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An experimental font "antipode". The opposition lies in the fact that in one font there are rounded strokes and pixels. Some letters and characters are completely rounded, some are pixelated, and some have both rounded and pixel elements
52 characters for the basic Latin set, 10 numerals, 36 punctuation characters, 66 characters for the Russian language set
Please let me know what do you think :)
Just a simple pixel font I created for use in pixel webcomics. It has a constant height which makes it good for use in titlebars and the like.
The 5x5 pixel font used for the Virtual Gremlin, an old game I wrote. The original font had only Basic Latin, but this version of the font adds some Extended Latin support.
2050 La humanidad está al borde de la extincion. Unos exploradores encuentran unos antiquísimos manuscritos.
Modified variant of RNTG Larger, which will be seen on all RNTG machines starting February 5, 2018.This is a clone of RNTG Larger
Ferny Grove is a font based on one of the LED destination indicators found on QR EMU/IMU trains. This set includes letters, numbers, symbols, fractions, diacritics, and some Latin-extended-A sets.
This blocky and industrial font was inspired by architechtural features on a large multistory car park near where I live. I took pictures of multiple elements from the building and rearranged and rotated the shapes to create letter forms, and used shading to create a 3 dimensional effect to mimic the structures depth when seen in person.
Based on the Sudran Code from Aiom Verge by Tom Happ. Took some liberties with the brackets and capital letters, as well as duplicates, but other than that it's nearly exactly the same.
Scurvy reconstructs the traditional characteristics of blackletter textur script within a low-fidelity digital parameter.
This typeface was designed by Carson Chang.
Twitter: @_carsonchangThis is a clone
The word 'Messy' led me to consider my personal habits, especially my hair. Through exploring my own photography of hair arranged to form basic letter structures, I considered texture, shape and tone. Further research and discussion introduced a resmblance with 'Black Letter' type ie. thickness in line. Therefore, I combine hair aspects with the traditional typeface. I believe my creation successfully modified the well known font by introducing more complex curves while still acknowledging the original theme.
Inspired by the starting point 'elegant' , this font was developed looking at the structure of constellations, and how a number of different points can be interpreted into images. The fine, interconnected lines of the typeface reflect the delicate and subtle connotations of the word 'elegant', and it is designed to be used as a display face. the name 'Cassiopeia' is taken from an existing constellation, initially listed in the 2nd century.
elza: serif meets ball terminal... I found out the Germans actually have a word for this: 'Tropfenserife', which roughly translates as 'teardrop-serif'. Normally appearing at the end of strokes in letters such as a,c,f,g,j and r, I have tried to build this font around it, using it as its main design feature.