Just a variation of an existing design. Spacing values were changed to break the chains, and "space" & "no-break space" were made blank.This is a clone of Might Chain
From the vault of unpublished doodles, a permutation of earlier ideas.
Oh look I made another one!
This one's inspired by the Hyperdimension Neptunia series: A recreation of the blocky font used in the game.
It's not a perfect recreation, but it's close enough to the font in HDN
Each letter has a width inverse to its frequency in English.
Portland State University has employed sworn and armed Portland Police officers since 2015, despite widespread dissent from the student body. On June 29, 2018, officers from the PSU Campus Public Safety Office used unnecessary deadly force when they shot and killed Jason Washington, a 45-year-old man who was trying to break up a fight outside a bar near the PSU campus. Jason Washington had a wife and a family; he worked for the United States Postal Service and was a Navy veteran. His killers were placed on paid administrative leave until a grand jury declined to indict them, and they will not face criminal charges.
It's far past time for PSU to take action. Two internal reviews have been planned, but no timeline has been given for when they will be complete. If Portland State University wants to be seen as a progressive school, the administration needs to take action and listen to what students have been saying for three years: Disarm campus security.
You can't be a progressive school if your security officers can get away scot-free with killing a black man who was trying to de-escalate a fight, just because he happened to have a gun; or if you allow anti-choice protesters to display twenty-foot-tall displays equating abortion to genocide in the center of campus, complete with graphic images of genocide victims and infamously falsified depictions of "aborted fetuses"; or if you knowingly provide a platform for notorious far-right agitators to spread their violent, hateful rhetoric in a city already fraught with neo-Nazis looking to cause harm to marginalized people. Kindly get your sh*t together, and stop pretending to be progressive: either drop the pretense, or drop the bullsh*t that should have been left to die back in the 40s-60s.
Anyway. I made this font as part of a design I'm donating to the #DisarmPSU movement on campus. Bootlickers are welcome to piss off and not use this font. No political arguments in the comments please.
An inverted alternate version of Spiderling that's glitch-free... for now, at least!
I think this doesn't look nearly as spider-like as the original... your mileage may vary...
A sunburst pattern was converted to negative space, resulting in little spiders!
This is a somewhat bold font that is free for use by anyone.
Some kind of great big ol' chain.
In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!
When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)
12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.
1. Negative spaces will be areas of 0.5 bricks' effective length or width.
2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.
3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.
Strange, the S and Z look better as the opposite of the shapes I expected them to be. 15 letters are basic shapes, 3 letters are 1x2 constructs, 6 letters are 2x2 constructs, and 2 letters are 3x3 constructs.
hello I was looking all over for a decent and complete 5 by 7 font from the early days of computing, I could not find any so I made my own and also it is as unambiguous as I could possibly make it and covers the full set of engilsh printable characters in the range from 0 to 127, 7 bit ascii... I hope you will enjoy it as much as I hope I will.
A doodle made with Brick Basket.
This has many uses! It works as a pixel font or a high-res one, and can generate a surprising range of visual effects.
See also:Psycho Wave
Another free 5x5 pixel font for game developers. This one has a vaguely authoritarian quality thanks to the hard 90° angles.
Looks like a Game Boy font to me!
Just a chip off the ol' block.... or the ol' shoulder :^)
See also: Solidity
Spartan Block is a simple blocky font. Design goals in creation were to build most glyphs by subtracting the least amount of black to reveal the intended symbol while also retaining asymetry in each form.
Some kind of patchwork or frayed woven look.
A big hulking Brutalist design.
Original size: 19pt
See also: Solidity
A segmented display inspired by Lorica Segmentata.
I didn't make this to convey the idea of "Space Romans", but I can see how it might be used in such a context. For that I'm envisioning something like a flip-dot display which uses these metal plates. Perhaps in the future I'll get an Arduino and some servos, then set about trying to build such a display...
A design for Perler bead and other fused bead artists.
These letters are designed to use a small(ish) amount of of beads while still being sturdy enough to make into charms, keychains and such. The letters are on a 7x7 grid and require an average of about 44 beads to make.
I recommend filling in the negative spaces with more beads, but if you fuse both sides, these designs should work fine on their own. I'll test some myself and post images eventually...
Original size: 5.25pt
"Mythical Bursts" is an anagram of "Bismuth Crystal". The design is inspired by said crystals as well as Mayan/Aztec carvings (or at least, the comparatively simple forms they have in popular media) and sgraffito art in which a surface is scratched off to reveal a contrasting material underneath.
12SEP2018: I've edited every glyph in order to disconnect the letterforms from their enclosing shapes. This makes the font much more readable and consistent.
Original size: 42pt (use multiples of this value for pixel perfection)
I made a blocky, industrial sort of style, then added art deco-style line width variation. Then, a couple of tech lines here, a couple of details there, and SHAZAM! We get these 1950's-era raygun-toting space race zippity zap letters. It's a font Marvin the Martian might use...
Original size: 7px (use multiples of this value for pixel perfection)
Another experiment. I made a grid out of the pinwheel shapes, then started drawing on it. Not sure why the bugged glyph count... hope nothing goes wrong...
Try viewing at 2x Pixel size to see how it is intended to look!
Type one of `|\^ then a letter to texture the background as well!
Type _ to create the blank pattern between letters.
Original size: 51pt (use multiples of this value for pixel perfection)
1. Alphabetic glyphs must fill the pinwheel grid space as much as possible.
2. The pinwheels must not touch any letter's perimeter line. Nor must they deviate from their formation, except when being deleted to make room for the perimeter lines.
3. 90-degree angles only.