Version 1.3: Added Polish.
Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
Recreation of the pixel font found in the PC Engine / TurboGrafx-16 BIOS with a Super CD-ROM². It appears to be unused, but includes an almost complete set of katakana and hiragana characters. Only the characters found in the BIOS/ROM have been included.
AZUL is BLUE in Spanish. I choose the word blue because it always reminds me of ultra bold fonts. But i feel like just "BLUE" looks dumb so i choose "AZUL" instead. Btw blue in Chinese is "lan". Just imagine "LAN" as it's name lol.
Least important stuff :
I got this idea when i was thinking about if I design a poster for a JoJo character. it'd be Kira Yoshikage. And I was like "Gotta need a ULTRA bold font to show he's really danger" Now you know this totally unuseful thing :P
A little more important stuff :
This font is free for all use.
DO NOT PRESS THE B SYMBOL WHEN YOU USE THIS FONT. SERIOUSLY, DO NOT
lqi laugh quietly inside
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
A multi-outline design with intentional aliasing.
At the original size, it looks nicely textured. The illusions become more harsh as one zooms in.
Original size: 12.75pt (use multiples of this size for pixel perfection)
A font for a horror project of mine, its supposed to look slightly off, which it does, only contains basic Latin alphabet and some other fancy symbols, though due to the typefaces general visual style some characters, like the copyright sign, yeng, currency sign and things are not exactly easy to recognise as themselves so really, this font is only good as a fun little thing, not be used in a serious situation were those characters might actually see use. Some of the Greek characters are used to, but they are just funny icons that could be used for decoration, and are illegebel as letters let alone Greek characters. Was also my first font, so, its not brilliant looking.
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!This is a clone of MasterClass 1
A pixel font inspired by Motleyorc with over 900 glyphs
3-5 pixels wide 5-7 pixels tall
More Latin added
Extended Latin A added
Extended Latin B added
Greek and Coptic added
Cyrillic work in progress
Sort of a semi recap of the lettering found on the second issue of Polish avant garde architectural magazine called "PRAESENS".
It got published throughout the first part of the previous century and was similar to other magz from that era such as: DeStijl, Wendingen & Het Overzicht.
It's not super accurate but still a fairly recognizable and cool looking type. I already made a pro version of this lettering in the past with FontLab Studio, which closely capturing the exact original design.This is a clone
Recreation of the primary pixel font from Nintendo's "Metroid II: Return of Samus" (1991) on the Nintendo Game Boy. Only the characters present in the game's tile set have been included.
A vaguely Russian-looking font which is used in various media relating to The Boris Barkov Show.
Eh, just some Font for my game. No biggie.
1.3: Added more symbols.
1.2: Added Dutch and German.
1.1: Q* were corrected.
1.0: Initial release.
Font used for rAIn, shipboard AI of the RGS-1 Rainbow Loop. This will also likely be used in FLAK materials, as well.