A small rounded stencil type inspired by Bauhaus artist "Josef Albers"

Enjoy!

This is a optimized re-entry of my very first fontstruct entry. Which was in loving memory of "Jurriaan Schrofer". it was a attempt to re-create a alphabet from late great dutch graphic designer "Jurriaan Schrofer". Unfortunatly the first entry that I published had some imperfections that I have removed in this version, Enjoy!

I updated and improved my already previously published third recap in the series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".

As extra I added a period plus comma.

I hope you like it.

The "Sliced" font has a few rules to make it look better, here they are:

1. Every line should start with an Apostrophe

2. Every line should end with Comma

3. Every sentence should end with a Period

4. You shouldn't put a Space right after a Period or Comma

Examples:

ABC (Wrong)

'ABC (Wrong)

'ABC, (Right)

'ABC. (Right)

'ABC ABC. (Right)

'ABC.ABC. (Wrong)

'ABC. ABC. (Wrong)

'ABC. 'ABC. (Wrong)

'ABC.'ABC. (Right)

Etcheverry, a font from GEOS.  Named after Etcheverry Hall, UC Berkeley College of Engineering.

The upper case characters look like Glaser Stencil, but that was produced by URW++ in 1994.  Etcheverry was produced and included in GEOS' FontPack PLUS in 1987-88.  I wonder if they're both based on an older font?  I created this copy of Etcheverry because I wanted lower case characters, which Glaster Stencil doesn't have.

I was playing fruit ninja with my nephew, and while cutting the fruit and beating my neohew in the game, I was thinking about how the slashing, so I just thought that could work, then I was watching Predator and that part where arnold (spoiler alert) beats the predator and the predator pulls out his bomb and it started counting down; the numbers also helped me come up with this idea

Inspired Japanese"Origami":)

Primary is a serif typeface inspired by stencils. Primary is intended to be used for headlines only. This typeface includes an alternate "A" character that works best standing alone or at the end of a word. 

WANKSY

More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!

Inspired by Viking Stencil Font.

WORK IN PROGRESS!

Impresed by https://www.myfonts.com/fonts/wiescherdesign/alpha-papa/

See more:

https://fontstruct.com/fontstructions/show/371427/soft_cell_diluted

https://fontstruct.com/fontstructions/show/136899/ncd_amoeba_1 

https://fontstruct.com/fontstructions/show/1238441/tm-and-multiply

https://fontstruct.com/fontstructions/show/359675/fs_ink_blot

This seems to have taken inspiration from my First-TP-font "Sandor Basic Stripes" :) but was in fact inspired by shattered windows of a deserted building.

My Reversecomp entry.

I was inspired by the FONTSTRUCT font  :) and made this fun variation.

 The overall theme that was thought of when making this typeface I was looking for a more sci-fi feel with a little mix of war. Started with a more cut in some letters.

It is a semi_serif stencil display typeface. I inspired it from the stencil typeface which released in 1937. It consists of only capital letters with thick main strokes, and with breaks in the face.I added some serif in the edges and tried to make kind of movement in some parts in the character.

See more:

https://fontstruct.com/fontstructions/show/1149836/stencia

I recently saw a type face with bits missing and thought "Looks interesting, can I do something with this idea?". I used one of my older sans designs but soon discovered that I needed serifs to get logic to the gaps ;) So I started work on a good serif design to use as the base. Here is my interpretation of what I saw, it looks rather different from the one that inspired me.

Dot-line thin font. Inspired by Stag Dot.

Modern geometric serif(slab?) font.

See more: https://fontstruct.com/fontstructions/show/749833/fs_dot_serif

Slab Serif 300 as a stencil font. Bridges on the UC are vertical, on the LC horizontal. Bridges on numbers, symbols, punctuation are mostly vertical.