This was a fun one to experiment with. A lot of fonts I've done here have been done with strict design rules. It's fun to break them once in a while.

"Sederhana" is an Indonesian word, meaning "simple"

with its simple style, funny looking "V", lack of diagonal lines, and its easy to read!

this font is CAPITAL ONLY!

note for Arab users:

بطريقة ما لا يعمل الجزء العربي من الخط ، لذلك يجب عليك استخدام الأحرف الأساسية النهائية والمتوسطة والأولية للكتابة بدلاً من ذلك
اسف على ذلك :/

somehow the Arabic part of the font doesn't work, so you must use the final, middle, and initial base characters to type instead
sorry for that :/

(نعم أنا أستخدم مترجم جوجل فأنا لست عربي, yes i use google translate, I'm not an Arab)

- Basic Latin

- More Latin

- Extended Latin A and B

- Greek

- Cyrillic

- Arabic

- Armenian

- Georgian

Intended Language Support

عربى-Arabic

հայոց լեզու-Armenian

Беларуская мова-Belarusian

български език-Bulgarian

Hrvatski jezik-Croatian

čeština-Czech

Dansk-Danish

Nederlandse taal-Dutch

English

Esperanto

Français-French

ქართული ენა-Georgian

Deutsch-German

Magyar-Hungarian

Bahasa Indonesia-Indonesian

Italiano-Italian

Қазақ, Qazaq-Kazakh

Melayu-Malay

Polski-Polish

Pусский-Russian

Српски-Serbian

Tagalog

Türk-Turkish

українська-Ukrainian

In this version of (°v°) wahuhi (Cherokee) the UC has a more distinct style and height compared to the original version wahuhi - 1.  Removing the original notches makes it look more like well established fonts people are used to. Punctuation and symbols have not been changed.

Having said this I find that mix-n-match of the two versions creates an attractive line of text.

.

Friends, I'm asking for help! Which "R" do you prefer? The one with the straight, or curved leg? I'm split, because personally I much prefer the straight leg, but curved seems more consistent with the rest.

----------------

The term "sidereal" (/saɪˈdɪəriəl/) refers to a measurement of time based on the position of stars. 

Industrial, geometric, display, extended, modern, uniform weight. Based on a 2-brick tall grid. Inspired by Microgramma/Eurostile and the Terminator logotype. 

"Prototype" means that this is not the final verison. In this case, FontStruct has been used as a fantastic preliminary design tool. But due to its limitations, the font will have to be reworked. Not by much - only the ⅝ roundings will be made circular in a traditional font editor, I'll be introducing optical improvements, and real kerning will also be implemented. 

FontStruct's kerning tool is extremely rudimentary (understandable), and honestly, because of that, I left the kerning in a really messy state, it's kind of beyond repair at this point, as I don't really know what's what anymore. Oh, and also - due to limitations of the nudge tool, the ampersant (&) is offset to the right by half a brick, I tried to fix it with kerning as well, and it kinda works, but that will be fixed in the final version, outside FontStruct.

Shift+Letter and Shift+Numbers have holes in them.

ELEVATED (REWORK) - A large 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

===========================================================

This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has the diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)

Due to the inexperience that I had in my early days of FontStructing and the lack of proper knowledge about raster scaling, I faced some serious issues regarding the correct size distribution. This had me unable to include the diagonal lines properly into that pre-existing font with them having equal seporation and white space througout the entire design.

So instead of making a clone of my previously published version "STF_ELEVATED" and include the shadow font variant into that family as a seporate FontStruction (like I did with most other style variations back then), I decided to rebuild the full font. Putting it all together into this single re-worked font version.

This re-work has some important differences compared to the previous version. The first one, another size to grid ratio which optimizes the size distribution for digital display as well as drastically reduces the overall glyph size (more accurate version forthcoming). Some extra characters were added to the set, making it a slightly more functional basic font.

The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The bare outline style A-Z glyphs occupy the lowercase.

Enjoy!

Такой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!

Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!

Perhaps this is the limit of my capabilities.

See more:

https://fontstruct.com/fontstructions/show/1501135/lazzaro-1

https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/1735833/logic-16

https://fontstruct.com/fontstructions/show/408191/telamon

https://fontstruct.com/fontstructions/show/477501/largo

Pixxy 60-minutes-design – an hour of fun with Fontstruct as preparation for my lessons!

