A "Serif Gothic-ified" version of gaspipe-style lettering from Ernst Bentele's "Schrift". Letterforms are based on the "Normal Oblique" version, but alternates for the "Outside-round/inside-square" and "Outside and inside round" versions are included.

Sans-serif Version (currently with extra shapes and symbols): ETC Gaspipe Sans

ETC Caldera Street V1 - A hybrid serif/sans serif

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My first 2x2 font; I was inspired to create something akin to ITC Serif Gothic and Gradient Gothic

This is still a work-in-progress though, I need to add more punctuation and diacritics, and the kerning isn't completely finished as of yet

 Wackathetica is derived from Struck, both fonts were created by me (Doug Peters).

Wackathetica gets its name from the idea that I borrowed styling cues from serif, slab serif, and sans serif, even goth cuts and rounded font typographic designs to make a pretty wacky typeface.  A couple of alternates are included in the unicode Halfwidths and Fullwidths register.

Vertical lines are thick, horizontal lines are skinny.

Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design.  This quirky, wacky font is now available on Creative Fabrica...
https://w3n.us/Wackathetica

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

I classify it as: Hybrid, Semi-Serif, Casual.
Weight: Extrabold.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog:
https://Worthful.com

Based on square glyphs from the past and a few modern styles of eastern scripts. 

Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?

The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...