Recreation of the pixel font from Alpha Denshi's "Time Soldiers" (1989) on the Sega Master System.

This is the actual "correct" version of the font and its drop shadow. The game uses a naive monochromatic variant, where both the characters and their shadows are rendered as a single solid character (on the title screen and the various mission / story screens). The colour version is used on the score screen and on the final "congratulations" screen after beating the game.

This recreation is available in TrueType+COLR and WOFF2.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Alpha Denshi's "Time Soldiers" (1989) on the Sega Master System.

This font is unusual in that it's actually a naive monochrome version of the colour font, with its drop shadow. The game uses this variant on the title screen and the various mission / story screens, with some very odd results.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Lucasfilm Games/Tiertex's "Indiana Jones and the Last Crusade" (1989) on the Amstrad CPC.

Only the characters used in the game have been included.

an original arcade games font.

But everyone can Modify my font.

The 1984+1989 Arcade “Star force”+“Dynamite duke” pixel.

Recreation of the pixel font from Raffaele Cecco/Hewson's "Stormlord" (1989) on the ZX Spectrum.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Ubisoft's "Sphaira: Le Royaume des Atlantes" (1989) on the Amstrad CPC.

The font includes arrows ("upwards arrow" U+2191, "downwards arrow"  U+2193, "upwards arrow with tip leftwards" U+21B0, "upwards arrow with tip rightwards" U+21B1), and oddly a handful of lowercase greek characters

This recreation has been slightly extended to include more lowercase accented characters. Apart from those, only the characters present in the game's tile set have been included.

Recreation of the pixel font from Blue Ribbon Software's "Wulfpack" (1989) on the Amstrad CPC and ZX Spectrum.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Cinemaware's "It Came from the Desert" (1989) on the Commodore Amiga.

This font was also used in the later DOS conversion, but with slightly different spacing.

The font has a few slightly quirky kerning/spacing oddities - such as the uneven space for the "1", and the fact that the "T" and "Y" are pulled further left by 1 pixel. This has been preserved in this recreation.

The original only uses a limited number of punctuation marks. This recreation has been expanded to add more punctuation marks and special characters, to make it slightly more useful. Beyond that, only the characters used in the game have been included.

Recreation of the bold variant pixel font from Alpha Denshi's "Gang Wars" (1989).

This recreation is available in TrueType+COLR and WOFF2. For a monochrome version, see this recreation.

Only the characters present in the game's tile set have been included.

Recreation of the bold variant pixel font from Alpha Denshi's "Gang Wars" (1989).

Only the characters present in the game's tile set have been included.

Recreation of the primary pixel font from Alpha Denshi's "Gang Wars" (1989).

This recreation is available in TrueType+COLR and WOFF2. For a monochrome version, see this recreation.

Only the characters present in the game's tile set have been included.

Recreation of the primary pixel font from Alpha Denshi's "Gang Wars" (1989).

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Seibu Kaihatsu's "Metal Freezer" (1989).

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Jaleco/Aicom's "Astyanax" (aka "The Lord of King", 1989) on the NES.

The japanese version includes an almost complete set of hiragana and katakana characters. In the tile set, the dakuten and handakuten are separate tiles, positioned after their respective character. In this recreation, characters that use them are pre-combined into a single glyph.

For the latin characters, see this recreation.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Jaleco/Aicom's "Astyanax" (aka "The Lord of King", 1989) on the NES.

For the hiragana and katakana characters of the japanese version, see this recreation.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from the arcade version of Data East's "Midnight Resistance" (1989).

This recreation is available in TrueType+COLR and WOFF2.

Only the characters present in the game's tile set have been included.

Presenting Navy Blue Released In 1989!

Recreation of the large pixel font from Capcom's "Final Fight" (1989).

This font is used in the intro cinematic. In the original, the double quotes are awkwardly split over two tiles. This recreation combines them into a single character. The recreation also corrects the missing antialiasing in the "3". However, it retains the original minus/dash (as seen in the character bio sheets), which is far too high.

This recreation is available in TrueType+COLR and WOFF2. As the font relies on antialiasing, I did not create a separate monochromatic version of the font.

Only the characters present in the game's tile set have been included.

Presenting towa chiki and natsume's idol harpenden realeased in 1989. The font is similar to ???

Presenting tengen and sea's shinobi realeased in 1989 and 1987. Also, which means I don't know what is the font?

Recreation of Diabolic Software's "Drakkar" (1989) on the Amstrad CPC and ZX Spectrum. Only the characters present in the game's tile set have been included.

Recreation of the "futuristic" pixel font from Dinamic Software's "After the War" (1989) on the ZX Spectrum.

This font is used in the second part of the game. This recreation corrects the awkwardly inconsistent line height between the alphanumeric characters and the punctuation characters. Note that the Amstrad CPC version uses a different, much blockier font for this part of the game.

Only the characters present in the game's tile set have been included.

Recreation of the distressed pixel font from Dinamic Software's "After the War" (1989) on the Amstrad CPC and ZX Spectrum.

Only the characters present in the game's tile set have been included.

Recreation of the small proportional pixel font from Mark Cale/System 3's "Myth: History in the Making" (1989).

This small version was only used in the ZX Spectrum version, not on the Amstrad CPC.

Only the characters present in the game's tile set have been included.