Yet another dot matrix typeface for a printer that never existed...

my try at a dot font

my own little dot matrix font

This one-eyed character set places one circle-serif to start or end strokes somewhere on each glyph (except "O") in the set...hence it's name. Angled serifs acting as hands or feeet (or tails?) are used elsewhere. This is derived from the base font (lc) I used for previous efforts. I made it tall and then thought Cyclops (for SerifComp) to use now since I never released it (full disclosure). Anyway, a different view of what serif can be :)

This font is an adaptation of Officina Sans by Erik Spiekermann. It is meant to save ink and therefore the planet and your wallet. It can be used up to 12pt, above that the dots become visible and it loses legibility.

Developed by Marcos Ribeiro & Paulo Teixeira

Made to print some decorative corners on A4 sheets; this will make a novel Yule gift for someone lucky enough to know me ;)

Of course it could also be used as a code:D

Kulibin or Kulidyaka? Kulich?

See more:       https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov

https://fontstruct.com/fontstructions/show/152204/unispace

https://fontstruct.com/fontstructions/show/942604/lexiconius

Eda (by Alexander Tarbeev)

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

http://www.myfonts.com/fonts/shinn/scotch-modern/         

http://www.myfonts.com/fonts/artlebedev/mirta/

Kostro, 21 Cent  (https://yurigordon.com/ru/shop/fonts)

Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)

Marian family(19c), Caponi (https://commercialtype.com/)

https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F

http://www.myfonts.com/fonts/itc/caslon-no-224/

https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm

http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/

http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html 

https://www.colophon-foundry.org/typefaces/peggs/

This is a dot-matrix version of a very popular classic computer!

WORK IN PROGRESS!

Humanistic sans.

See more:  Sebastian (Storm)  

https://www.myfonts.com/fonts/fdi/fdi-tierra-nueva/

Martin Majoor`s fonts (https://www.fontfont.com/designers/martin-majoor)

https://www.fontfont.com/fonts/yoga-sans

https://www.artlebedev.ru/yandex/type/drive/

https://www.artlebedev.ru/type/gross-kunst/

Apriori (Vera Evstafeva)

http://www.myfonts.com/fonts/sudtipos/landa/ 

https://www.myfonts.com/fonts/thefoundry/foundry-sans/

http://typetypography.semus.ru/g2009/5340/

https://www.typotheque.com/blog/nara_sans_a_dynamic_sans_with_two_italics

https://www.typotheque.com/fonts/nota

WMagazine`s BB font

https://www.myfonts.com/fonts/paratype/humanist531-bt/

https://www.myfonts.com/fonts/linotype/aroma-no-2/

https://www.myfonts.com/fonts/storm/andulka-sans/

http://www.myfonts.com/fonts/hoftype/sonus/

https://www.myfonts.com/fonts/mti/between/

http://school.rs/bilingua/

https://www.fontshop.com/families/ff-quadraat-sans 

Magnetic

Quasimoda

This will give a pleasant overlay for Raysan.

Granenyi Stakan!

Stylising 19th-century grotesque.

See more: Diffetura

https://www.myfonts.com/fonts/blackletra/noka/

http://www.myfonts.com/fonts/type-type/tt-firs/

LilienthalGrotesk (Vera Evstafeva)

(http://vdnh.ru/en/

https://daily.afisha.ru/archive/gorod/changes/oni-teplye-i-nezlye-dizaynery-masterskoy-barbanelya-o-novyh-simvolah-vdnh/)

http://vllg.com/klim/founders-grotesk#panel=poster

Helvetica World

http://www.dafont.com/k22-spotty-face.font  

To read: http://letters.temporarystate.net/entry/1/

See more: 

https://www.myfonts.com/fonts/blackletra/ofelia-std/

https://fontstruct.com/fontstructions/show/685591/advancer_lite_1

https://www.behance.net/gallery/27010917/Pobeda

https://fontstruct.com/fontstructions/show/206416/pinball_blizzard

https://creativemarket.com/Etewut/1710681-Laser-Dots

Eclectic old-fashioned font with short ascenders and single-width proportions.

See more:

https://www.fontshop.com/families/dutch-mediaeval

https://yurigordon.livejournal.com/445722.html

http://revision.ru/work/18656/

Rossica (Vera Evstafeva)

https://www.myfonts.com/fonts/grummedia/good-taste/

https://www.myfonts.com/fonts/wiescherdesign/royal-romain/

https://www.myfonts.com/fonts/paratype/kis-bt/

https://www.myfonts.com/fonts/paratype/academy/

https://www.myfonts.com/foundry/ABSTRKT/

http://typefaces.temporarystate.net/preview/Manege

http://rastvor.com.ua/a-tsarpeter.htm

http://www.myfonts.com/fonts/atelier-laia/waskonia/

https://www.myfonts.com/fonts/tilde/belwe/

https://www.myfonts.com/fonts/oddsorts/bradley/

http://www.myfonts.com/fonts/insigne/boncaire-titling/

http://www.myfonts.com/fonts/itc/tiffany/

https://www.stormtype.com/families/tenebra 

To read: 

https://pt.slideshare.net/guest7a8aa4/cyrilliclatin-yesterdaynow

http://typejournal.ru/en/articles/Civil-Type

I needed a dotty looking font to print on cards to be embroidered by a youngster; the present design is based on it with added embellishments and more gyphs. Maybe someone else might find it useful? The different bricks used could indicate a change of stitch style or a different colour. 

While suffering some serious fonter's block, here's another "wonky" experiment: this time, based on my "21st Century Dot Matrix" font.  Random numbers were used to determine each dot's nudged position for the vertical (–½ / –¼ / 0 / +¼ / +½), and another set of random numbers for the horizontal.  Each position had an equal 20% chance of placement.

On the previous "wonky" font ("Wonky Pins"), I adjusted some dots manually to be more visually pleasing, but I refrained from doing that here.  Because so many dots were nudged to extreme positions (–½ & +½ vertically and horizontally) WITHOUT further adjustment, the printed text is still legible but definitely not as refined at "Wonky Pins"...

This typeface was also based on 2 sets of dots this time: one randomized set for an even number of dots across a row (6 or 8), and the other set for an odd number of dots (7).  Sometimes, even dots and odd dots are used together on the same row in order to match the placement in the original design.  These blocks are present in the "À" position.  A slightly larger generic block in position "Á" is only present to prevent word processors from 'cutting off' dots nudged too far vertically up or down; initial test printings resulted in ½ dots being printed at those extremes.

Perhaps another "wonky" experiment will place the extreme ends at a lower chance of occurance (perhaps 10%) while the other three (–¼ / 0 / +¼) more at likely at 26.67% each.  Or perhaps an even higher chance that the dot is not even nudged at all, with lower likelihoods as you move outwards to the extremes.  This might alleviate the need for any manual adjustments, yet still get the point across that something... something has gone wonky with the printer...

See more: 

https://fontstruct.com/fontstructions/show/359675/fs_ink_blot

Dot-line thin font. Inspired by Stag Dot.

Modern geometric serif(slab?) font.

See more: https://fontstruct.com/fontstructions/show/749833/fs_dot_serif

invers ti-80 calculator dsisplay

This is a thick dot-matrix version of a very popular classic computer, and it's normally used on word processors, electric billboards, etc.  Probably a great font!