WIP

See more:

https://www.fontstruct.com/fontstructions/show/675113/equalize-1

I designed this type font for a project in college, and found myself really connecting deeply with the themes I represented in this font. Ideally, this wouldn't be used for a novel, but rather a graphic novel or comic. Please send me an email if you choose to use this font, and I hope you share your work with me!

-Soap

By request, a chat/comics font which combines features of "Micro Machina" and "Chlorophyte". I took some other liberties with it as well in order to make it more distinctive (see MSVWacegjmtyz).

This turned out extremely well! It's more open and airy than many of my larger designs, and is pleasant and easy to read even at the original size.

Supports Dutch and English.

Telos Unicase with overzealous antialiasing applied to it. It looks as if it were automatically antialiased by 16-bit hardware - a bit smudgy, almost pencil-shaded. Check it out at 2x Pixel size!

Despite its simple looks, this font is just about the densest thing I can create on a 5x5 grid without obfuscating the letters themselves.

While using this font I discovered some unforeseen uses for shaded styles such as this. Since the "antialiasing" occurs in only one shade and never overlaps or replaces solid pixels, it can be easily mass-selected. One can quickly and easily recolor sections of the font, convert it to the non-antialiased version, or clone the layer the translucent pixels are on and achieve more interesting effects.

A 5x5 Greek pixel font designed by request for a friend. This is going to be used in some amusing comics! Too bad I won't be able to read them. :D

(This also supports Dutch and English.)

An improved version of Derpberd which remains true to the original style.

It's still very casual-looking and very well suited to comics and pixel art, but it's also more regular and readable than before.

A more bookish take on Comicool, made for more comfortable general reading. It's still useful for comics, as well!

Many letters were squared off in the corners, lowercase letters were given stems, and an assortment of glyphs were edited for more style.

This is the third iteration of Comicool... rather than develop them all toward one style, I tried to make each iteration the best it could be. The result is three distinct, but still compatible styles. This one is probably the best for body text!

A half-sized, filterless version of Comicool Unicase which also has square terminals.

This has lowercase, but is made for all-caps comic book style lettering, so consider the lowercase as something added for accessibility's sake...

A mostly-4x5 design made for legibility, aesthetics, and an almost authoritarian regularity. This makes it suited for comics, tutorials, general reading, and more. It can be easily read at its original size with the same effort it would take to read a high-res design of the same size.

This design has been tested and reported to make an excellent font for IRC and other chat clients!

*

Original size: 4.5pt (use multiples of this value for pixel perfection)

A rounded version of Pixelcruiser Flagship. I think rounding it off both made it better-looking and more readable! This now looks like something I'd use in pixel comics.

A rounded sans-serif design inspired by the lettering in comic books. Since achieving properly rounded terminals for slanted letters like A and V was impossible, I reworked their designs.

Version: 1.4

Just a simple pixel font I created for use in pixel webcomics. It has a constant height which makes it good for use in speech bubbles, titlebars, and the like. I made this one to look "open" and to have lots of negative space despite its diminutive size. This family of fonts is getting pretty large, so if you make pixel webcomics (or anything else that needs tiny text in neat rows), check 'em out!

This font is used by several Twitch streamers and in several games as well as in my own pixel comics.

VERSION HISTORY:

04 Feb 2018 - v1.0 released

12 Mar 2018 - v1.1 released. More Latin added.

A proportional solid pixel font inspired by the comic lettering of Mary Kelleher. Based on the lettering she used in Eastman & Laird's Teenage Mutant Ninja Turtles, specifically the "City at War" arc and Volume 2 that followed. As a pixel font, this font is mainly for fun, and is not all that appropriate for actual comic lettering. Since this is a solid version of the font, it does not support many characters with diacritics, as they rise too far above or below the letters.