Inspired by the Michigan M.

A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.

Xilla Regular Italic, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 2 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This type is half the scale of Xilla Pro.

Further work and links here: willalbinclark.com.

Xilla Bold Italic, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 2 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This type is half the scale of Xilla Pro.

Further work and links here: willalbinclark.com.

Xilla Regular, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 2 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This type is half the scale of Xilla Pro.

Further work and links here: willalbinclark.com.

Xilla Pro Medium, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

Xilla Pro Bold Italic, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

Xilla Pro Bold, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

Xilla Pro Regular Italic, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

Xilla Pro Medium Italic, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

Xilla Pro Regular, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.

Further work and links here: willalbinclark.com.

I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.

this is anothe generation of kaidro

Experimented as I usually do with a half-thickness version of the font which looked good enough to do the entire thing over.

Naturally this is more of a body text font than the default Gemini.

I began doing a serif font, and found that I really liked it when I rounded the corners off a bit. It makes it look rather cyberwestern. Have you ever played Wild Guns on the SNES? It's got that vibe about it.

modern semi bold slab serif font

By request, a small, sporty, polygonal, uppercase serif font. The name is inspired by Hammer from Castlevania: Aria of Sorrow. This is quirky, strong, and from nowhere - just like Hammer.

This design seems best for signage, woodcuts, and the like. It carries a bit of a "sports" look too. The numerals and symbols are sans serif to make them look more modern. The asterisk is a hammer. Is it Hammer's hammer or Hammer's brother (who is a hammered Hammer Brother)'s hammer? No one knows.

By request, a semimodular font which looks like a casual interpretation of "General Failure". This is also more condensed and more Pixel Optimized than its predecessor. It makes me think "fire station in a cartoon".

It uses a technique which folds some slabs in, which prevents slabs from altering the heights of letters - but slabs are still allowed to alter width to some extent. The slabs which do this are incorporated into glyphs' structures to such an extent that they are integral parts of the linework.

This could be kerned more closely, but like me, the requestor uses software which doesn't support kerning. Consider the spacing as part of the desired quirkiness.

A vaguely Courierlike OSD (Onscreen Display) font which tries its best to be casual. The name is inspired by the old computer joke: "Who is General Failure and why is he reading my hard disk?"

No filters or faux-beziers, just stock bricks and a bit of stacking/nudging!

*

More about the design:

It started as a doodle and an attempt to make a smooth, low-resolution, low-poly font, and then it became a Courierlike. I have other fonts that tried to do polygonal round shapes before this (such as Cartoon Riot) but this design is my first real success in this area.

Initially, I made the angled glyphs before the round ones. I didn't want to change the angled ones, so glyphs like C, O, and Q became a bit wider than they are tall. I'm quite fond of this, because in most designs these glyphs tend to have a tall and narrow character. I think the mildly squat look of this font makes it cuter and gives it more personality.

A lot of glyphs were altered in specific ways to look more like metal type, especially anything with diacritics which touch the letters themselves. Other glyphs were altered specifically to be interpretable at small size. I also use angled contours and actual round bricks alongside each other within the same glyphs, another technique which is geared toward style and interpretability at small size.

This font came with many new challenges and an array of new techniques had to be designed. Loops were an insurmountable challenge because of the low resolution and heavy line weight, so I drew rounded areas to suggest them. You can see it on letters like Greek γ, ζ, and ξ.

This started out as an attempt to make a Courier with vertical as well as horizontal serifs. Why do so many of my fonts look like a pirate made them?

A quaint and slightly whimsical serif doodle which quickly turned into something serious!

An experimental slab-serif where the slabs are SQUARES and the crossbars are BONES. I'll add more to this one later.

"Squares & bones! That's all you need t' build a town!" - Reverend A. Beem

Xilla Bold, part of the Xilla family.

Other weights are on my profile.

Pixel slab serif typeface in 2 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This type is half the scale of Xilla Pro.

Further work and links here: willalbinclark.com.

This is an enhanced version of the retro font you see on old games. Still WIP. The squares are just placeholders and will be removed shortly. I hope to make this have more characters than any other fonts in the future (this might take a while). This font can be used in retro-style games, computer graphics, or anything else you can imagine. This font is pixelated, meaning it is lightweight and easy to port to many devices.

This is a remake of a font on a poster. I don't know what's the font so i call it with what the poster says. 

https://www.designboom.com/readers/gourdin-muller-totalitarian-architecture-exhibit/

It's a bit thicker than the original one

Uppercase is kerned but lowercase is not, because i'm lazy fite meh

American frontier and western inspired display type. 

Still needs a little bit of tweaking here and there. Also for some reason leading is not what it supose to be, it runs short a bit. But this is far from problematic.

Enjoy!

Cyberpunk + Futuristic = Cyberistic

A cubed slab font is like Rockwell Font. It's more a serif font, the original name is Chino because in the tags there are a tag that says "Chino". the half blocks is for the Uppercase N.

And old font that I hadn't published before. Similar to Da Capo.