Alright, I’m doing it.

Designed to mimic the Medieval Era and the Fountain Pen while forming a clear, concise, and modernized font. Very Twisty, and looks like a witch's handwriting. This  one of many new fonts to come.

A quick test of the new half-arc bricks. Suggestions for a better 's' are much appreciated!

I decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...

Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!

More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!

My first entry for Serifcomp. Originally created in 2013, when I still had little knowledge about the finer details of type design. I've made major changes to the original design while trying not to lose its original feel (avoiding diagonal strokes, for example). I ended up making major changes to M, Q, T, W, f, k, m, q, r, t, and w, and minor changes to a bunch more; a ton of kerning was also required. It's not very polished yet, but it's a start...

Some alternates are available in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

An attempt to make a very readable sans similar to what you would see on streetsigns, utilizing larger curves than the average FontStruction. Uses 3x3 curves on the uppercase and 2.5x2.5 on the lowercase/numbers. A few alternates in Latin Extended-A. As always, suggestions and critiques are welcome. Thanks and enjoy!

This was another attempt at a clean geometric sans. It turned out a lot like fs vandyx, but... less "open", perhaps? Anyway, suggestions and critiques welcome. Thanks and enjoy!

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.

Inspired heavily by dm Solidus (and several other fonts by demonics), and also by Modular Blackout Bold Condensed (now private, but you can see a sample here). More/less rounded alternates can be found in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!

(2017: This was another one that barely needed to be touched--the only edit I made was thinning the outer ring of the @ symbol from a full brick to half a brick wide. I'm getting toward the end of my collection of private but completely finished fonts though...)

Not sure what inspired this one--I think it actually started off italic, but it proved too difficult to FontStruct an italic like this back in 2014...

Create your own license plate! Surround your text with () or []. Use '_' to get a truly blank space; use '|' for an uppercase middle dot, '\' for lowercase. Some alternates are available in Latin Extended A. Suggestions and critiques welcome. Thanks and enjoy!

(2017: I think this idea was sort of a spin-off of fs quotable. I was also experimenting with clean sans like this one at the time, which contributed greatly toward the design of the inner font. The () characters are new and a few letters (regular g, alternate g and Q) have been updated, but other than that everything's pretty much the same as 3 years ago.)

Here's what happens after I temporarily lose the ability to Fontstruct... ;) This started as an experiment to get around overshoots, but took of in a slightly different direction, with a touch of Uptake. Suggestions are appreciated. Thanks!

(2017: Isn't it wonderful when you don't touch a fontstruction for 3 years and still don't see anything to improve? I don't remember why I lost the ability to use FontStruct—probably because of either a power outage or being in a moving vehicle—but I would guess I sketched this out in my graph notebook before getting back on the site.)

The long-awaited uneaten variant of fs cookie, fresh out of the oven. Many characters could likely be improved, especially with modern FS features such as nudging, but I'd rather not change anything from the original (for this version, anyway). Feel free to clone and edit as you please.

An italic version of the fontstruct logo and Structurosa by pauldhunt, using composte bricks and nudging.

Inspired by, well, cookies. The kerning is quite crummy, sorry about that. ;)

I'll do accents later, right now I'm feeling a little full...

Image source