Something I came up with after experimenting with the circle bricks. In hommage to Christoper K.Lee's Clarendon-based typeface "Tonal" created for the 1973 Letraset International Typeface Competition, hence why I think it has an ITC-esque look to it.

architect - @ for full house, _ for empty house.

An Art Deco font inspired by the city of Rotterdam. X-height: 1½ bricks

Inspired by radios' displays.

I'm back - a futuristic font with experiments on inversion.

A FUTURISTIC LETTER “A”!!

MY FUNNY LETTER “K”!!

AN OVER-EXTENDED EM DASH!!

WEIRD UPSIDE-DOWN CYRILLIC LETTERS THAT NOBODY’S HEARD OF!!

IT’S ALL HERE IN MY NEW FONT — ALDRON.

I THOUGHT THAT THIS FONT NEEDED MORE ATTENTION THAN THE ONE THAT I CLONED IT FROM, WHICH WAS MADE IN A COUPLE OF HOURS. AS WELL AS ADDING THE LATIN AND GREEK ALPHABETS, I MADE A FEW ADDITIONS AND ADJUSTMENTS TO THE CYRILLIC LETTERS AS WELL AS SPACING. AND UNLIKE ITS PREDECESSOR, THIS ONE IS KERNED.

IT WAS QUITE A DIFFERENT EXPERIENCE, ACTUALLY, ADAPTING A CYRILLIC FONT FOR LATIN INSTEAD OF VICE VERSA.

INTENDED LANGUAGE SUPPORT

• БЕЛАРУСКАЯ МОВА — BELARUSIAN
• БЪЛГАРСКИ — BULGARIAN
• HRVATSKI — CROATIAN
• ČEŠTINA — CZECH
• ENGLISH
• ESPERANTO
• DEUTSCH — GERMAN
• ΕΛΛΗΝΙΚΆ — GREEK
• ITALIANO — ITALIAN
• QAZAQSHA, ҚАЗАҚША — LATIN AND CYRILLIC KAZAKH
• МАКЕДОНСКИ — MACEDONIAN
• TE REO MĀORI
• ROMÂNĂ — ROMANIAN
• РУССКИЙ — RUSSIAN
• SRPSKI, СРПСКИ — LATIN AND CYRILLIC SERBIAN
• SLOVENČINA — SLOVAK
• SLOVENŠČINA — SLOVENIAN
• УКРАЇНСЬКА — UKRAINIAN

AVAILABLE CHARACTERS (★✰*ALL KERNED YAY!!!!!✰*✪)

LATIN: ABCDEFGHIJKLMNOPQRSTUVWXYZ ĀÁÂÄĂĆČĈĎĐDŽĒÉÈǴĜĤĪÍÎĴĹĽLJŃŇNJŌÓÒÔÖŔŘŚŠŜȘẞŤȚŪÚÜŬŮÝŹŽ
GREEK: ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ ΆΈΉΊΪΌΎΫΏ
CYRILLIC: АБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ ӘЀЃҐҒЂЄЅЍІЇЈЌҚЉҢЊӨЋЎҮҰҺЏ
THE NUMBERBET: 0123456789
PUNCTUATION: ()[]!?.…:;,„“”‘’-—«»*• AND OF COURSE, SPACE

Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.

Cluster, somewhat experimental.

Enjoy*

MADE THIS WHILE WATCHING DR. DOLITTLE II ON T.V.. I WAS INSPIRED BY THE ELUSIVE FONT THAT I SEE EVERYWHERE IN VIDEOS OF RUSSIA AND BELARUS.

Work In Progress, I might edit it in another software to get rounder curves.

Based on the font used on Chicago CTA trains

Ever wish you had a font that was fuzzy?

Another font following a slant? Am I crazy?

So I saw this sample for a font called Macbeth that hasn't been digitized, so I took it into my own hands to do it. Check it!

Copyright 2019 & 2020 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://SymbioticDesign.com).

Created according to specific Design Rules (see the comments on the Fonstruct font development archive page).

This is the wide (extended) commercial version of Diamond t Blackletter (another Pro version, just wider).  Credit for my original work IS greatly appreciated, though not required. 

Style: Gothic.
Classified: Block.
Type: Blackletter.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: Nope.

P.S.:
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