I joined Fontstruct to get some special fonts for greeting cards I made for sale. Over the years I have learned a lot from seeing the incredible variety of fonts created by members who are using simple bricks and a lot of patience; specially when cloning is allowed I can see and understand fine details which helps me develop further, increases my confidence and stimulates my imagination.
I love to design and make fonts for family, friends, for special occasions, to replace some of those more 'usual' basic fonts on my computer :)
I lived, studied and worked in F, GB and D. Apart from many 2D and 3D artistic things I still love weaving, medieval herbcraft, designing and making clothes, fun jewellery, board games.
And, yes, I studied to teach Art to youngsters, to supervise a printing workshop and to educate adults ...
A set of decorative tiles for use as dividers, to call for attention when placed in texts, to use as web backgrounds, etcetc.
UC is 8x8, LC is 7x7.This is a clone
Made for German texts.This means that it will also do English texts ;) In fact it will work for all languages that use the Latin set of letters, numerals, punctuation and symbols in text -- as long as no diacritics and other national specifics are desired.This is a clone
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to apply correct perspective.This is a clone of Raysan
Inspired by dpla's comment about an animation showing the transformation of a standard font into the shattered look of "Bruch 01". Such animation will be easier to comprehend if the non-Bruch design is reasonably close to the Bruch design; however the transformations won't be spectacular ;)
Although rather 'basic' this design would work well for such a presentation. Sadly I don't have an animation program to show this.This is a clone of Bruch 01
This seems to have taken inspiration from my First-TP-font "Sandor Basic Stripes" :) but was in fact inspired by shattered windows of a deserted building.
Reduced height "Gameao". I changed the M and W to avoid splitting bricks as that poses problems in small pixel fonts. 4x7 pixels (merci dpla!)
After Dmitriy added the beautiful Cyrillic set I added More Latin and some of that set's punctuation and symbols. That explains the "C+ML" of the name ;) I thought about adding Latin A but at the moment I can't figure out how to set the accents without breaking the ratio between UC-LC heights even further.This is a clone of ABC C
Reverse in the visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery pendants.
I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.This is a clone
Listening to cricket matches I saw a lot of trajectories in my mind when commentators discussed the balls' flight paths and where they landed, of some incredible bowling.
What a great inspiration for my first entry for the ReverseComp.
Maximum rectangle size is 16x20. The LC contains the flipped reversed UC.
I see many white-in-black designs coming in, I'm adding to them as we don't see this type very often ;)
I think that I managed to give the "impression" of those occasional graphics displayed in cricket, football, tennis and other ball-based sports (it might be hawk-eye linked) that show where balls have originated from or to predict/illustrate their continuation.
A blank space is on the underscore, a filled space on the space bar.
Numerals and very basic punctuation are done :)
I "aged" my Biscuit de l'Ouest font for a friend who wants it for a website about her old English breed of cattle.This is a clone of Biscuit de L'Ouest
A bit of artistic flying ;) This design would have benefitted from the original 8x8 composite possibility but 5x5 or 4x6 would have worked, too. Done as far as I need it for normal communication in modern English.
Good luck Ryan, I hope things will go well with you. Don't hesitate to check your account, no need to publish fonts while you have other things to do. But it would be nice if you could say "hi" in the forum :) when you're logged inThis is a clone of Flat Fat
Wider lines on this version of Raysan. As it is a display font it only needs upper case and some essential punctuation. It would be useful for shop signs, headers and (part of) logos. It belongs to the Raysan family but I changed some spacings.
Yes,I didn't follow my design rule for J,T,Z,1,2,3,7 nor for .,+-+ and the different types of >< I found the left lines with the a in @ and e in & unpleasant and unnecessary.This is a clone of Raysan Great
Inspired by the multitude of Ray's designs, and by our shared professional experiences. Hope you'll return soon, P2P:)This is a clone of Raysan
Developped from the basic Raysan design I made to celebrate knowing P2P and appreciating his support when I first started FontStructing, I wanted a joyous more relaxed look to thank him.This is a clone of Raysan
Inspired by the multitude of Ray's designs, and by our shared professional experiences. Hope you'll return soon, P2P :)This is a clone of Raysan
Planned and started a long time ago as a birthday present for my nephew. I finished it in time for his 13th :) and downloaded a copy to a USB stick. I'll also send him a Spreadshirt item using this font. Thanks to FontStruct I can offer such amazing novel gifts :)
This is not just another tile set that simply uses a wider variety of brick in each glyph. I added "twists". I wonder how long before someone notices ;)