Serifcomp entry. Kerning and sample coming later. (Some parts look uneven because the FontStructor makes composites look thicker)
Serif comp entry number1. No numbers nor any other glyphs at the moment as I'm working on various important projects. For now I pronounce this font finished as it's perfectly useable for posters, signs, parties, made for use in English speaking countries or for use in languages that can get by without their specific diacritics and other glyphs.
Sorry my dear European families and friends, we'll get our own cultural heritages honoured with our own glyphs after this competition is over as it does take time, effort, patience and designing to make them.
I wonder how long before this font is downvoted without a constructively useful observation --- simply because it was designed by me who critized someone's attitude regarding his lack of respect for another Fontstructor's absolute right to be an individual and create a font exactly how he/she wants it to be.
Messe Muenchen is my latest in a series of fonts named after German Trades Fairs. This one could be put to good use in a college logo or something similar.
for commercial use look here: https://chequered.ink/font-license/
This particular font was basically just an oversimplified version of Gryphon Serif. I called it "Tick" because it looked like a typewriter font to me, and typewriters make a ticking sound whenever you use them.
Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.
Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.
This is based on a beautiful copper-wood-stained glass door of an Art Nouveau building, letters Q, O and Y were the first ones to echo the door's design. The other glyphs needed more thinking about and experimentig to maintain the style.
I still have to make diacritics used in my favourite languages. The LC will be like the UC because it makes typing easier. I'll work on it in December to get it finished for greeting cards. For the moment this stays All Rights Reserved.
The long-awaited uneaten variant of fs cookie, fresh out of the oven. Many characters could likely be improved, especially with modern FS features such as nudging, but I'd rather not change anything from the original (for this version, anyway). Feel free to clone and edit as you please.This is a clone of fs cookie clean
Indyga, a fresh new font from designer Lylem.
Visit www.lylem.com for more info...
mx Eli is inspired by types used in artisanal goods packages and other sleek, modern brands. It's a serif font without the varying widths of roman types with several fun alternate capitals to choose from.
See the full typeface specimen here.