A Kind of oblique with difference in between capital and small letter. Capital have horn whereas small has no horn

This is a font where its Oblique. Thats all!

WIP

See more:

https://www.fontstruct.com/fontstructions/show/675113/equalize-1

WIP

See more:

https://fontstruct.com/fontstructions/show/1697288/silverhand

https://fontstruct.com/fontstructions/show/1706067/partiya-1

https://www.fontstruct.com/fontstructions/show/615451/galaxsea_darkmatter_normal_a

https://www.fontstruct.com/fontstructions/show/1399455/ff8-untalic

https://www.fontstruct.com/fontstructions/show/738825/structures_light_1

https://www.youworkforthem.com/font/T10888/space-oddity

THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.

Work in progress! Кириллица получилась очень динамичный, срывающийся с места(или едва стоящий на ногах в кириллице, ох уж эти пьющие русские), модный, цепляющий шрифт для вывесок(ночного клуба).

See more:

https://www.artlebedev.ru/type/junior/

https://fontstruct.com/fontstructions/show/1544279/digitalis-6-4

A monospace font with a regular, oblique, and italic set of variants.

Mandeljot is the idea of simplicity. What you are looking for is deeper, it doesn’t just appear upon the surface. The font being based upon a basic San Serif type only enhances the real fluidity of the fractal. There’s a series of repetition within the letters, at a glance it is hard to understand want the font is trying to portray or connected to. Nature, diversity, humanity or even practicality. The ability to glare and focus on the question of the font is the importance, it’s elegant yet so real. With flourishes being created through shading. The form of it being fractals makes it look delicate. It’s meant to represent something within everyday life that is “Beautiful, damn hard, useful’ design. Mandelbrot should be used within Nature/Technology/Sound/Structures/Art/Law. 

Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)

Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.

I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!

One of those strange designs that sit in my note pad for ages and suddenly decides to  become useful :)

Based on the Timerider logo. This is definitely the most difficult font I've made - don't know if I can finish the accents and punctuation.

   See more:

https://fontstruct.com/fontstructions/show/517534/his_nibs

https://fontstruct.com/fontstructions/show/753191/tourniquet

https://fontstruct.com/fontstructions/show/445265/fs_rinali

https://www.volcano-type.de/fonts/categories/modulargeometric/dreid

https://fontstruct.com/fontstructions/show/458350/fs_ini

https://www.fontstruct.com/fontstructions/show/257072/fs_easy_dna_auto_stencil

https://fontstruct.com/fontstructions/show/1311565/arabic-13

Here's what not to do:

--Start an easy fontstruction to pretend you don't have time to do research assignment due last month

--Draw lowercase letters

--Change all letters to have slightly more personality

--Draw uppercase

--Change all lowercase to match the uppercase

--Draw numbers

--Change all uppercase to match numbers

--Change one letter so that it makes better auto-ligature

--Change all letters to have less personality

At this point, who knows how much time has been sunk into doing this "easy" fs and what it started out as. And unoriginal to boot. Forget it. Next!

For Sándor. The font has upper and lower case. Having 'played' with the baselines for the letters I decided that this font looked better with LC letters aligned at the top rather than on the base line. The font has basic Latin and most glyphs of the more Latin set, and I added the Polish diacritics.