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Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Enjoy!
This is a clone of SANS_SEVERE_TYPEFACE-MULTILINESAnother tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Enjoy!
This is a clone of SANS_SEVERE_TYPEFACE-MULTILINESAnother tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Enjoy!
This is a clone of SANS_SEVERE_TYPEFACE-MULTILINESThis is a optimized re-entry of my very first fontstruct entry. Which was in loving memory of "Jurriaan Schrofer". it was a attempt to re-create a alphabet from late great dutch graphic designer "Jurriaan Schrofer". Unfortunatly the first entry that I published had some imperfections that I have removed in this version, Enjoy!
I updated and improved my already previously published third recap in the series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".
As extra I added a period plus comma.
I hope you like it.
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Enjoy!
※ Because I can not use English well, I use Google translation.
This font is called "Hanazaki _ font [IRONY]".
This is the image of the school uniform of Japan.
Hanasaki is the name of a person.
Also called Sasagu Hanataba.
Please use this because it can be used for free.
I am very happy if you give us your impressions.
Also, please let me know because I do not know which tag to use.
Another recap from one of the works by great Dutch graphical designer "Jurriaan Schrofer".
This time I revisited a design that originally was made back in 1975 for the Dutch Post Office (PTT) office build floor plans.
Enjoy!
A pixel-art imitation of "Hightower Text" by Tobias Frere-Jones, with some influence also from Bembo and the font of Final Fantasy Tactics.
Since I used only square bricks, I had to take some liberties. More glyphs/improvements coming... I did this in one long stretch and need a break :^)
Try zooming out while already in the Pixel view!
A connected script which attempts to depict an obvious ductus or flow to the writing. It sometimes has a struck-through appearance, as if the writer's pen has an economical, then overzealous movement.
To set this one apart even more from my others, I built the capitals on a 6x6 grid. :^)
Looks best at sizes that are multiples of 5.25pt! 10.5pt, 15.75pt, 21pt, etc. work great!
The name comes from yet another old joke band. What can I say, I've done more musical side projects than I have fonts!
(See "Vapid Radness" if you want a more convincing cursive script.)
Recap of the lettering seen on a old brochure by Wendingen for the "Internationale Theater Tentoonstelling Amsterdam 1922"
The brochure and letters were designed by:
"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).
As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.
Enjoy!
The main font used by MARENGI Omnisystems in my video game series, "Endless Sea Of Stars". These letterforms can be found engraved into or projected onto practically every piece of MO technology. This script was designed in 2011 to be suitable for book printing, logo design, art, and many other purposes. It lacks the constant height which most of my other pixel fonts have, but makes up for it with its bookish appearance.
(This is version 2 of the font. The original was designed so that nothing broke the 5x7 grid - this version uses an offset grid and is far more readable.)
It is pixel perfect at 7.5pt, 15pt, 22.5pt, etc.
All 203 original glyphs are present and accounted for. I'll be adding more with time for accessibility purposes.
Recap from one of the alphabets originally designed by Dutch graphical designer "Jurriaan Schrofer".
Enjoy!
This is a clone of ETAGE AANDUIDING-LINEARAnother recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer" (15 april 1926 – 1 juli 1990).
This time I revisited the lettering for "BREDERO BOUW BEDRIJF" and completed the entire alphabet and some additional punctuations.
I hope you like it.
Another recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer" (15 april 1926 – 1 juli 1990).
This time I revisited the lettering for "A.S.C. COMMUNICATIONS" and completed the alphabet and some additional punctuations.
I hope you like it.
Official font of AMFA (Yvidora), the main rival of MARENGI Omnisystems in Endless Sea Of Stars. Appears throughout my games (especially those using the ESOS and ESOS-Lite engines) and is used as the main font of Terminal A.
Between 2012 and 2014, ESOS Journey-Depth AI entities collaborated to produce this specific arrangement of pixels as the most legible form of 1px-line, monochrome 8x8 Latin for electro-optical systems (Marinan Interpretability Value 9.29).
This font is useful if you want to write some really efficient text recognition software for a robot with a camera, or if you want a pixel font which elicits a high degree of reading accuracy. Some would argue that the uppercase makes it less readable, but you'll be hard pressed to find another font that is THIS readable in uppercase only! To my knowledge, the only possible arrangements which are more readable than this are not nearly as visually balanced as this.
This font never had a lowercase. That is how it was and will be. The lowercase is thus a clone of the uppercase, so that one need not change the casing of one's text to display it in this font. Feel free to clone this if that bothers you, but don't expect to duplicate the results! :D
This is a cloneAn uncircled version of Misplaced Baubles.
Most characters have the same height so that they can be used alongside Misplaced Baubles and other fonts of mine. :^)
This is a clone of Misplaced BaublesA recap of the lettering by "Fre Cohen". And as additional supplement I attempted to complete the entire alphabet plus some punctuations.
In loving memory of the great Dutch graphical designer Frederika Sophia (Fré) Cohen(August 11, 1903 – June 14, 1943).