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Inntroducing Introducing the MONOLITH STENCIL (NB 068) – where brutalist form meets digital rebellion.
Blocky. Bold. Beautifully broken.
Each letter is cut with raw precision to dominate layouts and shatter predictability
I made this for the last project of my 3rd year as a Graphic Design student at Manchester School of Art (MSoA), which we were briefed to make a display font based on a building of our choice. I chose the brutalist building called The Cultural Centre of the Philippines (CCP), and based the name of the typeface, Sining, which refers to creative expressions such as painting, music, dance, literature, and other artistic activities. It encompasses both the aesthetic rules of art and the creative process itself. Which the building itself is about promoting Filipino arts and culture.
I've emphasised this top-heavy weight distribution with thin stems (with some exclusions) across the letters since the building was designed to have this "floating volume" style by Leandro V. Locsin (Filipino architect).
It's my first time creating a typeface ever, so please leave any of your thoughts below and let me know any advice for any future type projects I make :)
CB Sharp is a blocky font that I made myself. Most of the letters' forms, especially lowercases, are based on handwriting; though, due to limitation for me, some might be not. The font currently supports some of Latin, Greek, Cyrillic, Armenian, Hebrew, and Arabic.
Typographic variations of J, Q, a, f, g, j, k, l, t, y, 0, 1, and 7 are available in Private Use Area.
More letters may be added in the future.
A strong and rounded fixed-width font, aimed at single-font apps such as consoles and text editors.
Good for programming and text interface design.
Has more glyphs and completed Unicode subsets than most default monospace fonts.
A modular exploration of form and rhythm, this typeface is built from bold pixel units that lock together like digital architecture. Each letter balances weight and negative space, creating a structured yet playful system of sharp corners and stacked geometry. Rooted in retro game visuals but pushed toward abstraction, it feels both nostalgic and comfy – a typographic experiment in grid, mass, and movement. Best experienced large, where its block-built personality can fully assert itself.
Fangz is a sharp, blackletter influenced gothic typeface. Using aggressive triangular edges and ends, it's meant to be a sort of vampiric / brutalist font. If you're looking for something blocky yet sharp, simple yet fun, this font is for you!
Block Base is a bold sans-serif pixel font. All characters are broken away from a big brick to create a blocky typeface. If you want a big pixelated font, give this one a try on your next personal project!
This blocky typeface features strong, geometric letterforms built from bold, structured shapes. Its solid construction gives it a confident and modern presence, while the clean lines ensure high legibility at large and small sizes. The uniform weight and squared edges create a sense of stability, strength, and clarity.
Ideal for headlines, branding, sports graphics, signage, and digital projects, this typeface delivers impact without sacrificing readability. Its straightforward, no-nonsense design makes it both visually striking and highly functional.
This is a cloneThis font is a bold, ultra-heavy display typeface with a strong geometric and industrial feel. Its blocky letterforms are built from thick, monoline strokes with sharp angles and squared edges. The compact shapes and tight counters give it a powerful, high-impact presence. It works best for headlines, posters, and logos where a striking, modern look is needed.