This font is not official so you can mess with it and do whatever. I just wanted to make art out something I wanted to learn. This is more of a dedicated vent than a profit. Plus, I am not doing anything official or commercial with this. I just was bored and thought: Make blind people a font on braille. 

DEDICATED TO BLIND PEOPLE

People every day are blinded or born blinded. Not in a sense of "you are stupid" type blind. They are actually blind and need symbols popping out as dots to read. They feel the words. This is known as Braille. I am kinda learning the alphabet of braille and its importance.

So, one day, I sat down and thought: Why not make a font for braille?

I know they might never see this or feel this, but I wanted to make something to show how I thought since every language gets their front, why not braille? 

Using "Fractal" and several other sources for braille, here is my font of braille. 

It is known as The DiRECTOR

Directs blind people to know where they are going and helps them dive into books and imagine worlds they might have not ever seen. The "I" is short to look like the hand touching the braille in our normal next just like I went and touch the text they read. 

Mess with this and surprise your friends and learn braille similar to how I am and how they are by typing with this font. 

Like I stated before:

DEDICATED TO BLIND PEOPLE

based on the logo for the KIA SOUL. not my most ambitious font, as it was made for utility instead of experimentation (I am using it for a personal project), but I think it still has a lot of character. it has two 'L' characters...one looks more like the L in the KIA SOUL logo while the other is more similar to a lowercase 'L.' this font also has an '&' character.

thanks for all the comments on my previous typefaces! happy new years :)

Found the original while looking for "dotty" fonts to see what's been done = what to avoid in a future font I'm sketching out at the moment. Liked this design with gently curving glyph lines based on perspective, thought it might benefit from applying some of the new features Meek introduced since the original version was made 8 years ago, ended up doubling the glyph count . . . .

I smoothed the circle, worked into existing glyphs where I thought 'necessary' (nudges, (re)moved some dots in glyphs, added dots to reduce gaps I found larger than desirable when comparing with the nudged lines), added LC without the circles, added a few new glyphs

Comparing parent and clone: the clearly visible changes are the circle and LC. And that I may have broken the 5x7 rule in some glyphs.

Revisiting Celosia, this time with faux-beziers instead of pixels.

Alternate @ design on ©.

Collection of linear-interpolated circle attempts, or simply faux-Bezier circles and other curvature related materials.

This toolset basically is collection of pre-made fake circles and curves in numerous different sizes to make ones workflow easier. It could also simply serve as a educative tool that demonstrates the basic FontStruct technique used for making fake curves and circles.

Initially I intended this to be much more complete, but it is simply too much work, and would take forever to get published at once.

Please don't expect this to be perfect, a lot gets fairly close to the "real-deal".

But keep in mind that they remain raw approximations of their true Bezier counterparts. I will try to improve whatever is needed as time progresses, as well as most likely add more stuff.

--- No filters were used ---

I hope you like it so far,

Feel free to copy, re-use, improve or even destroy!

enjoy!

A "lowercase" font

Today on "I should've left this in the drafts"

Oh well.

"Might add Latin Extended A later."
-Past Maxi

So yeah, I did it.

Very distantly inspired by "MS Micro~Ish" by Isaiah Garcia which was extended and published by Dmitriy  Sychiov as "Microish C".

Some alternates of UC glyphs are on their corresponding LC. No numbers yet, they'll be done later.

Remember the Unown from Pokémon? WELL THEY'RE BACK AND THEY'RE PISSED

Because of the minimalist nature of the design, many glyphs resemble each other.

Version 0.2: Improved all glyphs, added More Latin, changed name to "Letsago".

TODO: Make line widths more consistent, especially on numerals.

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A friendly, but slightly obtuse font. I think these polygons are the smallest and simplest ones which can be made with stock FS bricks and used to create glyphs with a truly circular appearance. This only works up to a certain size before the look reverts to that of a polygonal sans-serif, but it works very well up to that point!

This is the culmination of knowledge gained from several other experiments, such as Marginalia. It should be very difficult to make a smoother font from this at the same grid size while still using stock FS bricks.

Some kerning is done, but the majority of it will be done once every glyph is considered to be perfected. For now, you can use vector software (like Inkscape) to manually kern pairs.

Second addition to the FAUXHAUX typeface, this version includes Support for uppercase.

Enjoy!

WIP!

A faux bezier Bauhaus font this time!

I made another font, just like everyone on this website. I learned about the composite tool and used it a few times in this font. I hope you can use this font.

Pixel demake of pohang station by time.peace. Just for fun!

This started as an alien sci-fi font, but early in its development I realized it looked a lot like "pohang station". So I ended up shelving my own ideas to create this demake.

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.

Experimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.

This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.

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Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

A seriously spurless sans-serif. It approaches minimalism, but doesn't quite get there. This gives it a look that lets it blend in with lots of things!

It reminds me of a font I saw years ago on some futuristic-looking tinned rations. I don't remember what the brand was, but I remember the label having a very rounded sans-serif font like this one.

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See also:2K4S

I wondered what a plain version of Candylander would look like, so I made this. :D

I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon. (EDIT: Done, see Migrator)