Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.

70's Art Deco style Streamline typeface.

Most of the design credits for this font should go to Isaiah Garcia since I took the liberty of revisiting his fontstruction FS Idea https://fontstruct.com/fontstructions/show/816176/fs_idea

Please check out this member's awesome contributions here: https://fontstruct.com/fontstructors/559832/isaiah_garcia

There is one major design difference between the two works though, Isaiah's version was made using a faux bezier approach (very labour intensive) and requires a fairly large design grid, whereas my version was made using a mix of macaroni bricks and resized composites of these, and was done on just a 4x7 grid using 2:2 filter.

This different approach led to a number of small changes in the overal design result. Also did I change some glyphs slightly to my personal preference. But it remains very much Isaiah's design.

Another less important difference is that I used some of the lowercase string for alternative glyphs allow a number of stylistic variations!

Enjoy!

Version 1.2

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A slightly futuristic and stencilesque design using halfwidth bricks.

The idea here was to make every glyph simple and minimal, not only in terms of geometry but line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.

A light weight Bauhaus style font with a little handwriting twist. Most curves have a slight overshoot. A lot of characters are still missing due to design difficulties. I hope to add more soon.

(https://fontstruct.com/fontstructions/show/1572180/funky-pixels)

This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!

Arcade-y type pixellated font

A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.

Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D

This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.

I wondered what a plain version of Candylander would look like, so I made this. :D

I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon.

Experimental font made with the new half-arc bricks. It reminds me of striped candy, but also looks like tape reels or machine gaskets!

Work in progress:)

Sci-Fi inspired neon display typeface.

The diagonals dont look very good in Fontstruct's preview due to composite bricks, but are okay in the TTF.

Pavos real means peacock in Spanish. I think this is an excellent name for the elegant serif font. I will make more Latin and Cyrillic(Russian). Greek lower case letters are simply too script-y . It will be tough making them. That's all.

Enjoy -JY

SPARSENESS is a minimalistic type design with a modern appearance.

It's main purpose was the aim to perform well even at a small point-size. Therefore the letterforms carefully keep plenty of open space in order to remain legible even at small point-size.

- For the best fontstruct preview set pixel resolution value  to 13.

Enjoy!

A work in progress, much like its parent font "Sonder Slab". More glyphs and improvements will come.

Made experimentally as an alternative to "Nimbus Mono L". The serifs just sort of do what they want, sometimes fitting in naturally, sometimes not.

It's not meant to be monospaced, but is meant to have the same sort of neat constant-width look. All uppercase letters and numerals are 5 width, while most of the lowercase letters are 4 width.

See also:Slabberton

Framed, perfect symmetry, seamless tiling, no composites, no filters, no MSG.

This was made in the style of a reticle or selection field, but it is capable of much more. It can create the appearance of a cargo net, electric grid, or caution-taped area. It's high impact and captures attention quickly, much like an electric caution cargo net.

Use with 0 line spacing for the best effect!

Just an octagonal sans-serif design that I kept working on here and there.

"Are ya EVIL?" - Racer X, "Evil Joe"

High-res version of Marengi.

This is made to be ultramodern and ultraregular, just as high-tech futuristic corporations are wont to make their fonts.

MIV: 7.94

Recommended: Use with kerning and antialiasing turned ON!

just a ultra delicate font

suggestions are welcome

It looks awesome when you only use upper

idk why

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Currently Supports:

- English
- Some Latin
- Russian Cyrillic
- Google Fonts
- Georgian
- Hebrew
- Armenian
- Greek
- Thai
- Currency Symbols
- Arabic (WIP)
- Japanese/Katakana
- Bopomofo

Fancy Pantaloons is a typeface for when you are feeling a bit silly and pretentious without wanting to be too over-the-top. This typeface reminds me of old lettering on signs from the early 1900's. A combination of Victorian, Art Deco, Art Nouveau, and a bit of Techno. 

Abstract meets Pixalation. Thich meets thin.

See more: https://fontstruct.com/fontstructions/show/1301132/ps2-logo   

https://fontstruct.com/fontstructions/show/178834/octastruct

This typeface has come from the initial theme of malnourished, where I looked at using real bones to make a physical typeface. From this, I have developed my idea to look into the deeper meaning of eating disorders and specifically the mental illness surrounding it. My typeface therefore is a representation of body dysmorphia in anorexia, using limb like shapes to create letterforms, showing the reality and perception of people who see themselves as over weight when really they are dangerously underweight.