This is a recreation of an in-game font used for the dialogue in Super Mario 64.
Credit goes to Nintendo.
Greek letters from the Greek-translated hack.
Cyrillic letters from the Russian-translated hack.
This font's title means "masterpiece" in Spanish. The FontStruction can be used for closed-captioning, translating, videogame developing, cable footages, and much more! Please give credit to us when you download this font. Tell us what you think in the comment section below!
Good luck and have a nice day, everyone!
This is a recreation of an in-game font used in Pokemon FireRed and LeafGreen.
Credit goes to Nintendo, GAME FREAK and Creatures Inc.
Cyrillic letters from the Russian-translated hacks.
A font based on my own handwriting.
Fully compatible with english, french, Yoruba, and other languages using the Pan Nigerian alphabet and Africa reference alphabet.
Currently working on formatting combining diacritics so they don't float above lowercase letters.
This is a kanji font, it will be downloadable when im done working on this font.
UPDATE 17/03/2021 12:??: this project will probably not possible too.
UPDATE 17/03/2021 12/27 I am also a bit lazy.
UPDATE 17/03/2021 12/28 I get lost and cant keep track of the glyphs too. This is really bad!
A font made for a LuneKnight, a Terraria mod by yours truly. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken too seriously. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.
The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade. Actually, most of the quirks this font possesses are present to help present a handmade look.
The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.
The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).