trying round experiments~ 

this is never what i expected, here’s an attempt at a rounded typeface i made.

It's technically hiragana, but every character is based/modeled off their seal script(?) counterpart.

Thanks to this tool for helping me out during the making of this idea

(this attempt kinda sucks lol)

experimenting with weird kerning in a font inspired by Wim Crouwel's New Alphabet

This is my experimental font for Russian (any Cyrillic) with vowels written diacritically. The lower vowels are diacritical, the upper vowels are separate letters.

If a word begins with a vowel, its separate type (uppercase) is used.

To correctly write two or more vowels in a row: 1 vowel is written in lowercase and falls above or below a consonant, 2 vowel in uppercase.

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Это мой экспериментальный шрифт для русского языка (любого кириллического) с гласными, записанными диакритически. Маленькие гласные диакритические, большие - отдельные буквы.

Если слово начинается с гласной, используется ее отдельный вид (верхний регистр).

Для корректной записи двух или более гласных подряд: 1ая гласная пишется нижним регистром и попадает над или под согласную, 2ая гласная - верхним регистром.

Например, "аура" = Аура, "коала" = коАла

The Fence is a display typeface inspired by the fence that runs
along the railway in Phu Nhuan District, Ho Chi Minh City.

This is an experimental font made with Google's AI "Gentype", which takes a prompt and turns it into a full alphabet set. Each letter was carefully mapped fron image to grid.

The prompt I used was: "9x9 pixel art, black text on a white background".

This font is LETTERS ONLY as Gentype only does letters.

a square futuristic font that I made in my spare time

A typeface that experimented with the idea of using an arc, based on the y=1/x equation. I took from Bauhaus and constructivist design principles, that focused on minimalist, geometric shapes, to reproduce a form that rejects ornamentation in favor of pure visual logic. I live in a place where constraints on political power, freedom of speech exist. In small ways, this font is an expression of how one can use restrictions and constrains to shift things in a different perspective, creating questions of traditional legibility hierarchies while embracing the aesthetics of systematic modularity. 

Made with love and care by @sewninternetgarbage on IG

An attempt at making a font with circles & squares. Submitted to my school magazine & got rejected, so I'm sharing it for free.

It's freaking bats!!! A display font made for the cool bats that hang out at the cementary.  It's unconventional, spooky, and spontaneous (just like me).

Inspired by gothic cementery gates, freaking bats, and the night.

something

somthing v2

Thanks FS

Preview

https://www.behance.net/gallery/190889349/BLOS

A thing

THANks FontStruct FOR A COOL GAME

9/16/23: changed the character for the 9.

This font is not a font, but rather a place where I can do experiments like large curves, things that only look cool in outline mode, and much more.

This is published and cloneable so you can see (and use) the experiments for yourself.

Capital A: Various sizes of circles approximated using a standard faux (pronounced like 'foe') bezier curve technique (top) and stock bricks (bottom)

Capital B: A thing that only looks cool in outline mode

Capital C: Approximations of diagonal lines.
Bottom (1): Simple Stock Brick method, using only two stock bricks.
2: Complex Stock Brick method, using three.
3: Composite method.
4: Complex composite method (4x4 composites)

Capital D: (Set filters to 2x2) I wish this was a stock brick / createable brick that didn't require layers or filters.
Ideas:
  -  Allow layers for non-patrons (maybe not colors, but at least layers)
  -  When stacking, don't revert the bricks to their original states
  -  Brick patching (T)

Capital E: Weird thorn brick pinwheel thing. I suppose the last one there is infinitely extendable, as seen in Capital F.

Capital F: Extension of the weird thorn brick pinwheel thing.

Capital G: Capital E but with fin bricks. The last one is also extendable (not shown)

Capital H: Two circles.
On the left is the largest one in the Capital A.
On the right is a slight variation that follows the rules of the circles: Any size circle should be able to exactly fit the one that's two sizes down. This one also looks marginally more consistent as far as stroke weights go.

Capital I: The snick bricks contain themselves.

Capital J: Sierpinski Triangle

Capital K: Capital E and G but with Snick Bricks

Capital L: Capital E, G, and K but with Half-width triangles

Capital M: If anyone wants to make this a font, be my guest.

Capital N: Original concept for Tloak (left), and the updated version (right)

Capital O: Collisions of the New Rings 1, 2, and 4, all offset by just a little, forming New Rings 3, 5, 6, and 7. Just like Binary. (i.e., if you combine 1 and 4 you get 5, or 1 and 2 make 3. Mixing all makes 7, the thickest one.)

Capital P: The capital C with composites expanded

Capital Q: Various approximations for curves at the tops of 1x2 slopes. You are very welcome.

Capital R: Zoom out and press 'O' while in expert mode

Capital S: Rounding the end of a diagonal

Capital T: Various brick patches using William Leverette's Brick Patching technique, found here.

New experiments go down here.
Suggestions and requests are allowed, but spam isn't.

Thank you, STF!
@SuIsJustBack4523721387: Weird flex but ok

(BTW, I can't comment or clone fonts)

Inspired by VG5000 by Justin Bihan.

Various alternates in the capitals.

@ : ligatable S.

# : ligatable T.

$ : baseline-aligned f.

` : zero-width apostrophe.

I took inspiration from the Gameboy set design, adding some mechanical element and game references to design this typeface

Inspired by tiled roof and water pipe system.

[FINISHED!] This is a font made by asking ChatGPT to generate letters on a 16x16 grid.

WIP*

Bell-pepper is one of my favourite veggies~

An experimental and somewhat eclectic work in progress.

There are alternates on some uppercase glyphs and at the beginning of the Private Use Area.

EXPERIMENT!!!!!!!!!!!!!!!

I figured out how to make an animation in FS!  It isn't much, and I'm certainly no professional animator, but I had some time on my hands and I enjoyed spending the majority of the day working on it (took way longer than I thought haha).

To see the animation for yourself, clone this font, click on expert mode, turn on Unicode letter sets in the advanced tab in the menu, and go to the "Private Use Area 1 (E000-EFFF)" letter set.  Then just hold down the right arrow key and enjoy!

Press the G key to turn off gridlines for best experience!

A font inspired by old computers and the pixelisation and simplistic vibe they used to bring.