Weaving (Tag) | FontStruct

2 0282 Published: 23rd January, 2019
Last edited: 29th January, 2019
Created: 23rd January, 2019

This font atempts to represent letters that look like what is called the "God's Eye" yarn project for children, which has to do with winding colorful yarn around two crossed sticks. I've decided to double the size so that the X and T have the same internal dimensions.

Creative Commons

25 263746 Published: 8th November, 2017
Last edited: 29th September, 2018
Created: 5th November, 2017

Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)

Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.

I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!

This is a clone of MasterClass 1

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Open Font License

44 2111616 Published: 10th November, 2016
Last edited: 27th October, 2017
Created: 25th October, 2016

Inspired by trying to thread heddles on a 4-shafter .........

The design uses a lot of nudging, a little stacking and composites, using some of the exciting extended capabilities of the FontStructor.

The font's name is Maori and means "weaving".

This font is as finished as I need to have it at the moment. I'll add a few more glyphs later.

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19 0343 Published: 25th October, 2016
Last edited: 27th November, 2016
Created: 17th October, 2016

I have made this font based on the overall theme of dangerous. When exploring this theme further I started looking at venomous animals and specifically at Funnel Web spiders. The intricate funnel shaped webs that they made started off the initial designs for this font. I looked at the different patterns that the webs can make and made a web of my own to priduce the shapes that inspired this font.

26 Glyph Wonder

FontStruct License

20 11337 Published: 14th October, 2014
Last edited: 26th October, 2014
Created: 14th October, 2014
Inspired by one of my hobbies. I'm working on another one or two items to add later this week. A- shuttle B- rigid heddle C- ball of yarn D- rigid heddle E- weaving needle E- temple G- lease hook H- stone weight I- tapestry beater J- reed K- stick shuttle L- tapestry bobbin M- weaving needle N- reed hook O- shed sticks P- quill Q_ weight R- rug shuttle S- weaving card T- heddle U- raddle V- latch hook W- threading hook X- bobbin Y- band weave shuttle Z- netting shuttle a- reed b- cone of yarn c- ski shuttle

Picture/Symbol

16 2863 Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.

Creative Commons

33 21060 Published: 26th October, 2011
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.

Creative Commons

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56 124114 Published: 7th October, 2010
Last edited: 7th October, 2010
Created: 17th September, 2010
Keeping to the sewing theme. I designed this to look like letters that have been either weaved, stitched, or screen printed onto the fabric to create a patchwork quilt effect.
This seems to work best using a sack cloth effect.
Although it works equally as well as a wire fence/ chequered steel/ tread plate / diamond plate flooring effect. In an ideal world there would be more empty weaves at the top and bottom of each character. I would also prefer a different style Q.
Due to comp rules I have had to omit the lower case, and others, as this just squeezes into the 32 pixel height limit.
All comments and criticism appreciated.

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Dot Matrix

108 5010298 Published: 5th October, 2010
Last edited: 27th January, 2011
Created: 4th October, 2010
To meet the 32 pixel height criteria of the Handmade Competition, this is a chopped and sliced version of my NCD Embroidery font. If you wish to use this font commercially, please contact me djnippa@hotmail.com This is a clone

Fontstructions tagged with “Weaving”

Gods Eye

MasterClass

Raranga

Webbing

Weber Ding

Resolution 3x3

Resolution 3x4

White Oleander

NCD Patchwork

NCD Embroidery Comp Size