Well, it's been a while, work has ramped up during this school term. I never complain about that though. I'd rather be busy with work I'm comfortable doing. But I digress.
This font is Spruce, as seen in GEOS FontPack PLUS on the Commodore 64. Not sure whether you'd call this stencilled or segmented. It's got an odd set of descenders, and I've corrected some glyps so they're symmetrical top and bottom, even if that gives them ascenders. This may not spruce up your font collection as such (groan)...
This one's a request from a friend. :^)
A "hullaballoon" is a person who stores up spite/malice/controversy/etc. and then suddenly releases it all at once, like a deflating balloon. Also, the name of one of the many joke bands I created.
LC 2 px high, 9 px wide. LC are 8 high 9 wide except for glyphs with a curved base which are half a pixel below what might be expected. Numbers have varying heights for aesthetic reasons, not because I'm blind, careless or incompetent.
.:*:.:*:.:*:.:*:.:*:.:*:. just saying - because I have this aversion regarding people wanting me to think like them, make fonts like theirs or like they expect. Maybe they don't want or can't understand originality, avant-garde work or just a font that has individuality?
Il mondo è bello perché è vario.
In der Kreativität entsteht Fortschritt.
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Kreativität bezeichnet die Fähigkeit intelligenter Lebewesen, neue und ungewöhnliche Lösungen für Problemstellungen zu finden. Voraussetzung für Kreativität ist die Fähigkeit, Dinge und Vorgehensweisen frei und neu kombinieren und entwickeln zu können. Ein wesentlicher Bestandteil ist oft die Fähigkeit, produktiv gegen Regeln zu denken und zu handeln (also: nicht nur zu kombinieren) und damit auch neue Regeln aufzustellen.
I joined Fontstruct December last year.
My very first contribution back then was a tribute to the great Dutch graphical designer "Jurriaan Schrofer". And many more followed.
These past six months have passed very quickly, and, much to my surprise I can proudly pronounce that I have passed the point of 10,000 shared glyphs mark. Totally crazy, I'd never expected to have been putting out such a substantial volume of work.
Thank you all for the kind words and the support I so far reveived. I hope all of you have been enjoying my contributions so far, since there is much more to come! :)
As for the new font,
It's not so much of a celebrating work for a 10.000th glyph submission but it isn't bad either, so enjoy once more.
Another recap of the works by "Jurriaan Schrofer"!
(all downloads will be back available soon, sorry for the incovenience.)
CheersThis is a clone of STF_CUTOUT 1985
MILITIA - A bold geometric typeface inspired by the military.
It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!
SUTORAIPU ORIGAMI - A display typeface that was inspired by origami.
Enjoy!This is a clone of STF_SUTORAIPU ORIGAMI (MULTILINE)
Attempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!
Another recap in the ever growing series of attempts to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).
This time I revisited the letters taken from one of his sketches called "Alphabet for cutout letters-c. 1985" and completed it with numerals and some additional punctuations!
The only real differences compared to the original sketch are heavier stroke weight and some letter parts/shapes that were drawn in the original were left out from the recap since they are of no use in a typeface!
As usual I completed the alphabet with numerals and some additional punctuations.
Lowercase characters only!!
Modernism alphabetThis is a clone of STF_HETERODYNE_(SOLID)
See more: https://fontstruct.com/fontstructions/show/988227/de_stijl_11
A font made with a small number of blocks - 16. Although it could be as little as 6 if I used lots of nudging and modifiers.
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)
A 2x2 design which started with a "split" aesthetic and ended up with a "stenciled" one. I embraced the change and now all these glyphs are functional as stencils. They contain minimal stacking and no composites.
In some cases the inside is connected to the outside at only one point. If you decide to use this for stencilling, I recommend using a stout material for the stencil and storing it with care.
The name comes from one of the many, many old joke bands which I created.
Recommended: Use with kerning turned on!
A small rounded stencil type inspired by Bauhaus artist "Josef Albers"
This is a optimized re-entry of my very first fontstruct entry. Which was in loving memory of "Jurriaan Schrofer". it was a attempt to re-create a alphabet from late great dutch graphic designer "Jurriaan Schrofer". Unfortunatly the first entry that I published had some imperfections that I have removed in this version.
I updated and improved my already previously published third recap in the series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".
As extra I added a period plus comma.
I hope you like it.
The "Sliced" font has a few rules to make it look better, here they are:
1. Every line should start with an Apostrophe
2. Every line should end with Comma
3. Every sentence should end with a Period
4. You shouldn't put a Space right after a Period or Comma
'ABC ABC. (Right)
'ABC. ABC. (Wrong)
'ABC. 'ABC. (Wrong)
Etcheverry, a font from GEOS. Named after Etcheverry Hall, UC Berkeley College of Engineering.
The upper case characters look like Glaser Stencil, but that was produced by URW++ in 1994. Etcheverry was produced and included in GEOS' FontPack PLUS in 1987-88. I wonder if they're both based on an older font? I created this copy of Etcheverry because I wanted lower case characters, which Glaster Stencil doesn't have.