Такой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!

Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!

Perhaps this is the limit of my capabilities.

See more:

https://fontstruct.com/fontstructions/show/155561/fs_penmanship

https://fontstruct.com/fontstructions/show/1501135/lazzaro-1

https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/1735833/logic-16

https://fontstruct.com/fontstructions/show/408191/telamon

https://fontstruct.com/fontstructions/show/477501/largo

https://www.fontstruct.com/fontstructions/show/1334057/bb-corners

Uses 2x2 filters for more control over bricks. Also has cleverly designed tone contours so I don't have to figure out what slope of bricks I need…

Contains all glyphs from WGL-4 plus some extra glyphs…

I'll eventually port this to OpenType with the bearings [more or less] balanced out (What I'll do is move specific glyphs 64 em units to the right), kerning, and GSUB tables…

A font used at the End Of Man. A language made for the men and children of Kotoyumi, Japan. Not a real language.

A sans-serif pixel font.

A recreation of the font used on the logo of LSD: Dream Emulator for the PS1. IMPORTANT NOTE #1: Most of the symbols and the diacritical accents are made by my own because I didn't found the characters on the LSD game and/or LSD promotional articles.

IMPORTANT NOTE #2: The lowercase "i" has a dot for the Turkish language and others (I/ı, İ/i), the same for the lowercase "j" (J/ȷ, (There's no Unicode for the capital "J" with dot)/j); so please use the the lowercase dotless "i" and "j".

Unicode codes (You can copy-paste the characters too.): ı (U+0131), İ (U+0130).

Can be used as uppercase-only or combined of lowercase and uppercase

See more:

https://fontstruct.com/fontstructions/show/332122/sentinel_3

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/795996/chibby

https://fontstruct.com/fontstructions/show/1687576/caramba-1

https://fontstruct.com/fontstructions/show/1404093/blopp-1

https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta

https://fontstruct.com/fontstructions/show/92583/frieda

Work in progress! :)

STATUS UPDATE

The next additions will be made sometime today.

Supernova17

9:40 AM EST

9/02/2021

This is a recreation of an in-game font used in the Legend of Zelda Oracles games.

Credit goes to Nintendo and Capcom.

Cyrillic letters from the Russian-translated hacks.

Based on my friend's profile picture.

Font name:
Circu Origin

Note from Designer:
This is a recreation of the super-secret font LTA/SMRT does not want you to remember. Will LTA/SMRT take this font down, I don't know. 

Will LTA take this font down?
Absolutely not. The FontStructions that are created and/or made available on this Site are the copyrighted work, as the case may be, of the respective creator.

Fontstructors, take note:
Any derogatory comments regarding the Font Designer, any other FontStructors, or this font will not be tolerated. You will lose commenting privileges, and risk having your FontStruct account terminated, if you violate the FontStruct's TOS.

Based on Metal Gear Solid's interface font, but non-pixelated.

Version 0.5

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A font made for a LuneKnight, a Terraria mod by yours truly. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken too seriously. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.

The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade. Actually, most of the quirks this font possesses are present to help present a handmade look.

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Notes

The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.

The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).

Version 1.1

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still wip.

I wounder what you think …

Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)

Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.

I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!