Clone of Dot24Pin Sans Outline.

Still dreaming of 24-pin printers...

This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s.  Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.

(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)

Still dreaming of 24-pin printers...

This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s.  Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.

(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)

DOTTITI FADE : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI LIGHT : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI MEDIUM : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI STAR : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI EXTRA LIGHT : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI ULTRA LIGHT: Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI LIGHT REVERSE : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI EXTRA LIGHT REVERSE : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI BOLD : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

This is the font for 1st/2nd/3rd generation EcoDiscs.

This is the second version of the font for generic lifts/elevators in the UK.

This is a (not very good) font designed to emulate the experience of a dot-matrix display; these displays are found on trains, buses, etc. This font supports most characters up to Latin-1 Supplement, and full Unicode support is on the way.

This is the font from the MMI 6061/6161 5x7 character generator IC, with 127 total glyphs. A few of the more obscure glyphs might not yet be in the correct unicode locations, let me know in the comments.

MMI 7x9 font, from databook (todo: find exact datasheet this came from)

like on dot matrix printer,

z polskimi znakami.

Based on the font used on Chicago CTA trains

A basic font with few characters commonly found on International Lift Equipment (ILE) lift indicators in the UK.