designed to be written in two-letter blocks, written by typing the first letter as a capital then the next letter as a lowercase. For words with an odd number of letters, write the last letter as a capital, then press '-' to fill the gap a second letter would fill. My inspiration for these shapes was the Interlac alphabet, which I found too difficult to write by hand.

2050 La humanidad está al borde de la extincion. Unos exploradores encuentran unos antiquísimos manuscritos.

But it's pretty half-assed. :(

Uh... make of it what you will!

Eurostile/Verdana inspired font. Hopefully I did good, some of these were very hard to get right (particularly g, s, and many of the supplemental symbols).

Inspired by the starting point 'elegant' , this font was developed looking at the structure of constellations, and how a number of different points can be interpreted into images. The fine, interconnected lines of the typeface reflect the delicate and subtle connotations of the word 'elegant', and it is designed to be used as a display face. the name 'Cassiopeia' is taken from an existing constellation, initially listed in the 2nd century.

Font made for typography class based upon the New Johnston Type

In this typeface, I have explored the idea of order and systematic design in an urban surrounding. Following the natural lines from the cement of a regular brick wall I have used the repetitive pattern and method to mark the outline to my type face. This font is primarily created for using in titles and headings rather than in a body of text as it is more impacting as well as visually striking and eye catching.