A flat-topped Decolike. This was a difficult style to work with!

A skeletal version of Modron March.

Experimenting with a new letter concept. This is not the final concept of course, but I developed this along the way, so I kept it.

For best results, use upper and lower case on seperate layers, then merge them together.

A filled-in Glitzfang! :D

An experimental design using 1/8 weight lines alongside 1/16 ones. The 1/8 lines are the smallest that can be accurately nudged. Centering them is still a problem at times, and I need a few impossible composites to perfect the glyphs ABEFHKQRXYijkx34789, but overall I'm quite fond of how this doodle turned out.

I think I could use some intensive compositing to get rid of the central dividing line in glyphs like A and H. I'll give it a try when I can.

Font used for manuals and advertising materials related to the Harlotron Hollaqueen, a domestic maid robot from the Seven Candles Trilogy series of video games.

A design that combines decolike asymmetry with a double line concept. It also incorporates some experimental methods to unify the wider glyphs (mw@#™, etc.) with the others, by allowing the middle sections of these letters to have both the single and double lines. This results in a look that is at times architectural and at other times almost like loopy cursive.

A larger and more styled version of Marediv.

The final Laconica?

This idea emerged while making Laconica Skeleton, so I decided to carry it out. The design reminds me of blueprints and floor plans, thus the name.

Version 1.1: Improved gy&Ѐ.

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A greatly condensed Modron March.

A hollow/unfilled Laconica! :D

This was about five times as work-intensive as the original Laconica, even after accounting for the fact that I didn't add Greek to this one.

Hello I am Primus and these are my modrons

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This font dwells at several borderlines: Effect, Pseudo3D, and at times IVO. It is not really any of these, but with the right presentation, it looks like it is.

By request, a decorative font based on playing card suits. This will be used by a certain group of card players.

It is not the most readable design, but these requestors wanted it to be esoteric. It's meant to have a bit of a "secret code" feeling.

I decided to make a design which incorporated the thinnest/lightest weight lines possible in FontStruct. This is the result; I'll add more if people like it.

These 1/32 lines cannot be accurately nudged, so a unique line has to be built for each vertical position where I want a line. These lines also cannot be centered on a place where two curves meet (such as the middle of B or R). This introduces some unintentional asymmetry to the design, but I like it, so I'll keep it.

There is also the problem that forming a diagonal line of the same line weight is nearly impossible. While angled 1/32 lines can be formed, their angles are all close to 0. No method exists for making a line which slants at 45 degrees while also being 1/32 weight. So, I had to make some thicker lines in certain areas. I don't think they detract from the design, but if you scrutinize this enough, you'll notice them.

An experimental take on Laconica with Celtic knotwork. I'm not sure how to balance it better than this... any ideas? I'll do all the glyphs once I have a complete set of solutions for them.

Version 1.5: Added Greek and made many refinements. Also came up with a new tilde design for all the glyphs that have one.

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By request, a casual art deco design.

This started as a tiny version of Ballotine and then gradually acquired the cartoon-esque look it has now. It gives me a mild "noir" feeling.

Version 1.2

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This font has everything Zeph-y. Decolike shapes, half-arcs, procedural asymmetry, slight gaudiness, and an ampersand that looks like a priest with a cross walking on the ocean waves.

A slightly leafy engraving-style Decolike.

Superwide Bulwarx/Embassy L hybrid.

A decolike pixel font made for friends at Marinan Research Division.

It reminds me of the fonts used by old cellphones, except bigger and with more line width variation.

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Original size: 8.25pt

Version 1.3: Added Polish.

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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.

"Nervousa" is an anagram for "Ravenous".

A minimized, more stylized Madcat! :D

Version 1.3: Added Polish and started on Cyrillic.

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Experimental polygonal superthick decolike.

Version 1.1: Added Polish.

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A combination of deco, sci-fi and modern elements.

This was made to be a compact subheader font and to be used alongside fonts such as "Badwolf". In fact the original name of this font was "Chibi Wolfclan".

Badwolf, with curves changed to angles. To my eye this makes it less "decolike" but more "engraved".

A semibold Gongclonker made to the same specs as the original - 5x5 with no wasted matrix.

A geometric Deco design which reminds me of trapdoors and windowpanes.

A decolike boldtype. Based on a design from my game "Seven Candles", particularly the text used on documents and signs at the Lower Netazecan Embassy. The "hallmark" of this design is a sudden increase in line width midline, best seen on glyphs like EFLTZ3<>^.

"Embassy L" is a play on "Imbecile".

This design was previously as "Frenchfry" because Razma's (one of my AI) image recognition classified several letterforms as french fries.

Version 1.1

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A fusion of art deco- and Navajo-style design. Well, many civilizations used a square zigzag pattern such as this, but "Navajo" always comes first to mind when I look at this design.

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See also: Badwolf

Another of my many doodles. Fun to make!

Finally, a design where all the diacritics blend in and look natural!

A 3x3 design with leaf-shaped glyphs. Kinda looks like a weirder, high-res version of "Portable Vengeance" at small sizes.