Recreation of the primary pixel font from Konami's "Akumajō Special: Boku Dracula-kun" (1990) on the Nintendo Famicom. It includes an almost complete set of hiragana and katakana characters.

Note that in the game, the dakuten and handakuten are rendered as a character on the preceding line, while this recreation includes characters with these diacritics in the correct position in the correct character codepoints themselves - for this reason, the characters themselves are taller than 8 pixels.

Only the characters present in the game's tile set have been included.

Inspired on Deltarune's logo. Comes with full Latin plus supplements.
Ideal sizes are 44pt and multiples like 88pt; sizes like 22pt and 66pt work, but they present a different spacing.

A WIP 9x7 serif font with many characters.

It's a font

While walking through Glitch Forest, you spot a sudden movement behind the Sprite Trees. It's [EVIL_ANGATONIST]! With a twisted smile, s/he/it converts your words into text written in this font. ZOUNDS! How will you get through summer school now?

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This was made to reproduce an amusing glitch found in MIDAS which caused insanely high ratings of 17.3×10^213 (17.3 septuagintillion). The glitch has since been fixed.

Recreation of the primary pixel font from the US version of Quest/Palsoft's "Magical Chase" (1991) on the PC Engine / TurboGrafx-16. This font is used on the main menu and shop sequences. Only the characters present in the game's tile set have been included.

Recreation of the primary pixel font from Nintendo's "Metroid II: Return of Samus" (1991) on the Nintendo Game Boy. Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Naxat/Compile's "Seirei Senshi Spriggan" (1991) on the PC Engine.

The game includes two sets of numerals - regular and "fancy", with extra detail on the "0", "2", "4" and "5". As the fancy version is used in-game, it's the one that was included in this recreation.

Note the addition of the "black right-pointing double triangle" (U+23E9), "black circle" (U+25CF), and the stylised "A" - which doesn't seem to be used in-game, but is likely a remnant/carry-over from Compile's "Aleste" (1988) - mapped to "greek capital letter alpha" (U+0391).

Only the characters present in the game's tile set have been included.

Pixel demake of Basalt.

I'll add all the original glyphs eventually... this was just an experiment to see how a pixel version would turn out!

Recreation of the primary pixel font from Konami's "Kid Dracula" (aka "Akumajō Supesharu: Boku Dorakyura-kun", 1993) on the Nintendo Game Boy. Only the characters present in the game's tile set have been included.

Recreation of the main pixel font from Acclaim/Software Creations' "Venom/Spider-Man: Separation Anxiety" (1995) on the SNES and Sega Mega Drive / Genesis. Only the characters present in the game's tile set have been included.

A font with a handwritten feel to it... Will make an HD one eventually...

In the case of even-brick wide letters, the positions of the accents are rounded up to the nearest grid square right...

Recreation of the pixel font from Rare's "Pin Bot" (1990) on the NES. Only the characters present in the game's tile set have been included.

Arcade-y type pixellated font

Another font based on a lumines song.

Futuristic industrial 5x5 thing.

Pixel demake of Goud. This is easily the best Goud for body text, as it remains crisp at all sizes!

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Original size: 9pt (use multiples of this value for pixel perfection)

A vertical take on Morse code. These glyphs are read left-to-right from the bottom up and spaced so that 1 pixel = 1 unit of time, whether moving horizontally or vertically. Letters have 3 spaces between them and words have 7 spaces.

The result is a concise design that can easily be fed to tone-generation or image-to-audio software (e.g., AudioPaint) to produce accurately encoded & timed Morse code, no matter the frequency (speed) of the transmission. You can use this principle to create and place messages into music or games, make messages match a tempo or beat, arpeggiate words and turn them into music or sound effects, and much more.

The name is a pun. :P

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21NOV2018: I've recently learned that many radio stations use an expanded version of the International Morse Code, adding many symbols and punctuation to it. Though these new glyphs are not part of the standard, they are commonly used and agreed on, so I will keep adding them as I find them.

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Original size: 4pt (use multiples of this size for pixel perfection)

Original font made by Qimplef at https://fontstruct.com/fontstructions/show/465125/rct2.
I simply added more characters.

Written language of the Skalmish, people within my simulation ESOSVM. These were the people initially used to colonize the universe "Rskalmwayt" wherein several stories take place, including Dheen's Folly and Trap Farmer Brer Brah. 5132 random selections were taken from Oinai stock and placed on Planet Fyromr, and their descendants became the Fyromrese. Tandem AIs then began to refine and alter remnants of Unified Oinai language into this.

Glyphs of this style can be seen on cave walls, objects, signs, records, etc. dating up to the time when I began to intervene in the workings of the Rskalmwayt simulation (ESOSVM Canonical Year 16573440000). They were always pixel art - no high-res renditions of these shapes were ever created, so there's ample room for reinterpretation.

Like most Runic languages (including Elder Futhark), these glyphs have a specific ordering associated with them. Additionally, in written Skalmish the glyphs which make up a word are always written in alphabetical order. Glyphs have no associated sound components. They were used to record gestural communications, so there's no way to speak them. Had this language been spoken, however, it probably would have used a priority-based system wherein certain glyphs were pronounced before others or preferentially stressed. Kind of like Thai language, but way more convoluted.

Size: 5x5

Making a pixel font series.

Things that don't look good: (x, 1/4, 1/2)

Best font size: multiples of 7

A chimera made from Byzantine Exasperation and Terran Pixelcruiser.

There's also a squared version of this called Mechanos B, but I want to see if I can make it more distinctive before I publish it...

7x9 font used for the MozPOS, a cellphone-like device from my game Trap Farmer Brer Brah. Only the glyphs from the original font have been included.

"Moz" stands for a person's nickname. "POS" stands for... well, you know. :D

uhhh... just a font  that I made for my personal projects.

A font in which only right turns are allowed. Where lines would be forced to turn left, they are segmented instead.

Even when these glyphs are flipped or transformed, they remain able to be drawn via right turns only!

An improved version of Derpberd which remains true to the original style.

It's still very casual-looking and very well suited to comics and pixel art, but it's also more regular and readable than before.

Stenncil is a stencil pixel font. In Basic Latin. 

The idea here was to make every letter have the same amount of 'ink'.

My first font in FontsStruct! Is called test1