This typeface has been created around the theme of community. In particular I looked at referencing the idea of the online/digital communities that we have all become so reliant on due to COVID-19 and being alone in isolation. I researched into the effects of lockdown on various peoples screent time and interviewed them, then used this as my thesis starting point. To create the concept, I experimented with different symbols that represent digital connection for example; wifi, signal and battery.
Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric. It' s possible to work with him and maybe Emil will go one step further towards italics...?
This was a fun one to experiment with. A lot of fonts I've done here have been done with strict design rules. It's fun to break them once in a while.
The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.
Contains support for:
All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek
Another attempt to make a readable font narrower than Arial Narrow. I am basing the letters on ovals now, to try to make them easier for my eyes to deal with at small sizes.This is a clone of Urial
An Arial Narrow clone to make Arial Narrow a little bit narrower.
A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.
I was given feedback that the capitals were too wide in the original Kimura. Rather than replacing them in the font, I've made a new version nice and quickly so you can decide for yourself. Or have both, even. I would like that.This is a clone of Kimura
I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.
I've moved from Russia to Germany, here. We have a classic, 70s inspired design, which could still be a futuristic-looking one in the right lights.
Imagine a "font designed in 1999 to show what fonts would look like in 2019". It's half right, at least. Totally the sort of thing you would find in an early PS2 space shooter or something.
It's very much like Metrolux, but futuristic and smooth. Contains a bunch of small changes too.This is a clone of Metrolux
At first I started to struct the lettering seen on the book cover of:
"Tot elkaar veroordeeld 'De Nederlands-Duitse economische betrekking' (tussen 1945-1957)"by Martijn Lak.
But doing a little more research it turned out to be the 1988 geometric typeface "Senator" originally designed by Zuzana Licko.
I took the liberty of making sort of a replica.
I made a couple of small changes here and there trying to improve its overall look.
Inspired a little bit by my previous font Nordkurve. As a result, I've named it after another German Formula One track curve. Nürburgring, this time.
Actaeon has eaten its vitamins, said its prayers, and now it's all grown up and become a big strong sans-serif.This is a clone of Actaeon
Another free 5x5 pixel font for game developers. This one has a vaguely authoritarian quality thanks to the hard 90° angles.
Looks like a Game Boy font to me!
A clinical font, an attempt at trying to work curves in a non-curved setting. I believe this works stronger as a text font, and I've given it the usual Euro specials, as well as Google font support if you are such way inclined.
Also added some Russian support because why not? It looks like it'd fit. Also Greek, too.