LARGE AND CLUMPSY (THEREFORE VERY USELESS) BUT COOL LOOKING ART DECO TYPEFACE.

Enjoy nonetheless

I just felt like I needed to complete this to get it out of the way. The original design was very different than this.

This started as a tiny version of Ballotine and then gradually acquired the cartoon-esque look it has now. It gives me a mild "noir" feeling.

Why can't I stop making sports themed fonts?

Inlined Art Deco Streamline typeface design

Enjoy

A slightly leafy engraving-style Decolike.

Gothic semi-serif grotesk geometric design

Bauhaus inspired geometric design.

I know there is tons of out there already, still I had to do one myself!

It's far from perfect, but it was made on a very tiny grid space, so a whole lot of space to occupy with bricks wasn't a luxury this one!  (I'll demonstrate a example below)

Still I think it looks pretty rad so far!

This is the shadowed version for STF_UNI

--------------------------------------------------------------

UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

It makes use of 3 different striped patterns, one for each plane (except the front). These enhance the depth and orientation of the Three-dimensional effect on the letterforms and making them pop out more.

Great for making headline text or to highlight specific parts.

regular version is found here: 

https://fontstruct.com/fontstructions/show/1558997/stf-uni-regular

Enjoy

The regular version for STF_UNI

-----------------------------------------------

UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

Shadowed version is found here: 

https://fontstruct.com/fontstructions/show/1605019/stf-uni-shadow

Enjoy!

Began with the A. Needs numbers, might not ever get Capitals

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'soft' alternates.  These are the lowercase characters in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the softer style of the font, they can use this version and they will only get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'hard' alternates.  These are the caps in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the harder style of the font, they can use this version and they will get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Tirrel font is Copyright 2019 Doug Peters.

This is the original version of Tirrel.  Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters.  If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

File? Type? Computer virus? Error!

Enjoy!

This is a capitalised futuristic font that I made, I hope you all like it! :)

Exercize

Ming typeface exercise

Version 1.3: Added Polish and started on Cyrillic.

*

Experimental polygonal superthick decolike.

Welcome to the Future...

Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.

It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future  according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).

This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)

When life gives you halflemons, make Halfade!

*

This is what I call a Plain Spurless design. There are no actual spurs, only right-angled corners to suggest spurs. All lowercase letters are like this except r, which is a Rounded Spurless because it needs to curve to avoid looking like Γ, and because it's only 2 bricks wide so there's no other place for it to curve.

I made this to have mostly right angles, to have a condensed look (see filrt), and to be good for speedreading. My own experiments in speedreading favored glyphs with simple curves which don't terminate in small arcs (see CGJSZfgjrsyz@()[]{}). There are exceptions (c2369?$) because these are more recognizeable when they have such arcs. Additionally, glyphs such as BPRXY have slightly rounded counters near the vertical center, which enhanced their readability without causing them to look out of place.

The remainder of design considerations were things which are fairly idiosyncratic and unlikely to be discovered by others. For instance, the descender of Q is 2 bricks, while lowercase letters' descenders are 3 bricks and symbols' descenders are 1 brick. This is the result of a technique that attempts to visually codify different cases & types of glyphs. The slightly different contours thus formed by each word on its underside seem to enhance both readability and aesthetics.

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

Completed an old piece that I had laying around for a while! The style may be influenced by the work of others, but I couldn't just not finish this.

A subheader text font for FLAK materials. Its name is a palindrome. This description isn't, though.

A FontStruction based on AT Archaus, using connect bricks

because negative space is all the rage these days

i put like 0 effort into this so there might still be some font left over, lemme know if you find it

btw how many times has this been done before? i'm genuinely curious

recommended use: don't

alternate name: the emperor's new font