Fyromrese style pseudorunic Latin. Supports Dutch, English, and German.

Hourglass-shaped counters.

This font has everything Zeph-y. Decolike shapes, half-arcs, procedural asymmetry, slight gaudiness, and an ampersand that looks like a priest with a cross walking on the ocean waves.

A more minimal and cursive-like Hyperbole. Named after a certain Led Zepplin meme. :D

Overzealous spurs!

DESCRIPTION

Experimental spurs and counters.

An experimental segmented display. It's called Cornerian because it has a lot of corners in it. HA HA I AM LE JOEK MASTER

Version 1.1: Space width reduced.

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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.

"Nervousa" is an anagram for "Ravenous".

You dipped a spoon into the [masterwork Azwelke alphabet soup] and retrieved... this!

By request, a skewed, spooky sans-serif.

"Xenopyre" is an anagram of "Pyroxene", in much the same way as this design is an analogue of Basalt.

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See also:Basalt, Dethzmezenger

The original Scaffo Stencil - the plain version.

Swapping between the two produces an interesting effect which I'd like to explore more.

A skeletal design related to Candylander, Nyandotte, Straplander, etc. This one works as a stencil and reminds me of dazzle camouflage! There's also a plain version of this which looks much neater and less harsh, but I like this one more.

A font inspired by the use of eggplants in video games. Many video games have unexpected eggplants in them. This is FontStruct's unexpected eggplant.

I decided to fill in the lowercase to add some variety. Hit SHIFT for shiny glyphs.

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See also: Spellforged Servitor

A quaint and slightly whimsical serif doodle which quickly turned into something serious!

An experimental slab-serif where the slabs are SQUARES and the crossbars are BONES. I'll add more to this one later.

"Squares & bones! That's all you need t' build a town!" - Reverend A. Beem

Just a doodle. Work in progress.

An experimental design which looks like it's obscured behind chicken wire. Best used with negative line spacing so the rows form a continuous surface.

An experimental doodle that reminds me of guitar straplocks.

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See also:Candylander

A multi-outline design with intentional aliasing.

At the original size, it looks nicely textured. The illusions become more harsh as one zooms in.

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Original size: 12.75pt (use multiples of this size for pixel perfection)

Continuing on the theme of overzealously antialiased pixel fonts, here's a 3x5 no-wasted-matrix design. The shading enabled me to make many glyphs which normally need to be truncated or compressed (MWaemswz@«©»®, etc). Looks best at 2x Pixel size!

This gives me an "old newspaper" feeling and seems like the kind of font that would be used for the text of such newspapers in old adventure games.

Unfortunately, I could not get the shading effect to work in any graphics software except by turning antialiasing on, and this ruins the look. So if you want to render text in this font, I recommend going to View -> User Input, typing your text here on this page, and then screen capturing it...

A spirally design which tries its best to be lineal. Check out the "M" to see the "ammonyte". :D

Well, for some time I've wanted to make a font entirely with spirals. This is not that font, but it's as close as I've gotten to actually carrying out the idea. This is also small enough to use for body text, which is likely more than will be able to be said about an actual 100% spiral font.

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Original size: 15.75pt (use multiples of this size for pixel perfection)

A busy and sometimes harsh-looking stencil design. It has a structural asymmetry which I think gives it a casual look.

Check out the Pixel views! It looks a bit like a light-up marquee.

Experimental 5x3 font. This went through quite a few iterations! The result is surprisingly readable, but still not quite something I'd want to use as a chat font.

In making this I did my best to avoid compression and truncation, trying instead to use the interpretation of light as my guide. Many glyphs don't look much at all like what they represent, but as my eye glides over them, they make sense and I read them without issue.

Comments Welcome

See more:

https://fontstruct.com/fontstructions/show/1234355/5headliner

https://fontstruct.com/fontstructions/show/435954/monotwist

https://fontstruct.com/fontstructions/show/1312355/modernedsormr

https://ru.ffonts.net/Brothers-of-Metal.font.viewreview

https://fontstruct.com/fontstructions/show/860986/nectarine

https://fontstruct.com/fontstructions/show/772601/luikeza_4

http://www.velvetyne.fr/fonts/gulax/

https://fontstruct.com/fontstructions/show/367567/falcone_narrow

Experimental sliced sans serif. My goal here was to make a design which would result in an extremely compact and durable physical stencil. Almost all of the sharp points and acute angles are within the negative space, so it should be easy and very safe to make, handle and work with this stencil.

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Version History

1.3 - added More Latin and Google Fonts Basic bands.

1.2 - added uppercase, changed name to "Aegris Stencil".

1.1 - edited for more readability at small size. Glyphs with enclosed loops were altered so that the "movement" of the segments always runs clockwise.

1.0 - released.

Font "leaves" are built on the basis of a natural motif - a leaf. Strokes are formed from dark and light leaves

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52 characters for the basic Latin set, 10 numerals, 36 punctuation characters, 66 characters for the Russian language set

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Please let me know what do you think :)

An attempt at Gridbug in 2x2!

Another 2x2 doodle. :^)

Version 1.1: Began changing the counter shapes of all glyphs in order to enhance the font's appearance.

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Experimental doodle. The idea here was to make letters, ascenders/descenders, and diacritics obey the same ratios. The result looks sci-fi and sporty at the same time... a bit strange, but also a bit useful!